Tea or Books? #43: scientists vs clergymen, and As It Was vs Fair Stood the Wind for France

Scientists! Vicars! H.E. Bates! Helen Thomas!


 
Tea or Books logoWe’re popping in between holidays to record an episode about clergymen and scientists in novels – doubtless missing plenty of them, but thank you for everyone who tweeted in with your suggestions. We’d love to hear more!

In the second half, we discuss Helen Thomas’s memoir As It Was (1926) and H.E. Bates’ novel Fair Stood the Wind for France (1944) – which turn out to have more in common than we feared (and less than we initially thought). It’s quite the rollercoaster, guys.

Do check out our iTunes page, and you should be able to rate and review through iTunes apps and maybe podcast apps and one day I’ll work out how this happens. Below are the books and authors we mention in this episode:

Poldark series by Winston Graham
The Brother Gardeners by Andrea Wulf
The Lost Garden by Helen Humphreys
The Chateau by William Maxwell
The Boat by L.P. Hartley
The Go-Between by L.P. Hartley
A Perfect Woman by L.P. Hartley
Instead of a Letter by Diana Athill
The Warden by Anthony Trollope
Barchester Towers by Anthony Trollope
Emma by Jane Austen
Pride and Prejudice by Jane Austen
Northanger Abbey by Jane Austen
Mansfield Park by Jane Austen
Gilead by Marilynne Robinson
As For Me and My House by Sinclair Ross
The Poisonwood Bible by Barbara Kingsolver
Diary of a Provincial Lady by E.M. Delafield
Frost at Morning by Richmal Crompton
The Rector’s Daughter by F.M. Mayor
The Vicar’s Daughter by E.H. Young
The Clergyman’s Daughter by George Orwell
Agnes Grey by Anne Bronte
Under the Rainbow by Susan Scarlett
Clothes-pegs by Susan Scarlett
A Room With a View by E.M. Forster
Oscar and Lucinda by Peter Carey
Tess of the D’Ubervilles by Thomas Hardy
The Pastor’s Wife by Elizabeth von Arnim
Frankenstein by Mary Shelley
Dr Jekyll and Mr Hyde by Robert Louis Stevenson
The Woman in White by Wilkie Collins
Remarkable Creatures by Tracy Chevalier
To The River by Olivia Laing
Appius and Virginia by G.E. Trevelyan
Hackenfeller’s Ape by Brigid Brophy
Dangerous Ages by Rose Macaulay
Agatha Christie
Oliver Sacks
Wives and Daughters by Elizabeth Gaskell
The Morning Gift by Eva Ibbotson
Middlemarch by George Eliot
The Diving-Bell and the Butterfly by Jean-Dominique Bauby
The Island of Dr Moreau by H.G. Wells
The Time Machine by H.G. Wells
Margaret Atwood
Famous Five series by Enid Blyton
As It Was by Helen Thomas
Fair Stood The Wind for France by H.E. Bates
Edward Thomas
World Without End by Helen Thomas
The Darling Buds of May by H.E. Bates
Love for Lydia by H.E. Bates
Under Storm’s Wing by Helen Thomas
To Bed With Grand Music by Marghanita Laski
The Village by Marghanita Laski

My Husband, The Poet

Number 19 in the 50 Books You Must Read But May Not Have Heard About is a double-whammy. Actually, since the 1930s these books haven’t been published separately, as far as I’m aware, so hopefully I shan’t be done for false advertising or anything.

Step forward, Helen Thomas. No, not my aunt (though I do have a very nice aunt of that name) but rather the widow of poet Edward Thomas. Y’know, the ‘Adelstrop’ one. After Edward was killed in the First World War, she wrote As It Was, an autobiographical (though pseudonymical) portrait of their courtship and marriage, up to the birth of their first child. She wrote it cathartically, and was only approached with the idea of publishing a while later (1926). This she did, and followed it a few years later with World Without End (1931), which started where As It Was left off, and continued until David (Edward) leaves for war.

What beautiful books! Helen’s writing is the very opposite of pretension – but she is a natural born storyteller. She raises a family, moves through several small house, joins and leaves communities. Very little that I can see or analyse why she is so good, but these books lilt along with bathos and pathos and every sort of -thos. The final paragraph had my crying:

A thick mist hung everywhere, and there was no sound except, far away in the valley, a train shunting. I stood at the gate watching him go; he turned back to wave until the mist and the hill hid him. I heard his old call coming up to me: ‘Coo-ee!’ he called. ‘Coo-ee!’ I answered, keeping my voice strong to call again. Again through the muffled air came his ‘Coo-ee’. And again went my answer like an echo. ‘Coo-ee’ came fainter next time with the hill between us, but my ‘Coo-ee’ went out of my lungs strong to pierce to him as he strode away from me. ‘Coo-ee!’ So faint now, it might be only my own call flung back from the thick air and muffling snow. I put my hands up to my mouth to make a trumpet, but no sound came. Panic seized me, and I ran through the mist and the snow to the top of the hill, and stood there a moment dumbly, with straining eyes and ears. There was nothing but the mist and the snow and the silence of death.
Then with leaden feet which stumbled in a sudden darkness that overwhelmed me I groped my way back to the empty house.

Wow.

Throughout Helen’s writing, Edward/David doesn’t come off as the best husband, but what saturates these books is Helen’s passionate, loyal and unshaking love for him – the sort of love which would seem a bit far-fetched in fiction, but is obviously true here. Such simple books, but will move you a huge amount, I guarantee it.

I thought they’d gone out of print, but managed to find a new edition called Under Storm’s Wing, which has the two novels alongside some photographs, letters and memoirs. Haven’t looked at the letters and memoirs yet, but I await them with pleasure. They can only add to the touching honesty with which Helen Thomas has written simple, beautiful, affecting works.