Hovel in the Hills – Elizabeth West

Last year I read, and very much enjoyed, The Egg & I by Betty Macdonald (and discovered that there is a thriving Betty Macdonald community out there).  Although the very thought of going to run a farm with a recalcitrant stove and marauding animals fills me with horror (and I am very much a country boy – albeit one with a fondness for electricity), I very much enjoyed reading her witty, self-deprecating take on her adventures.  It is non-fiction disguised as fiction.  And I was hoping to find its equal in Elizabeth West’s Hovel in the Hills (1977).  Well, er… it didn’t work out quite like that.

Elizabeth West and her husband certainly have many of the same difficulties.  They decided to move from the ratrace to the bleak middle of nowhere in Wales.  At high altitudes, with wind, rain, and cold being bitterly present throughout much of the year – with very little money to boot – this could easily have been an Egg & I Mark 2.  The obstacles – from wallpaper which grew mouldy with alarming alacrity, to the difficulties of crossing vast distances without a car – are funds for much wry laughter and rolled eyes.

But, although the cover assures me that the contents will be ‘warm, funny, [and] moving’, Elizabeth West seems to have (had?) almost no sense of humour.  Obstacle after obstacle is raised, with the smug solution given.  Almost every page drips with self-satisfaction.  They clearly feel an immense sense of superiority to all the fools in the world who wouldn’t know how to run a stove, or make a salad out of weeds, or have the curious weakness of preferring a flush toilet to a hole in a shed.

Perhaps it is just a weakness in me, but I found it hard to warm to a writer who had all the answers.  Her husband was worse – the sort of irritating person who fixes everything with little more than a spanner and a stern glance.  Self-deprecation is one of the qualities I find most endearing in fact and fiction (I am British, after all) and the Wests don’t have a drop of it.

I was on happier ground when she turned her attention away from their achievements and towards nature.  Particularly when she wrote about the birdlife of the area –  that was endearing and almost witty.  True, she wrote about how good they were with animals and birds, but that couldn’t get in the way of how fun it was to read about the wildlife and the personalities they displayed.  I was strongly reminded of Gavin Maxwell’s Ring of Bright Water during these sections.  Here is a bit about the great tits which visited them:

We fed them on fat and peanuts as well as oatmeal and it soon became obvious which was the male and which was the female – from their behaviour as well as the slightly larger size and broad bely stripe of the male.  Pinny was always completely trusting, and quite at ease when feeding from our hands.  She flew to them without hesitation, ate daintily, and landed and took off with very gentle feet.  Podger, her mate, had an entirely different personality.  He only plucked up courage to come to our hands because he had seen Pinny do so.  But he made a great fuss about it.  Dashing in with great bluster, he would land with a clunk of clawed feet, grabbing what he could and making off with it straight away.  We went to the door with peanuts as soon as we saw the birds at our window in the morning.  If Podger arrived first he would sit on a nearby bush churring and chinking fussily until Pinny arrived to feed.  He was probably kidding her that he was being a gentleman, but we know that he needed the reassurance of seeing her feed first.
Besides the chapters on birds, I did also enjoy her descriptions of the wrangles they had experienced with the local council when they bought a caravan for holiday lets.  Everyone enjoys a tale of the small-mindedness of little people wielding power – so long as the tale is happening to someone else, of course – and West does give the whole saga amusingly.  Her sense of superiority feels justified here, at least – and there is an excellent coda to the whole rigmarole, which I shan’t spoil in case you decide to read the book.

But, as you’ll have gathered, I found that the irritating outweighed the enjoyable in Hovel in the Hills.  I’m probably just too cynical to enjoy the story of someone being better than everyone else.  Give me Betty Macdonald accidentally setting fire to things any day.

A change to my century; a change to my life

This photo is a year or two old,
but shows how I stand in relation to Sherpa…

Firstly, blog news – after seeing some alternative centuries around the blogosphere, and chatting to my friend at work, I have decided to shift my century a bit.  I’ll now be doing the past 100 years – that is, 1914-2013.  I found the first years so difficult to fill last time, and I also missed the 21st century – this way I can keep myself more content, and still have a great overview of a century.  And, of course, 1914 is not an insignificant year.

Secondly, life news – I had my DPhil viva yesterday, and have passed with minor corrections!  I think I’m not technically a doctor until I’ve done those corrections, had them approved, and got a piece of paper from the English faculty in my hands – but to all intents and purposes I am now Dr. Thomas.  Gosh, how strange that sounds!  I think it might take me a lot longer to get used to it than everyone else.

It’s not too late for some 2013 stats, is it?

Using my annual meme, with some extensions and wanderings, here are (a bit belatedly) my stats from 2013… just because I find it interesting, and really enjoy reading everyone else’s.

Encouraged by earlier comments…
here is one of my favourite Sherpa photos.

Number of Books Read
103, which is rather fewer than 2012’s 135, but not far off 2011’s 106.

Number of Books Bought
We don’t count those any more.

Fiction/Non-Fiction Ratio
64 fiction and 39 non-fiction – every year the percentage of non-fiction gets higher.  Will it overtake fiction one year?  (Well, yes, maybe… here endeth the investigative journalism).

Male/Female Authors
63 by women, 39 by men, 3 by both.  That’s a higher percentage of male authors than last year, and exactly the same number male as non-fiction.  Coincidence? (Yes.)

Re-reads
Only 10 – mostly because of my Reading Presently project, I think.  Of those 10, 7 were for teaching, thesis, or work.

Theses submitted
One. I couldn’t resist putting this in here, and it did impact my reading a great deal.

Oldest book read
After A Century of Books in 2012, I decided 2013 would be the year I read loads of 19th-century literature.  So, the oldest book I read?  Er, Ruthless Rhymes for Heartless Homes by Harry Graham, from 1902. Oops.

Newest book read
Probably Black Sheep by Susan Hill, right at the end of the year, since it was a 2013 novel.

Shortest Title
Was also one of the very best books I read this year – Stet by Diana Athill.

Books in Translation
Oh dear, only 3 I think, which is pretty appalling – and suggests that people tend not to give me books in translation, maybe? They were from French (Phantoms on the Bookshelves), German (All Quiet on the Western Front), and Hungarian (Skylark). And two of them ended up my 50 Books list.

Most Books by One Author
This is definitely a battle of the Dames…. Agatha Christie helped me get through reader’s block in the summer, and I taught Muriel Spark to an undergraduate in the autumn.  Who wins?  It’s actually a tie – 7 a-piece.

Most Disappointing Book
I’ve hoped that Nina Bawden would be an author that I’d love, but I found A Woman of My Age utterly tedious.

Most Serendipitous Book
Either Floater by Calvin Trillin, about journalists in Washington DC (which I read while staying with journalists in Washington DC), or The Young Ardizzone by Edward Ardizzone, which turned out to be partly set in the village where my grandparents lived for over thirty years.

Animals in book titles
Snake Beach by Lisa Glass, Ella Minnow Pea by Mark Dunn, Skylark by Dezső Kosztolányi, Books, Baguettes, and Bedbugs by Jeremy Mercer, Some Tame Gazelle by Barbara Pym, Five Little Pigs by Agatha Christie, Cat Among the Pigeons by Agatha Christie, and Black Sheep by Susan Hill.

Strange things that happened in the books I read this year
Snakes infested a modelling contest, letters were systematically banned, a fake war was reported, a old woman was swindled into believing herself immortal, a draper flew, two children discovered an underground world, a dead romantic novelist haunted her husband, fence builders became serial killers, a snow child came alive, and a woman discovered that she was in a novel when she heard a narrator speaking through the walls.

I Pose – Stella Benson

I know some people are very keen to end a reading year on a high, but for me it is more important that the first book of a new year is good.  Of course, I would love every book I read to be good, but somehow it feels as though a bad first book sets off a bad tone for the whole year.  So I deliberately finished off a book which I was already halfway through, and knew was brilliant… I Pose (1915) by Stella Benson, reprinted by Michael Walmer and sent to me as a review copy (more on this exciting new reprint publisher here).

I had read one book by Stella Benson before – Living Alone, about witches living in a boarding house – and I liked it, but would have preferred Benson to keep her feet more firmly on the ground.  The opening pages, satirising a council meeting, were entirely delicious.  Well – I Pose more than answered my request, and I found it very amusing.  The style is so fresh, lively, and not for a moment taking itself remotely seriously.

I Pose is set up as an allegory – the main characters are referred to solely as ‘the gardener’ and ‘the suffragette’.  The idea of an allegory rather terrifies me, as it does suggest earnestness (which I’m allergic to in fiction), but Benson has the same feelings as me.  She definitely has some important things to say – I’ll come on to those later – but she uses these characters chiefly to lampoon the notion of allegory.

Both gardener and suffragette – but particularly gardener – live life through epithets.  They are continually posing; the title refers to the mixture of sincerity and insincerity with which they adopt their stances.  For, yes, the suffragette cares deeply about suffrage – but when she claims not to care about life or limb, or to be unlovable and unloving, then it is decidedly a pose.  The gardener, too, is forever choosing poses which permit him to speak in riddles and epigrams.  Some might find it wearying, but I loved every moment.  When the gardener meets the suffragette, he instantly knows that she is one – she has, after all, the stereotypical appearance of the militant suffragette…

The woman was quite plain, and therefore worthy only of invisibility in the eyes of a self-respecting young man.  She had the sort of hair that plays truant over the ears, but has not vitality enough to do it prettily.  Her complexion was not worthy of the name.  Her eyes made no attempt to redeem her plainness, which is the only point of having eyes in fiction.  Her only outward virtue was that she did not attempt to dress as if she were pretty.  And even this is not a very attractive virtue.
He doesn’t agree with her methods (she intends to blow up a church) and Benson is at her satirical best on the topic:

The gardener, of course, shared the views of all decent men on this subject.  One may virtuously destroy life in a good cause, but to destroy property is a heinous crime, whatever its motive.(Yes, I know that made you tremble, but there are not many more paragraphs of it.)
There are plenty of moments where Benson addresses the reader, always tongue-in-cheek and often defending her choices as a novelist, against imagined criticisms.  She freely admits that the suffragette is not a typical heroine…

I quite admit that the suffragette was an infuriating person.  I yield to none in my admiration for any one who could manage to keep their temper with her.
The suffragette and gardener end up on a boat sailing abroad, posing as a married couple (albeit briefly), and they dash madly around various foreign climes, meeting some extraordinary people along the way.  My favourite was probably the always-antagonistic Mrs. Rust…

“I don’t agree with you at all,” said Mrs. Rust, who now made this remark mechanically in any pause in the conversation.
Earthquakes and suffrage clubs come and go, as do the adventures of an obnoxious young boy and an adorable Scottie dog, but the plot is certainly not the most important aspect of I Pose.  I loved it almost entirely for Benson’s style.  It reminded me a little of P.G. Wodehouse – certainly she has his affinity for the pleasures of understatement (‘She was not in the least miserly of a certain cheap smell of violets’) alongside just enough of Oscar Wilde to make the prose frothy and delightful, and not enough to make it tiring (to me).  Her way with words is astonishing, and shows a confidence which no début author deserves to possess – but it is a confidence which is, at the same time, entirely well-deserved.  This sort of novel is so difficult to do well – it could have very easily felt self-indulgent and overdone – but I think it is a wonder.

And, while I spent most of the novel thrilling to the writing and not caring too much about plot and character, I surprised myself by growing to care considerably about the possible romance between the gardener and the suffragette… now, making the reader care about characters with no names, when the narrator is openly and proudly dismissing their suitability to lead a novel, where nothing is said with a serious tone… well, Miss Benson, that is an achievement indeed.

Family and Friends who blog…

I still haven’t finished a book this year, despite being halfway through about eight at the end of 2013 – don’t know what to blame this on – so instead of my inaugural book review, I thought I’d do a quick round-up of friends who blog (as opposed to friends met through blogging).  I’ve mentioned most of these before, but long enough ago that a reminder is worthwhile.

Irrelevant picture of Sherpa being perfect.

Colin’s Online Diary
My brother Colin has had a blog for much longer than I have – well, 3.5 years longer – and although he doesn’t mention books all that often, there is still plenty to amuse and delight.  He’s very funny and nice, although you might want to skip the occasional post about football or right-wing politics (twins can be very different!)  If you hop across now, you’ll be able to read his round-up of his films of 2013…

Our Vicar’s Wife
I gave (well, borrowed from the Provincial Lady books) my parents the nicknames Our Vicar and Our Vicar’s Wife, which they have taken on themselves with good grace.  My Mum’s blog covers countryside life in Somerset, as well as the wacky activities she gets up to there.  Our Vicar is yet to start a blog, but I reckon he might be persuaded to in a few years’ time when he retires…

The Pygmy Giant
This isn’t technically a blog, but my bestie Mel co-edits a flash fiction website with her husband and another friend – that is, pieces of fiction under 800 words.  It went on hiatus while she did things like move house and get married, but it’s back now!

Washington Wife
Go and harangue my other bestie for not updating her witty and lovely blog about moving to Washington DC…

The Surplus Spinster
My friend Andrea – whom I’ve probably mentioned in relation to the Simon and Andrea Film Club – has started up a very promising-sounding blog about the spinster in the 20th century.  Andrea did a history DPhil which involved looking at British spinster missionaries in India – indeed, we shared a few of the same spinster reading for our respective DPhils!  Only one post so far, but it mentions E.M. Delafield…

I’m sure other friends of mine have blogs, but those are the ones that came to mind!

Top Ten Books of 2013

And here is the long-awaited list!  I actually found it a struggle to put together this year, in that I’ve only read three or four books which I think outstandingly brilliant.  Number 1 is one of my favourite books ever, but I don’t think 2013 was a particularly stellar year.  Still, all ten remain great (if not all-time-great) and my usual rules apply – no repeated authors, no re-reads.

10. Of Love and Hunger (1947) by Julian Maclaren-Ross
Not a book I’d heard of before Dee gave me a copy, but any fan of Patrick Hamilton or George Orwell will find much to admire in this account of a poor vacuum-cleaner salesman.  Somehow the prose is both sparse and beautiful.

9. The End of the Affair (1951) by Graham Greene
#GreeneForGran, in memory of Simon Savidge’s much-loved bookish gran, led to a lot of bloggers furthering their acquaintance with Graham Greene – I read what must be his masterpiece, this beautiful, melancholic paean to a flawed and painful love affair.

8. Dumb Witness (1937) by Agatha Christie
I read a lot of Agatha Christie this year in quick succession, during a period of reader’s block, and chose this one as a representative volume because it had my adored Captain Hastings.  My appreciation for her plotting was always high; this year I learnt to admire her writing more than I would have imagined.

7. Housekeeping (1980) by Marilynne Robinson
Not as brilliant as Gilead, to my mind, but further proof to me that Marilynne Robinson is the greatest living writer whom I have read.

6. Symposium (1990) by Muriel Spark
I read quite a few Spark novels this year (I was teaching her to an undergraduate) but blogged about relatively few.  This was the best – I described it as containing a pantheon of Sparkisms, and I stand by that!

5. Phantoms on the Bookshelves (2008) by Jacques Bonnet
One of the loveliest books-about-books I have ever read, and one which will entertain (and justify) any spendthrift bibliophile.

4. Hallucinations (2012) by Oliver Sacks
Sacks is endlessly fascinating and brilliant, and this book about hallucinatory sights, sounds, and smells is told with exceptional skill, as well as being (I’m sure) scientifically significant.

3. Skylark (1924) by Dezső Kosztolányi
I’m very grateful to Claire of The Captive Reader for recommending this (and my parents for buying it) – it appeared on her top books of 2011, and now here it is on mine!  A sensitively told and moving novel.

2. Stet (2000) by Diana Athill
The life of an expert literary agent can’t help but be interesting, and Athill writes unself-consciously, wisely, and very (seeming) great fairness about some quite difficult people.

1. London War Notes 1939-1945 (1972) by Mollie Panter-Downes
And this is the best book I read in 2013!  I was so lucky to track down an affordable copy, after borrowing from the library, and I know that it isn’t available easily – but I can think of no more accomplished, humane, and plain useful record of the wartime home front from a contemporary’s viewpoint.  It changed the way I think about the day-by-day events of the second world war, and (like Guard Your Daughters at the top of 2012’s list) I think it is scandalous that it’s out of print.  Well, Guard Your Daughters is coming back into print in 2014, so fingers crossed for London War Notes following suit…

It all starts again…

Happy new year!

For those not in the know – my plan in 2014 is to read a book for every year from 1914-2013, review them, and put the links on this page.  I did a century of books (the 20th century) in 2012 and it was super fun – see the whole list here – and I’m very excited to be doing it again!

Various lovely bloggers have been doing the same thing, or will be, or did – A Century of Books is a challenge you can do over any length of time, although I’m hoping to complete the list by the end of the year.  Pop a link to your own list in the comments if you’ve done, are doing, or will do the challenge!

1914: Love Insurance by Earl Derr Biggers
1915: I Pose by Stella Benson
1916: Inclinations by Ronald Firbank
1917: This Is The End by Stella Benson
1918: Patricia Brent, Spinster by Herbert Jenkins
1919: Not That It Matters by A.A. Milne
1920: The City of Endless Night by Milo Hastings
1921: Crome Yellow by Aldous Huxley
1922: The Red House Mystery by A.A. Milne
1923: The Artist: a Duologue by A.A. Milne
1924: Letters from England by Karel Čapek
1925: A Painted Veil by W. Somerset Maugham
1926: The Happy Tree by Rosalind Murray
1927: Miss Marlow at Play by A.A. Milne
1928: The Suburban Young Man by E.M. Delafield
1929: The Seven Dials Mystery by Agatha Christie
1930: Swallows and Amazons by Arthur Ransome
1931: The Sittaford Mystery by Agatha Christie
1932: The Provincial Lady Goes Further by E.M. Delafield
1933: Miss Lonelyhearts by Nathanael West
1934: The Listerdale Mystery by Agatha Christie
1935: Mr. Norris Changes Trains by Christopher Isherwood
1936: Muddling Through by Theodora Benson and Betty Askwith
1937: Murder in the Mews by Agatha Christie
1938: My Sister Eileen by Ruth McKenney
1939: It’s Too Late Now by A.A. Milne
1940: Pigeon Pie by Nancy Mitford
1941: As For Me and My House by Sinclair Ross
1942:
1943: A Literary Journey Through Wartime Britain by AC Ward
1944: Green Song and other poems by Edith Sitwell
1945: Sparkling Cyanide by Agatha Christie
1946: Every Good Deed by Dorothy Whipple
1947: Abbie by Dane Chandos
1948: Blood on the Dining-Room Floor by Gertrude Stein
1949: Delight by J.B. Priestley
1950: Cinderella Goes To The Morgue by Nancy Spain
1951: Hangsaman by Shirley Jackson
1952: Mrs. McGinty’s Dead by Agatha Christie
1953: Life Among the Savages by Shirley Jackson
1954: Who Was Changed and Who Was Dead by Barbara Comyns
1955: Riding Lights by Norman MacCaig
1956: Here Be Dragons by Stella Gibbons
1957: The Fur Person by May Sarton
1958: The Sundial by Shirley Jackson
1959: A Heritage and Its History by Ivy Compton-Burnett
1960: Jeeves in the Offing by P.G. Wodehouse
1961: The Forgotten Smile by Margaret Kennedy
1962: The Pumpkin Eater by Penelope Mortimer
1963: A Day in Summer by J.L. Carr
1964: The Soul of Kindness by Elizabeth Taylor
1965: Mrs Harris MP by Paul Gallico
1966: The Perfect Stranger by P.J. Kavanagh
1967: The Small Widow by Janet McNeill
1968: The Midnight Fox by Betsy Byars
1969: Hallowe’en Party by Agatha Christie
1970:
1971: A.A. Milne by Thomas Burnett Swann
1972: The Optimist’s Daughter by Eudora Welty
1973: Asleep in the Sun by Adolfo Bioy Casares
1974: The Siren Years by Charles Ritchie
1975: Curtain by Agatha Christie
1976: Tea by the Nursery Fire by Noel Streatfeild
1977: Hovel in the Hills by Elizabeth West
1978: Look Back With Mixed Feelings by Dodie Smith
1979: Territorial Rights by Muriel Spark
1980:
1981:
1982: The True Deceiver by Tove Jansson
1983:
1984: Charlotte Mew and Her Friends by Penelope Fitzgerald
1985: The Man Who Mistook His Wife for a Hat by Oliver Sacks
1986: Reader For Hire by Raymond Jean
1987: Mr. Fox by Barbara Comyns
1988: The Fifth Child by Doris Lessing
1989: Seeing Voices by Oliver Sacks
1990: A.A. Milne: His Life by Ann Thwaite
1991:
1992: Letter From New York by Helene Hanff
1993:
1994: Oleander, Jacaranda by Penelope Lively
1995: Summer in February by Jonathan Smith
1996:
1997: Old Books, Rare Friends by Leona Rostenberg and Madeleine Stern
1998: Ferney by James Long
1999: The Blue Room by Hanne Ørstavik
2000: Miss Garnet’s Angel by Salley Vickers
2001: Marrying Out by Harold Carlton
2002: Land’s End by Michael Cunningham
2003: Pleasures and Landscapes by Sybille Bedford
2004: Nabokov’s Butterfly by Rick Gekoski
2005: Making It Up by Penelope Lively
2006: The Literary Conference by César Aira
2007: Tove Jansson: Life, Art, Words by Boel Westin
2008: Home by Marilynne Robinson
2009:
2010: The Man Who Unleashed the Birds by Paul Newman
2011: Is Everyone Hanging Out Without Me? by Mindy Kaling
2012: The Teleportation Accident by Ned Beauman
2013: The Misinterpretation of Tara Jupp by Eva Rice

Diana Athill and Susan Hill

These two books (Midsummer Night in the Workhouse and other stories by Diana Athill and Black Sheep by Susan Hill) have very little in common, other than that (a) the authors have ‘hill’ in their name, and (b) they are the final two books for my Reading Presently project and this is the last day of the year.  So I shall consider them in turn, and only if I’m very lucky will I find anything to link them…

Mum gave me Midsummer Night in the Workhouse as a cheer-up present a few months ago, and a Persephone book is (of course) always very, very welcome.  One of my very favourite reads in 2013 was Diana Athill’s memoir about being an editor, Stet (indeed, I claimed in Kim’s Book Bloggers Advent Calendar that it was my favourite, but while compiling my list I remembered another which beat it – full top ten to be unveiled in January, donchaknow) so I thought it was about time that I read some of her fiction.  Turns out there isn’t that much of it, and she speaks quite disparagingly of the whole process in Somewhere Towards The End (which I’m reading at the moment; spoiler alert, it doesn’t compare to Stet in my mind).

As my usual disclaimer, whenever I write about short stories – they’re very difficult to write about.  But they do seem the perfect medium for the expert editor, depending – as they do, more than any other fiction – upon precision and economy.  And I thought (says he, being very brief) that Athill was very good at it.  My favourite was probably ‘The Return’, about a couple of young women who are taken to an island by local ‘tour guide’ sailors – it was just so brilliantly structured, managing to be tense, witty, and wry at the same time.  But the last line of ‘Desdemona’ was exceptionally good (and you know how I like my last lines to stories…)

My only complaint with the collection is that they are a bit too samey occasionally – which might be explained by the new preface, where Athill explains that she mostly wrote from her own experience.  And her own experience seemed to be observing a fair amount of unsatisfactory marriages, and having a rather casual attitude towards marital fidelity (more on that when I get around to writing about Somewhere Towards The End.)

Her character and voice seem better established in her non-fiction, but this collection is certainly very good – and Persephone should be celebrated for collecting and publishing something which had been largely ignored in Athill’s career.  Hurrah for Persephone!

*  *  *  *  *  *  *  *  *

Colin (yes, he blogs too, and apparently will be doing so more regularly in 2014) gave me Susan Hill’s latest novella, Black Sheep (which was on my Amazon wishlist) for Christmas, and I read it on Boxing Day while laid up with that cold.  I’m always so grateful that I gave Susan Hill’s writing a second go, after being underwhelmed by the children’s book I read first – and I have a special soft spot for the novellas which have been coming out over the past few years.

Those of you who follow Hill on Twitter, or remember her erstwhile blog, will know that she seems to finish a book in the time it takes most of us to boil a kettle.  Well, more power to her, say I – and I’ve been impressed by The Beacon and A Kind Man.  I hadn’t realised that I read those in 2009 and 2011 – well, time flies, and perhaps Hill does pause for breath between books.  Black Sheep is not only being marketed in a similar way, with equally lovely colours/image/format, but does – whether Hill has done this deliberately or not – belong in the same stable.  The three novellas have definite differences, and possibly started from very different inspirations, but they also share a great deal – all three concern remote, almost isolated communities, the complicated lives of simple folk, and (it must be conceded) a fair dose of misery.  Or perhaps just a dose of hardship, because the three novels all seem to come near to gratuitous misery, and then duck away.

Black Sheep takes place in a mining community in the past… I’m not sure how far in the past, or if we’re told, but definitely an era when people rarely left their village and almost no outside-communication took place.  The village (called ‘Mount of Zeal’) is divided into the pit, Lower Terrace, Middle Terrace, and Upper Terrace (known as Paradise).  We follow the fortunes of one overcrowded family home as the children grow up.  Who to marry, whether or not to get a job in the mine, how to cope with illness and grief – these are the overriding concerns of the different children and their parents – but these topics are less important than the way in which Hill writes about them, and the community they live in.

It is such a brilliant depiction of a village.  Setting the community on the side of this hill, leading from Paradise to the hell of the mine, may seem like a heavy-handed metaphor – but more significant is the claustrophobia of the village from any vantage, whether in the pit or in the fanciest inspector’s house.  We follow perhaps the most important character, the youngest boy Ted, when he emerges from the village into the sheep-filled fields above – a journey seldom made by anybody, for some reason – and there is a palpable sense of narrative and readerly relief.  Even while giving us characters we care about, Hill makes the whole atmosphere suffocating and, yes, claustrophobic.

Of these three novellas, I still think The Beacon is the best – but the setting of Black Sheep is probably the most accomplished.  It lacks quite the brilliance of structure which Hill demonstrates elsewhere, and comes nearest to a Hardyesque piling on of unlikely misery, but that can’t really dent the confident narrative achievement readers have come to expect from Hill.  As a follow-on read from Ten Days of Christmas, it was a bit of a shock – but, if you’re feeling emotionally brave, this triumvirate of novellas is definitely worth seeking out.

*  *  *  *  *  *  *  *  *

And there you have it.  No noticeable link between the two – but my Reading Presently challenge is finished!  I realise it isn’t as interesting for vicarious readers as A Century of Books, because (presumably) it makes no difference to you whether a reviewed book was a gift or a purchase, but I’ve enjoyed seeing what people have recommended over the years.  At the very least, it has assuaged a fair amount of latent guilt!  I still have at least 30 books people have given me, and I’ll be prioritising a few for ACOB 2014, but I’ll also enjoy indulging my own whims to a greater extent.

Appropriately enough, five of my Top Ten Books were gifts, and five were not – considering this year I read 50 books that were gifts and just over 50 that were not (finishing, because of DPhil, headaches, and new job, rather fewer books than usual).  All will be revealed soon, as promised…

Together and Apart – Margaret Kennedy

I think Together and Apart (1936) by Margaret Kennedy might just be the most 1930s novel I have ever read.  Not that it is the best (though it is very good) but that it is somehow quintessentially 1930s, stuffed with all the ingredients I have come to expect – marital politics; sensuality tempered by an intrinsic conservatism; a sense of change which is both progressive and nostalgic; fraught family gatherings; women discovering their voices, but torn between the roles of wife, mother, and independent woman; people explaining their feelings to each other at elaborate length.  Of course, none of these themes are unique to the 1930s, but they recur so often in novels of that decade that, together, they evoke the 1930s for me.  (Before I go any further – thank you Rob, who gave this to me in the Virago Secret Santa back in 2011, making Together and Apart possibly my only black Virago Modern Classic.)

It all starts off with that touchy-for-the-1930s topic of divorce, with Betsy writing to her mother about her proposed separation from her husband, the celebrated librettist Alec, and it’s worth quoting at length…

Well now Mother, listen.  I have something to tell you that you won’t like at all.  In fact, I’m afraid that it will be a terrible shock and you will hate it at first.  But do try to get used to the idea and bring father round to it.

Alec and I are parting company.  We are going to get a divorce.

I know this will horrify: the more so because I have, perhaps mistakenly, tried very hard to conceal our unhappiness during these last years.  I didn’t, naturally, want anybody to know while there was still a chance of keeping things going.  But the fact is, we have been quite miserable, both of us.  We simply are unsuited to one another and unable to get on.  How much of this have you guessed?

Life is so different from what we expected when we first married.  Alec has quite changed, and he needs a different sort of wife.  I never wanted all this money and success.  I married a very nice but quite undistinguished civil servant.  With my money we had quite enough to live on in a comfortable and civilised way.  We had plenty of friends, our little circle, people like ourselves, amusing and well bred, not rich, but decently well off.  Alec says now that they bored him.  But he didn’t say so at the time.
Divorce was no longer the great unthinkable, but you don’t have to be cynical to detect a hint of false brio in Betsy’s assured tone.  The respective mothers leap into action – and they remind me rather of the mothers in Richmal Crompton’s Family Roundabout.  Betsy’s mother is weak and anxious; Alec’s mother is domineering and formidable.  Neither, it turns out, is particularly good at bringing the separated couple back together, and there is rather a sense that they might have inadvertently accelerated the split…

From here, Margaret Kennedy weaves a complex and evolving pattern.  I expected the novel to focus on the married couple, seeing whether or not they could mend their rift, but Kennedy’s world is far wider than that.  I might even criticise it for being a little too wide, in that it occasionally seems to lose focus a bit as she tries to encompass a school, four or five households, and the minds and opinions of a dozen or more principal players.

As with the G.B. Stern novel (and because I’m rushing up so many posts!) I don’t think it’s worth elaborating at length about the plot.  Kennedy shows us the consequences of actions, and movingly depicts the ways in which separation affects everyone – not just the ‘think of the children’ angle (although this is shown a fair bit, the children are all quite flawed of their own accord) but the married couple themselves.  The split between Betsy and Alec is never final and certain in their minds – both are plagued by regret or, more to the point, uncertainty about their decision (regret would be a form of certainty which neither can reach).  I have never been married, and of course never divorced, but I was still impressed by the nuances in Kennedy’s writing…

…with the caveat that this is the 1930s, and I often find that the dialogue in 1930s novels is never quite as nuanced as one might wish.  People do explain their emotions at length, and have oh-gosh-darling moments, but that all adds to the good fun of it all.  My first Margaret Kennedy book was her biography of Jane Austen, and it is interesting to see how her own fiction compares.  Well, of course Austen is better – but you can see where Kennedy learnt a bit about portraying human nature in its complexities, and I think Jane would rather have enjoyed reading this if she’d been around in 1936.