Author: StuckinaBook

I first heard of Turtle Diary (1975) by Russell Hoban when looking for films made in the year I was born (the adaptation was made in 1985). I didn’t watch it in the end, but it did make me pick up the book a couple of years ago – and, of course, I couldn’t resist a lovely NYRB Classics edition.

The novel is told in alternate chapters by Neaera H and William G, two middle-aged people who are feeling rather lost. Neaera writes and illustrates children’s books and has a pet water beetle; William is feeling lonely as he tries to get used to being divorced and living in a boarding house. Both are drawn to London Zoo – particularly to the turtle enclosure. And both want to set the turtles free into the ocean.

This is exactly what happens – they get a sympathetic zookeeper on side, hire a van, and take the turtles to the ocean in Cornwall. What’s so brilliant about Hoban’s novel is that this isn’t a joyful passage of discovery, or a road trip where they learn to love each other. They both remain awkward and with their unhappinesses. The moment is not as life-changing as they think – it is not the culmination of the novel; we see the anti-climax afterwards. It is a very human story of real people, who cannot shed their disillusions, however extraordinary a moment in their lives may be.

Hoban is a fantastic writer. I enjoyed how often literary and movie references were brought in, remembered or half-remembered by the respective narrators. And he has such an observational turn of phrase and clever use of simile. Not just for the human characters but, aptly enough, for the animals – so I’ll leave you with this depiction of a sandpiper:

At the Waders Aviary a little sandpiper who would never have allowed me to come that close in real life perched on a sign a foot away from me and stared. He knew that he was safe because the wire mesh of the cage was between us. He has lost his innocence. He appeared to have lost a leg as well, and for a long time stood steadfastly on the one very slender remaining member whilst looking at me through half-closed eyes. Having kept me there for nearly half an hour he revealed a second leg that matched that other perfectly, then flew down to the sand and entertained a lady sandpiper with an elegant little dance that seemed done less for the lady than for the thing itself. He made his legs even longer and thinner than they were, drew himself up quite tall in his small way, spread his wings, wound himself up and produced a noise like a tiny paddle-wheel boat whilst flapping his wings stiffly and with formal regularity. At the same time he executed some very subtle steps almost absent-mindedly, with the air of one who could be blindingly nimble if he let himself go. The lady watched attentively. At a certain point, as if by mutual agreement that the proprieties had been observed, he stopped dancing, she stopped watching. They went their separate ways like two people at a cocktail party.