The Museum (short fiction)

Sometimes the mood takes me to write some fiction… This one, again, is a bit different from the others – I’m enjoying experimenting.  I shan’t say any more about it, although part of me is itching to say more.  Instead… here is ‘The Museum’.
Sylvia Hawthorn often answered the door with something in
her hand and today it was a blue and gold teapot, which had once been a gift
from a friend of her father’s who might have become Prime Minister, if he had
ever successfully stood for election.  Luckily
the teapot was empty, albeit slightly soapy.
“Miss Hawthorn?” said the lady in uniform on the
doorstep.  The uniform was navy and neat,
with a stripe of gold on the pocket, but Sylvia did not recognise it.  A man in the same uniform (a little less
neat) stood behind.  Both of them looked
young, but a lot of people looked young to Sylvia – who was, herself, 78, but
(as people often put it) ‘still living alone’. 
It was that ‘still’ that Sylvia hated to hear.  The word implied that things might, perhaps
should, soon change – that, frankly, some person or persons unknown had slipped
up by letting the situation continue for so long.  The lady in uniform smiled patiently, and
waited for an answer.
“Yes, I’m Miss Hawthorn. 
Can I help you?”
“We’re here for the museum.”
“I beg your pardon?”
“The museum.  We’re
here regarding the museum.  Would you
mind if we stepped in for a moment?”
Sylvia was not used to saying no to people.  Indeed, she was not used to be consulted on
any matter.  Having been brought up to
respect uniforms, whatever they might signify, she stepped back to allow the
lady and the man to walk past her down the hall.
“I think it will do nicely,” said the lady.
“Perhaps the corridor could be widened?” murmured the man.
“Oh, well, of course – the corridor could hardly stay as it
is.  Think of wheelchair access, for one
thing.”
“I’m sorry?” Sylvia said, but they were in the living room
now.  She wished that she had vacuumed,
or at least tidied in there, but she always started her weekly clean in the
kitchen.  It certainly wasn’t tidy in the
living room, she knew; a pile of books were on the sofa, a jigsaw puzzle was
half completed on the coffee table, and there might well be – she blushed to
remember – the remnants of a cup of cocoa on the sideboard.  Still, she couldn’t stand in the hallway all
evening.  She put down the teapot on the
stairs, and followed.
In the living room, the man and the lady were walking slowly
around the coffee table, looking closely at the mess of objects.  Sylvia trotted quickly to the sofa and
started picking up books.
“Excuse me, Miss Hawthorn,” said the lady sharply, “I’m
going to have to ask you not to touch the exhibits.”
The man hurried across the room, and firmly took the books
from Sylvia’s hands. 
Anne of Green Gables,”
he read, “and The Tenant of Wildfell Hall.”  The lady produced a tiny notebook from
somewhere within the uniform, and scribbled some notes.
“They’re from a sale at the library,” Sylvia said, the blush
returning to her cheeks – it was never far from them. “I promise I didn’t steal
them.  I paid £1 for each.  The suggested donation was only fifty pence,
but I like to support charity when I can.” 
She paused, wondering what other relevant information she could possibly
provide.  “I don’t recall the exact
charity.  I have a feeling it might have
been something to do with parrots.”
“Just put them back where they ought to be, thank you.  I’m sorry, Miss Hawthorn, the exhibits really must be left as they are.”
“I’m afraid I don’t really understand – ”
“Proper signage will be in place in due course,
obviously.  Now, if you could take us
through to the kitchen…?”
The lady spoke considerably more than her companion, but he
made up for his silence with the level of attention he paid to all of Sylvia’s
possessions, frequently writing things in his own tiny notebook.  It was a little officious, Sylvia thought,
not to say nosey.  If the man who might
have become Prime Minister were there, he’d have known what to do.  He’d been so clever about the situation with
the village hall plumbing, and had once given her a pair of warm suede gloves,
sensible man.  Not many gentlemen would
have thought of that.  Sylvia took the
only course of action she could think of.
“Would either of you like a cup of tea?”
“Oh, certainly.” The lady in uniform nodded to her partner,
whose own uniform, it transpired, held takeaway cups filled with tea.  “Of course, we can’t use the cups and mugs
you have here.”
Sylvia tried not to look offended, which was the certain
method of making her look her most offended. “The crockery was a gift from my
parents.  I believe the mayor has a
similar set.”
“Write that down,” said the lady to her companion. “The
current mayor? Yes? But you understand that we can’t use the exhibits in such a
manner.”
“Goodness, no!” said the man.
“I’m terribly sorry,” said Sylvia, feeling reluctantly that
the time had come to be direct, “I really don’t understand.  Are you from the council?  Is this – ” (an advert she had seen on
television came dimly to her mind) “– is this at all connected with my TV
licence?”
“I thought I’d explained. 
We’re from the museum.  We are
members of the Museum Committee.”
The man in uniform, who was examining the shelf of teacups,
looked over his shoulder and added: “The subcommittee for pre-launch evaluation
and itemisation.”
“But – I really am most terribly sorry – what is this museum?  And what has it to do with my home?”
The lady laughed – quite kindly, it seemed to Sylvia.  She smiled uncertainly in response.  There remained a faint hope that a few words
would make everything clear again.
“Why, the museum of you, of course!  The Sylvia Hawthorn Museum.”
Before Sylvia could respond, the man had beckoned to his
partner.
“A teapot.  A teapot
is missing.”
The lady strode across the room, friendliness lost in a
moment of businesslike concern.  She
flipped through her notebook, frowning.  Sylvia
stared across the room, hoping that standing still and not speaking would
somehow provide a solution to her confusion. 
They muttered to each other for a minute or two, until Sylvia wondered
if they had forgotten about her entirely. 
Eventually the lady addressed her.
“Miss Hawthorn, my colleague cannot find the teapot.  A blue and gold teapot.”
“I’m afraid I – no – no, it’s usually on that shelf.  I don’t know where it is.”
“Miss Hawthorn, this is quite a serious matter.  Any theft will be prosecuted.  That is our policy, however large or small
the item or items taken.”
“But – but it’s mine.  The teapot is mine.  Everything in this house is mine!”  Even in a moment of confrontation, though,
Sylvia was scrupulously honest, and felt compelled to acknowledge an exception:
“There is a library book by my bed.  I
don’t own that.  It isn’t especially
good.  I would describe the
characterisation as lacklustre.”
The man wrote this down quickly, but the lady’s eyes did not
drop from Sylvia’s face.  “I don’t wish
to upset you, Miss Hawthorn, but the museum simply can’t permit exhibits to be
tampered with.”
“I wish you’d explain to me what this museum is.”
“I believe you’re being deliberately difficult, Miss
Hawthorn, and the committee had so hoped that pre-launch evaluation and
itemisation would run smoothly.  We only
have a week until opening, as you know.”
“But I don’t know.
 I really and truly don’t know what
you’re talking about!”
“The Sylvia Hawthorn Museum, of course. I have already made
that quite clear.”
Sylvia stood with her mouth a little open.  They had reached, she realised, what her
father would have called an impasse.
The man shook his head with obvious disappointment. “We can
come back to assess the kitchen later,” he said. “It’s almost three; we’d better make a start
upstairs soon.” He turned back to the shelf.
The stairs!  Sylvia
suddenly remembered where she’d left the teapot.  In amidst the confusion, that seemed to be a
bright light of elucidation.  Perhaps,
somehow, if she clung onto that information, the rest would fall into place.
The lady and the man had now both turned away from her,
apparently giving her up as a lost cause. 
They were counting mugs and cups, ticking them off a list in their
notebooks.  Sylvia watched them for a
moment, and quickly made up her mind.  Suddenly,
hoping they wouldn’t follow, she hurried out of the kitchen.  Her pace increased as she got to the hallway.
They hadn’t
noticed her leave.  She knew what she had to do.  Without pausing to
put on a coat or a hat, without even putting on the gloves that had been a gift
from the friend of her father’s who might have become Prime Minister, she
pulled open the front door, grabbed the teapot from the stairs, and ran, ran as
quickly as she could, away from the door, away from the museum, and away, away into
the fog.

Jane Austen wrote the works of William Shakespeare (short fiction)

Another piece of short(ish) fiction; a little bit different this time!  I hope you enjoy it…

“Thank you very much, Dr Welling, that was a fascinating – a fascinating and original – talk on the way in which Jane Austen uses middle-child syndrome in her novels, letters, and, of course, her juvenilia. I’m sure that there will be lots of questions, but we’ll wait until all three panellists have spoken.” The chair glanced quickly at her watch, but needn’t have been so surreptitious; every member of the audience was performing the same action. “Now please join me in welcoming Dr Tove Sivertsen, from the University of Oslo, who will be speaking to us on Jane Austen and William Shakespeare.”

Applause was desultory, and ceased before Dr Sivertsen had made her way to the podium. She was a short woman with tiny glasses and messy white hair. Her head and neck were visible to the audience of tired academics, but no more; she reached a diminutive hand to pull the microphone down an inch, and neatened the edges of the papers in front of her.

“I take as my first premise,” she said, in a heavily-accented voice, “that Jane Austen wrote the works of William Shakespeare. If we –”

“I beg your pardon,” said the chair, aware of the sudden attentiveness in the room. “I’m sorry to interrupt, Dr Sivertsen, but could you repeat your opening sentence?”

“Certainly, certainly,” said Dr Sivertsen nervously. “I said, ‘Jane Austen wrote the works of William Shakespeare.’”

There was a fraught pause.

“I’m sorry,” said the chair again, “are you really suggesting that Jane Austen wrote the plays which are commonly attributed to William Shakespeare?”

Dr Sivertsen’s tiny eyes grew anxious, and it was in a whisper that she replied that yes, indeed she was.

A German gentleman in the front row stood up. “That is ridiculous!” he cried, and, after a moment, added: “Ridiculous!”

“If we look at the evidence – ” began Dr Sivertsen.

“There is none! There couldn’t be! The idea is preposterous!”

“Perhaps we could – ”

“Ridiculous!”

There was an awkward silence. The chair felt that order ought somehow to be restored, but before she could interject, Annette Steinberg had risen to her feet. This was enough to make other attendees roll their eyes at the best of times; Annette was renowned for her love of conspiracy theories, and belief that neither Austen nor her works were quite all they seemed. Her belief was constant, though its manifestations were subject to much variation.

“My colleague raises an interesting angle,” she began, “And one I am inclined to take seriously – ”

“Oh, shut up Annette!” cried somebody from the back of the room, which was met with rather more applause than Dr Sivertsen had been given.

“A cursory glance at the dates in question – ” one man was asserting, while another loudly and determinedly listed all the arguments in favour of an anti-Stratfordian perspective. Annette, accustomed to being interrupted, boldly continued to support (the now silent) Dr Sivertsen:

“ – and, if we recognise the possibility of the falsification or disposal of documents – which, given Cassandra Austen’s acts in the 1840s, ought to – ”

Suddenly everybody in the room seemed to be speaking at once, except Dr Siversten, and many were shouting as loudly as they could. Though nobody in the room had initially taken the suggestion seriously, the question of the Austenian authorship of Shakespeare’s plays (“the Bard of Chawton!” cried one particularly enthusiastic junior research fellow) drove the room into a frenzy. Unwillingness to consider the theory was seen by some as symptomatic of the arrogantly conservative old school of Austen critics, while a willingness to consider it was seen by others as symptomatic simply of insanity – or, worse, poor scholarship.

It wasn’t clear who threw the first chair; in any case, it missed its target. As did the second. Whoever threw the third – witnesses have suggested it was, ironically, the chair of the panel herself – had a truer aim, and broke the nose of Adrian Bridgeton, a second-year PhD student who had only attended the conference to avoid embarking on his next chapter. After that, more chairs seemed to be in the air than on the ground. Papers flew in every direction, and several people are believed to have hurled copies of Mansfield Park at the professor who had, the day before, given a talk about slavery in that novel that had exceeded the twenty minute time allowance by over quarter of an hour. Those who loved Persuasion attacked those who preferred Northanger Abbey; two academics who had edited Pride and Prejudice for rival publishing houses dropped the silence of a decade, and replaced it with voluble insults. A gentleman who had travelled from New Zealand to present a paper on the influence of Frances Burney found himself being pushed through an open window, though thankfully the panel had been held on the ground floor.

At some point in the furore, security guards guided Dr Tove Sivertsen out of the room and through a fire exit. In one hand she clutched her lecture papers; in the other, her briefcase. Few people noticed her bewildered face as she left the building.

Although the first to be escorted from the room, she was not the last. Paramedics arrived at 2pm to remove a man who had been knocked unconscious when asserting that the dedication in Emma was a forgery, while police, uncertain whom to arrest, started with the tall Parisian academic who had greeted their arrival by toppling the podium onto a colleague from Nice. Shortly after 2.30pm, somebody in maintenance had the idea of turning on the sprinkler system. By 3pm, every speaker and delegate – sopping wet – had been taken either to the hospital or the police station, and all conferences had been cancelled for the foreseeable future.

Quietly, on a bench some distance from the conference centre, Dr Tove Sivertsen was examining her Norwegian/English dictionary, and tutting gently to herself. How frustrating, and how careless. Once again, she realised, shaking her head, she had confused the English words ‘wrote’ and ‘read’.

The Perfect Hostess (short fiction)

A little while ago I put some short fiction up here – Oranges – and people said nice things, so I thought I’d do it again!  It’s a bit different this time… Picture again irrelevant; I just don’t like putting up posts without pictures…

“Oh, did you get a moment’s sleep?”

I answered that I had slept perfectly well, thank you.

“Oh, but you look shattered.  I’d be surprised if you did as much as close your eyes.  The spare bedroom is terribly uncomfortable, I’m afraid – especially for a man, I always think.”

I didn’t try to work out her reasoning; instead, I said again that my night’s sleep had been all I could have wished, and we spent another moment or two politely disagreeing with each other on the matter.  She obviously believed herself to be the perfect hostess, and would have been shocked to find that anybody thought anything else.

“Here’s a nice cup of coffee, that will help.  Unless you’d prefer tea?”

As she was holding the coffee towards me, I could hardly do anything other than take it and drink, but luckily it was exactly what I wanted.  Although the bed had been comfortable (“like sleeping on broken glass, I know“) and the room an entirely ordinary temperature (“it blows gales through that room, you don’t have to tell me – or otherwise it’s a perfect oven“) I hadn’t slept quite as well as I made out.

“And what would you like breakfast?  There’s only one egg, but I could pop out and get some more?  Nothing would be easier.”

She started towards to the door, and I quickly intervened.  Of course I was quite happy without eggs.  I didn’t normally have anything except coffee for breakfast as it was.

“Nonsense!  I don’t want people saying that I’ve neglected you.”

I was a bit startled.  Why would anybody say that?  Who would say that?  I couldn’t imagine anybody considering me to be the victim of neglect, especially when I’d had to throw away four pairs of trousers while packing yesterday, as they’d all been noticeably too tight.

“Just a spot of toast, then.  You remember where the plates are, of course?”

Of course, I did.  I hoped fervently that she’d sit down, or – better yet – leave the room completely, and let me eat my undesired toast alone. But she simply stood in the middle of the room, perhaps uncertain how to act, despite the stream of words.  And yet, when she spoke, it was with the confidence of an actress who has thoroughly memorised her part.

“I’m going to get everything sorted today.  Well, as best as I can.  (I’m afraid the jam isn’t homemade, but I believe it isn’t actually inedible.  But, please, do say if it is.)  If I have any questions, would it be too much of an inconvenience to phone you?”

I wished that she would say a sentence precisely the way she thought it, without any of the trappings of etiquette and show.  Everything would be so much simpler.  I chewed the toast and jam (certainly edible – pleasant, even) and said as little as I could without seeming terse.  When she was quiet for a few moments, I looked up; she was staring at my hand.  After a second, she recovered.

“Look!  It’s quarter past eight.  You have to leave at quarter past eight, don’t you?”  She picked up my plate and took it towards the sink, but stopped after a step.  “Unless you’d like anything else – ?”

No, no, I did indeed have to go to work now.  The office had never seemed so inviting.  As I did up my shoelaces and put on my coat, she fussed around me, asking whether I’d like an apple, or to borrow an umbrella, and (not, apparently, one to leave a point unlaboured) apologised again for the bed in the spare room.  Her voice followed me down the short path to the pavement.  “And – if I may – I’ll speak to you soon.  I do so hope it doesn’t rain today.”

I got into my car feeling more or less how Dorothy must have felt upon landing in Oz.

To think – that, until yesterday, this woman had been my wife.

Oranges (flash fiction)

I’ve been vaguely intending to include some short fiction on here ever since I started up Stuck-in-a-Book, but wondering how to go about it – it might be a bit of a jolt to those of you expecting a review.  But since I’ve put up some jovial poetry of late, I thought I might indulge myself with this, called ‘Oranges’.  I actually wrote it with my friend Mel’s flash fiction site The Pygmy Giant in mind, but that’s on hiatus, so… it will be here instead! Be kind :)

The ‘five a day’ campaign was a real blessing to folk like me. I can see people slowing down as they walk past, probably on their way back from a day in the office, counting in their heads (and occasionally on their fingers)… and realising they’re one short. Next thing you know, you’ve sold an apple or a pear or an orange. Half the time it’ll probably go uneaten, put optimistically on the table and left to shrivel up – but that’s not my problem, of course. Once it’s sold, it’s sold.

It’s mid-morning and I’m doing ok today. I’ve stacked up my oranges nicely, and that’s not as easy as it looks. You have to have larger ones towards the bottom, to keep the structure secure – but, of course, customers don’t want to be cheated, and there are plenty who’ll spend five minutes trying to get the largest orange from the bottom of the pile. But today I seem to be doing better with strawberries – two pound a box, bigger and juicier than you’ll get in the supermarket – because the sun’s out. It makes a real difference to our work.

Andy beckons me over. He sells veg on the stall next to mine, and he’s a good lad – although the price he tries to get for leeks is a joke, believe me. I have a quick glance around, to make sure I won’t be missing any sales, and pop over to say hello. But I don’t get the chance – as soon as I’m in whispering distance, I hear the words I always dread.

“They say he’s in the area.”

Oh no. Not today – not with the sun out, and a good day’s business ahead of me. But of course, the sun always is out when he makes his appearances.

“Are you sure? Who’s said?”

Andy just shrugs – but nine times out of ten he’s right, and I know better than to ignore his warning. But what to do?

I sell a couple of boxes of strawberries to a nice old dear who’s a regular, and an apple to somebody who looks late for work, but my mind isn’t on it. I start packing up a few bits and pieces, and Andy has boxed up some tomatoes, but we know there’s nothing we can do really. There isn’t a proper way to prepare for what’s coming.

And, suddenly, it’s all happening. The first sign is the shrieking and shouting, but that only gives you about two seconds of warning before it’s too late – he’s here, he’s on you, at the speed of light – this time on a motorbike – heading straight for (ALWAYS straight for) those beautiful oranges I spent all morning arranging. Fruit is flying everywhere, the awning is torn to shreds, and he doesn’t give a monkey’s. He’s gone as soon as he came, destruction everywhere in his wake.

It doesn’t make any difference now, but I can’t help shaking a fist at the already-distant motorbike.

“Damn you, Mr. Bond!”