I was an enormous fan of Howards End is on the Landing by Susan Hill – a book all about her year of reading only books from her shelves that morphed into a series of short essays about anything and everything to do with reading. It was bookish, opinionated, and (I thought) an inevitable delight to anybody who loved reading. About that I was wrong – it divided people – but I have re-read and re-loved it, and have been waiting eagerly for the sort-of sequel for as long as I’ve known it might be a thing. Jacob’s Room is Full of Books (2017) was never in doubt as one of my Project 24 books.
I’ve been following the development of the book with interest. Ages ago, I saw Virginia Woolf is in the Kitchen listed on Amazon, and asked Susan about it on Twitter – yes, she confirmed, it was sort of a sequel to Howards End is on the Landing, but only about women writers. At one point it became Jacob’s Room is Too Full of Books, with a cover design on Amazon. Who knows when that changed, and when the title was changed, but what we’ve got instead is ‘a year of reading’ – she follows the calendar from January to December, talking about what she’s reading and what she’s thinking about, interspersed with notes on nature and life. The title doesn’t make sense (yes, Jacob’s Room is a novel by Woolf, but where Howards End is on the Landing and, indeed, Virginia Woolf is in the Kitchen can describe the place of books in the house – Jacob’s Room is Full of Books doesn’t mean anything, and will confuse anybody who doesn’t know the Woolf novel) – so, yes, it doesn’t make sense. But I don’t care. I still loved this book and raced through it in a handful of days – even while trying to savour it.
Though the calendar year structures the book, Hill darts all over the place. Sometimes for a moment merely – she throws in the thought ‘does Donald Trump ever read books?’ in a line or two – sometimes at greater length. She talks about the authors she loves, from Dickens to Ford Madox Ford to Ladybird Books. She talks about the literary scene – judging book prizes, getting into hot water in columns. She writes about the writer’s life. She writes quite a lot about things that aren’t connected with books, particularly flora and fauna. It’s wonderfully conversational and far-ranging – not as siloed as Howards End is on the Landing, but equally delightful to dip in and out of. Every page will have something to engage with. I couldn’t help picking it up and indulging when I should have been reading something for book group or the podcast. I loved it.
There are definite flaws. Hill repeats herself – the same points come up almost word-for-word at different times about (say) whether or not you can ‘catch’ a writing style – and there are silly errors (88 Charing Cross Road should have been caught – and somebody at the publishers will feel red-faced about putting an apostrophe in Howard’s [sic!] End is on the Landing on the dustjacket). Some of the paragraphs end in with that sort of trite beat that I find so frustrating in fact or fiction. This kind. To prove an argument. Perhaps.
And, yes, Hill is extremely opinionated – which is anybody’s prerogative, of course, though it is refreshing when she admits that she could be wrong about something. I can be very opinionated about books myself, but the only times it annoyed me a little were when Hill seemed to think her opinions were fact – or when she claimed that ‘nobody’ read such-and-such author. On almost every occasion, I had read that author. And this… well, gosh.
The Olivia Manning trilogies have grown in stature since they were first published – as some books do. They have already stood the test of time and I am sure they will go on doing so, while novels by many of her female contemporaries have all sunk without trace. Ivy Compton-Burnett, anyone? Kay Dick?
What a bizarre thing to say about Ivy Compton-Burnett! Not only is she (to my mind) one of the greatest writers of the twentieth century, she is also in print with NYRB Classics. No mean feat, so many decades after she wrote – and hardly sinking without trace.
But this is, really, one of the things I find so beguiling and enjoyable about Jacob’s Room is Full of Books. Hill may be a little more strident than I can bring myself to be, but it’s still wonderful to hear from somebody who cares so passionately about books, who has read avidly for so long, and (incidentally – but truly incidentally) has met so many of the people she’s talking about. Some people complained that Howards End is on the Landing felt name-droppy. It didn’t to me, and this doesn’t, but perhaps others would find it so? Anyway – Hill and I do not share a taste at all, though there are overlaps. We both love Dickens and Woolf, for example. Our experiences with To The Lighthouse are so similar that I wrote ‘yes! yes! yes!’ in the margin. But there are definite divergences. She writes so enticingly about The Masters by C.P. Snow that I almost wanted to go and hunt it out – despite having read it earlier in the year and finding it one of the most boring, pointless books I’ve read in years. She – as mentioned – does not properly appreciate the genius of Ivy Compton-Burnett.
But disagreement makes bookish discussion all the more engaging. Obviously it’s not a duologue – though I suppose I could reply on Twitter or something – but it feels like a deep, thorough natter about books. I could have done with more about reading, more specifics about books, and perhaps a bit less about birds and whatnot (though plenty will welcome those seasonal variations) – but I loved what I got. Susan Hill has a strong personality, or at least a strong persona, and this book couldn’t be written by anybody else – but I hope she writes at least one more in this series. For now, I’m thrilled to be able to put this one next to Howards End is on the Landing on my books-about-books shelf.