I can’t remember why I bought The Dogs Do Bark (1948), but it’s possible it was seeing a mention in passing on Scott’s Furrowed Middlebrow blog. There, he talked about it being a novel set in a seaside resort, and the title made me think it might be in a boarding house. Sorry, boarding house novel fans, it is not. But it is interesting in its own right.
There aren’t any dogs in the novel. Instead, the title comes from an idiom or poem or something. I’d never heard of it, but it is helpfully put as an epigraph to the book: ‘Hark, hark! The Dogs do bark! The Beggars are coming to Town. Some in rags, and some in tags, and some in velvet gowns.’ Eventually the meaning of all of this is explained, but I’m not sure it ever quite made sense.
The setting is St. Swithin’s-by-Sea, and Willard introduces the community very amusingly. I think her strongest, wittiest writing comes at the outset of the novel – the drama of events somewhat take over the archness with which she begins, but I loved this scene-setting:
The concert hall was full. St Swithin’s-by-Sea prided itself on an appreciation of the arts. It was a small, clean town, swept by south-west gales and great seas in winter-time, swept by trippers and red-faced holiday-makers in summer-time – a small town with a keen municipal conscience, which burgeoned in the shape of neat painted litter baskets, a picture gallery which was the bane of the ratepayers, a repertory theatre with a small subsidy, and fortnightly concerts in the autumn and spring. A visiting orchestra, under the baton of a conductor whisked rather unexpectedly into prominence by the BBC, had today brought forth a tribute in the form of pots of azaleas, which were spaced among the perennial ferns at the edge of the platform. The ladies of St. Swithin’s were very much in evidence, wearing their pearl earrings, their furs, their most responsible and intellectual bearing. The listened, flatteringly rapt, to a programme devoted without stint to the works of Grieg.
At the concert is Christine – an eager and passionate young woman, with the competing emotions of duty, romance, and honour. She is, I reiterate, young – young and naïve. Her sister Rosetta is neither of these things, married to a weak man she doesn’t much respect or like, though perhaps deep down she loves him. And all of them live with their domineering father and his mild, wise sister. Throw into the mix a devoted and slightly creepy butler, and that’s the uneasy household.
Mr Zeal – yes, Zeal is the family name – was injured in the First World War, and is a wheelchair user. He certainly doesn’t let that stand in the way of ruling his family with a rod of iron, particularly sapping the life out of his son-in-law. He is not cruel to them, but his jokes often have a sharp edge and other people’s feelings don’t factor in his decision making. Nobody seems to expect anything else.
With this set up, it’s rather a surprise that the main theme of the novel is… begging letters! It’s certainly a plot that I haven’t read anywhere else. In an era before spam emails and online fraud, the professional begging letter was the way in which the undiscerning kind could be swindled of their money. Of course, no doubt some people genuinely sent out pleas for money they needed. But, according to Zeal’s friend and local political candidate Crowther, there is an epidemic of wicked people using begging letters falsely. (Crowther’s son, by the way, is going out with Christine, and an engagement is on the cards.)
Crowther launches a campaign against such begging; Zeal thinks there is no problem with it. It all leads to the crux of the novel, where Zeal decides to trick Crowther. But there is more going on, under the surface…
I really enjoyed The Dogs Do Bark, and Willard’s writing is certainly very adept. As I hinted earlier, she does get a little melodramatic when the peaks and troths of the plot take over, and I’m not sure the stakes are quite as high as she thinks they are. While begging letters are a fascinatingly unusual topic for a novel, I think I’d have preferred them to have to bear a little less dramatic weight. A novel that just depicted life in St. Swithin’s-by-Sea, maintaining the dry style of the book’s opening, would have been a total delight. Apparently Willard was better known as a children’s historical fiction writer, and I can see that the approach she takes might well suit that genre and audience.
As it is, it was an enjoyable romp and all a bit silly – though not without poignant moments alongside. Certainly worth picking up if you come across it, if only because you’re unlikely to read anything from the 1940s quite like it.