Yes, my love of Beverley continues apace – and I decided recently to pick up the next of his Allways trilogy, A Thatched Roof (1933). I rushed through, and adored, the Merry Hall series last year – but stalled after the first of the earlier Allways trilogy, Down the Garden Path. Would I prefer this one?
In short, yes. I certainly enjoyed Down the Garden Path, but it didn’t live up to my love for Merry Hall et al. A Thatched Roof definitely felt like a step in the right direction – with more humour, more rounding of the eccentric neighbours, and, crucially, less about gardening. Because here he moves inside.
The low lintels of the cottage have many disadvantages, but they have one supreme advantage. They afford an immediate topic of conversation. They make things start, quite literally, with a bang.
And so starts Beverley. I enjoy reading about gardens and gardening when it doesn’t rely on expertise or references to visuals that don’t appear – but I found Down the Garden Path a bit too heavy on gardening and light on narrative. I don’t mind the ratio so much when he is talking about putting a window into his study, or knocking down a section of wall and finding a surprise alcove. I love reading about interiors and renovations. I also love reading Beverley get snobbish on the topic of other people’s taste, because it is delightfully catty, and the outrage he directs on this topic to the people who rent it from him for a while is quite vicious, in a harmless sort of way. Great fun.
The locals begin to come to life more. There is Mrs M., the local busybody and interferer; there is Undine, who swears by water diviners and thinks everything heavenly (as long as it doesn’t smack of modernity). There are a cast of lesser characters, including a wonderfully lazy and cross housekeeper – none of them shine as brightly as the fond antagonists of Merry Hall, but they offer their own entertainment.
Not least when the topic of electric light comes up. This takes up much of the final section of the book – as they debate whether or not it should come to the village (and then Beverley rebels and gets it all for himself, listing for us the wonders of illuminating statues and stairways). He doesn’t care at all that others can’t share his electricity – indeed, he is not always the most likeable of people, but he writes beautifully and we can charitably assume that a lot of what he writes is self-lampooning or exaggeration. Hopefully…
I bought this book way back in 2004, on the strength of the title and the age of the book (and perhaps, had I flicked through the first few pages, the reference to The Provincial Lady Goes Further). It’s good to have finally read it – and I’m sure I’ll move on to the third of the trilogy before too long. I don’t know if I’ll revisit the Allways books, but it certainly fitted the mood I was in at the time, and that sort of dependability is to be cherished. Now, if only I had an edition with Rex Whistler’s illustrations on the dustjacket…



















