A.A. Milne and I

This is a post I’ve been meaning to write for a while, because I always think it’s fascinating to find out how people’s reading personalities arrived at their present status.  That’s one of the reasons I’ve loved doing My Life in Books on Stuck-in-a-Book, because it takes a look behind the blogs and sees the histories of the readers.

Well, one of the biggest influences in my reading life is A.A. Milne, who remains one of my favourite writers – and whom I discovered when I was about 16 or 17, and was the first adult author whom I really loved, reading more than twenty of his books in a year or two.  Yes, there is an irony that he takes this role when he is best known for his children’s books but, as I will go on to describe, in many ways he was the ideal author to take me from loving reading to being a truly committed bibliophile.

On the one hand, he was ideal simply because he is good.  There’s always a danger that the books we love when developing our taste turn out to lose their shine as we explore the literary world more, and that’s been my experience with a few books – but not with AAM. Everything from his early sketches to his autobiography still makes me laugh, think, or nod – the only exceptions being those few books I didn’t love much the first time around (such as Chloe Marr) and even some of these (Two People) have improved on re-visiting, rather than the reverse.  I know I can rely on Milne – I’ve just finished a re-read of Not That It Matters (1919; reviewed a couple of years ago) and a few weeks ago read his short play The Artist: A Duologue (1923). Just as lovely and light and fun as ever.

But it is not that alone which made him such a perfect introduction to the world of book-reading, book-hunting, and book-loving.  First off, he was astonishingly varied.  In loving one author, I could explore books as varied as silly house-party cricketing golfers in The Day’s Play etc., witty plays (The Dover Road), thoughtful plays (The Great Broxopp), hilarious novels (Mr. Pim Passes By), moving novels (Two People), a great work of pacifism (Peace With Honour), short stories (The Birthday Party), essays (By Way of Introduction), poetry (Behind the Lines), and autobiography – and children’s books, of course.  His range – particularly in form, but also in tone – is practically unbeaten in the 20th century, simply because there aren’t all that many spheres left unwritten.

So, that accounts for the writing.  But I don’t think I’d have become quite the bibliophile I am today if Milne’s work were either much better known or much less known.  The fact that I stumbled upon it at all was due to my school library having Christopher Milne’s The Enchanted Places, and my aunt Jacq being a fan of his and lending me books (for which I am ever grateful).  There can’t be all that many authors for whom there exists an autobiography, a family memoir (The Enchanted Places), and a brilliant biography (Ann Thwaite’s A.A. Milne: His Life).  There’s even a critical analysis of his work – Thomas Burnett Swann’s A.A. Milne (1971), which I managed to track down and read this year, after a decade of hunting.  And I gloriously disagreed with him for much of it (he hates Milne’s hilarious early stuff, and at one point seems to be quite genuinely shocked, and not at all ironic, when he notes that young people ‘preferred the irrelevancies of a Punch essayist to the nobilities of Lord Tennyson’; elsewhere he is more willing to commend, but he still has a curious dislike for much of Milne’s work which makes writing his book a curious choice. Still, I loved finding someone else who had read everything Milne wrote.)

And that’s the other thing – and perhaps the most important element in making me the bibliophile I’ve become – is that Milne isn’t better known.  If I’d been able to buy all his books in Waterstone’s, or for £1 a pop on Amazon, then I wouldn’t have caught the book-hunting bug.  A lot of Milne’s work can be tracked down easily, but a lot of it can’t – and especially couldn’t in 2003-4. A decade earlier, it would have been impossible. A decade later, it would have been easier – but as it was, I bought some things online, and learned the joy of hunting through secondhand bookshops the rest of the time.  Little did I know what a coup it was when I found Before The Flood for 75p in one of my first secondhand bookshops!  By the time I stumbled across For The Luncheon Interval, I knew how lucky I was to find it.

And the search is not yet over, even ten years and more later.  I’ve managed to find things as obscure as his pamphlet on humanism and War Aims Unlimited, but the collection of stories, limited to 600 copies of which he signed every single one?  The chances of me finding an affordable copy are slim – but it’s that sort of thing which keeps the joyous hunt alive.  You don’t get that buying the complete works of Shakespeare in one fell swoop.

So, AAM has stood me in good stead.  I wrote this post as a repository for many A Century of Books titles, but it’s also a celebration of an author who made me a besotted reader and an equally besotted book-hunter (and, yes, book-buyer).  And now, of course, I’d love to know which author or authors takes this role for you?

Stuck-in-a-Book’s Weekend Miscellany

Well, the rains, they cometh. Hopefully that means I can curl up indoors and fight off Reader’s Block (I know I keep mentioning it, but it’s a bit of a worry with the pile of Shiny New Books to read, although mine is nothing compared to Victoria’s). But I’ve still rustled up a book, a link, and a blog post…

1.) The link – I put together another quiz for OxfordWords – this time, can you spot titles borrowed from other books? I think this is the post I’ve had most fun creating so far. Let me know how you did!

2.) The book – Can I be mammothly indiscreet for a moment? Almost every publisher has been wonderful about providing books for Shiny New Books – either to us or to a band of willing reviewers. The exception is Fourth Estate, who have ignored all of our emails – but, damn their eyes &c., they also publish some very intriguing-sounding books (and I’m sure they have v good reasons for not being able to reply!) It’s played in their favour, as we’ve ended up buying the books ourselves and sending them off to reviewers – and today I ordered a beautiful reprint of Penelope Fitzgerald’s Charlotte Mew and Her Friends. They’ve also reprinted lots of her novels in equally striking covers.

3.) The blog post – my Shiny New Books co-editor has done her own Q&A – you’re too late to ask the Q, I’m afraid, but you can read the A – part one and part two.

A Diet of Dame Agatha

For the sake of updating my Century of Books, and because I have precious little else to update Stuck-in-a-Book with at the moment, here’s a rundown of the Agatha Christies I’ve been reading of late. I imagine there will be another update to come soon, but hopefully I can extend my reading range a bit soon, as I need to read Asleep in the Sun by Adolfo Bioy Casares for book group next week!

It’s difficult to write properly about detective fiction, and it’s even more difficult to write differently about lots of detective fiction, so I’ll just give you a couple of impressions per book.

The Seven Dials Mystery (1929)
Very Wodehousian beginning, and Christie does humour well.  But I never like Agatha as much when she’s doing gangs and spy rings and all that.  (I also wonder how recently she’d read The Man Who Was Thursday.)

Elephants Can Remember (1972)
I was warned off this one after I’d started, but I actually loved large chunks of it – Ariadne Oliver (a detective novelist with a famous Finnish detective) is a wonderful opportunity for Agatha Christie to talk about her own career wittily, and (having met her for my first time in Hallowe’en Party) I loved seeing her again.  But the plot was pretty flimsy.

Curtain (1975)
Poirot’s last case, written some decades earlier, it’s amusingly anachronistic at times, but has a good plot and the ever-wonderful Captain Hastings.

Mrs McGinty’s Dead (1952)
More Poirot, more Ariadne Oliver! And a good plot, although perhaps not one of the very best. Or perhaps I’m just saying that because I guessed part of the ending, and I always prefer to be fooled.

Murder in the Mews (1937)
Four novella length stories about Poirot, one of which (the longest) was very good, ‘Dead Man’s Mirror’. The others were fine, but I got the impression that Christie hadn’t considered the ideas good enough for a full-length book.

I have four more Christies out of the library, so I’ll fill you in when I’ve rushed through those… and then hopefully I’ll have broken my Reader’s Block!  Thank goodness there is an author I can turn to during those periods, where it seems inconceivable that anybody could actually finish reading a book (so many WORDS!) as otherwise I’d be going mad.

Muddling Through

One of the types of books I most love are those incidental, silly-humour books from between the world wars. The sort that is achingly middle-class and frivolous, neither lewd nor politically astute, but something that folk in the 1930s would have laughed through and put on their coffee tables. Sometimes those books are collections of essays, but occasionally they come in the shape of Muddling Through by Theodora Benson and Betty Askwith (illustrated by Nicolas Bentley).

The subtitle is ‘Britain in a Nutshell’, and such is what it purports to be. It considers England, Wales, Ireland, and Scotland in turn, pointing out the national characteristics of each, and the distinctive traits of various regions. All is done in staccato sentences, which are supposedly comprehensive but, of course, are nothing of the kind. (‘Cambridge always wins the boat race. Cambridge has sausages.’)

Yes, the joke is rather one-note, and utterly silly, but it rather beguiled me – as a snapshot of a period, as much as anything else.

The other thing which made this a snapshot of its publication year (1936) was how generous the publisher is with space. It’s an above-average-height hardback, and a lot of the pages are almost empty.  It adds to the humour (because it becomes all the clearer that they are dismissing places and people in a handful of words) but, to those of us familiar with the ‘wartime restrictions’ notes in the wafer-thin-paper hardbacks which were soon to follow, it feels anachronistic.

So, a silly book, but just the sort of silly I love.

Stuck-in-a-Book’s Weekend Miscellany

Hope you’re enjoying a fun weekend, folks – I spent Friday evening at a murder mystery party. I’d written it, in fact, and it’s always fun to see the characters come alive before you – even if I had to give a few sotto voce instructions to make sure people said or did the right things.  Nobody guessed the murderer, but there were a few “Ohhhh!”s during the reveal, which I think is a good combination.  I spent most of the time on the method, and had more trouble with the motive… thanks to friends, colleagues, and family who were called upon to provide plausible reasons for killing. (Disturbing sentence…) Let’s move on quickly to some weekend miscellany fun…

1.) If you like literature and music, chances are you’ll like Literary Music, run by a friend of a friend. To quote their webpage, ‘Literary Music is an inspirational group of young professional Classical musicians performing programmes inspired by the lives and works of some of our best loved authors.’

2.) Speaking about friends of friends, my colleague and friend Debbie showed me a copy of her sister’s book the other day, and I thought I’d help spread the word. It’s called The Case of the Exploding Loo – so I’m thinking children or grandchildren might be the market, rather than usual SIAB readers! The author is Rachel Hamilton, and you can read more about the book on Book Walrus, the children’s book review site the sisters run.

3.) I don’t I ever mentioned going to hear Thomas Teal and Ali Smith talk about Tove Jansson at the Royal Society of Literature a week or two ago. Well, it was wonderful! You probably know how much I love Jansson, and it was a pleasure to be in a room with people who love and know her work – and, in the case of Tom Teal, someone who has also spent a few days staying with Tove and her partner on their island. He had slides to show, and stories to tell, and it was wonderful! I also loved hearing about how Teal discovered Jansson, and how Smith discovered Jansson, and how the wonderful people at Sort Of Books commissioned Teal to keep translating Jansson’s work. I could happily have listened for twice as long (despite the room being swelteringly hot!)  AND I’ve got a review copy of Jansson’s newly-translated first short story collection, The Listener, which I’ll be diving into if my Reader’s Block ever disappears. Otherwise… back to Agatha today.

ANZ Literature Month: Katherine Mansfield

Image source

I really did mean to read some Janet Frame for Kim’s ANZ Literature Month, but for the past two or so weeks I’ve had reader’s block, and have only been able to get through Agatha Christie novels.  But I don’t want to ignore the month, particularly now that New Zealand authors have been included – which gives me a good excuse to read something by one of my favourite writers: Katherine Mansfield.

I picked a story at random, from the four 1920s hardbacks of her stories which I bought in 2004 and which I make sure are always on my shelves in Oxford. The story I chose was ‘Psychology’ (1920), which is quintessential Mansfield. That is to say, it’s about the quiet magnitude of a seemingly insignificant moment – about things unsaid and thoughts unwelcomed. She is expert at being somehow giving objective narrative and subjective emotion at the same time, and creating a many-layered scene. She is quite simply the best short story writer I’ve ever read, and astonishingly good with words. Since she’s long out of copyright, here is ‘Psychology’… (and I wholeheartedly recommend anything in her collections The Garden Party and Bliss, particularly the title stories of both. The Garden Party is even free on Kindle.)

‘Psychology’

WHEN she opened the door and saw him standing there she was more pleased than ever before, and he, too, as he followed her into the studio, seemed very very happy to have come.
“Not busy?”
“No. Just going to have tea.”
“And you are not expecting anybody?”
“Nobody at all.”
“Ah! That’s good.”
He laid aside his coat and hat gently, lingeringly, as though he had time and to spare for everything, or as though he were taking leave of them for ever, and came over to the fire and held out his hands to the quick, leaping flame.
Just for a moment both of them stood silent in that leaping light. Still, as it were, they tasted on their smiling lips the sweet shock of their greeting. Their secret selves whispered:
“Why should we speak? Isn’t this enough?”
“More than enough. I never realized until this moment . . . “
“How good it is just to be with you. . . . “
“Like this. . . . “
“It’s more than enough.”
But suddenly he turned and looked at her and she moved quickly away.
“Have a cigarette? I’ll put the kettle on. Are you longing for tea?”
“No. Not longing.”
“Well, I am.”
“Oh, you.” He thumped the Armenian cushion and flung on to the sommier. “You’re a perfect little Chinee.”
“Yes, I am,” she laughed. “I long for tea as strong men long for wine.”
She lighted the lamp under its broad orange shade, pulled the curtains, and drew up the tea table. Two birds sang in the kettle; the fire fluttered. He sat up clasping his knees. It was delightful–this business of having tea–and she always had delicious things to eat–little sharp sandwiches, short sweet almond fingers, and a dark, rich cake tasting of rum–but it was an interruption. He wanted it over, the table pushed away, their two chairs drawn up to the light, and the moment came when he took out his pipe, filled it, and said, pressing the tobacco tight into the bowl: “I have been thinking over what you said last time and it seems to me. . . . “
Yes, that was what he waited for and so did she. Yes, while she shook the teapot hot and dry over the spirit flame she saw those other two, him, leaning back, taking his ease among the cushions, and her, curled up en escargot in the blue shell arm-chair. The picture was so clear and so minute it might have been painted on the blue teapot lid. And yet she couldn’t hurry. She could almost have cried: “Give me time.” She must have time in which to grow calm. She wanted time in which to free herself from all these familiar things with which she lived so vividly. For all these gay things round her were part of her–her offspring–and they knew it and made the largest, most vehement claims. But now they must go. They must be swept away, shooed away–like children, sent up the shadowy stairs, packed into bed, and commanded to go to sleep–at once–without a murmur!
For the special thrilling quality of their friendship was in their complete surrender. Like two open cities in the midst of some vast plain their two minds lay open to each other. And it wasn’t as if he rode into hers like a conqueror, armed to the eyebrows and seeing nothing but a gay silken flutter–nor did she enter his like a queen walking soft on petals. No, they were eager, serious travellers, absorbed in understanding what was to be seen and discovering what was hidden–making the most of this extraordinary absolute chance which made it possible for him to be utterly truthful to her and for her to be utterly sincere with him.
And the best of it was they were both of them old enough to enjoy their adventure to the full without any stupid emotional complication. Passion would have ruined everything; they quite saw that. Besides, all that sort of thing was over and done with for both of them–he was thirty-one, she was thirty–they had had their experiences, and very rich and varied they had been, but now was the time for harvest–harvest. Weren’t his novels to be very big novels indeed? And her plays. Who else had her exquisite sense of real English Comedy? . . .
Carefully she cut the cake into thick little wads and he reached across for a piece.
“Do you realize how good it is,” she implored. “Eat it imaginatively. Roll your eyes if you can and taste it on the breath. It’s not a sandwich from the hatter’s bag–it’s the kind of cake that might have been mentioned in the Book of Genesis. . . . And God said: ‘Let there be cake. And there was cake. And God saw that it was good.'”
“You needn’t entreat me,” said he. “Really you needn’t. It’s a queer thing but I always do notice what I eat here and never anywhere else. I suppose it comes of living alone so long and always reading while I feed . . . my habit of looking upon food as just food . . . something that’s there, at certain times . . . to be devoured . . . to be . . . not there.” He laughed. “That shocks you. Doesn’t it?”
“To the bone,” said she.
“But–look here–” He pushed away his cup and began to speak very fast. “I simply haven’t got any external life at all. I don’t know the names of things a bit–trees and so on–and I never notice places or furniture or what people look like. One room is just like another to me–a place to sit and read or talk in–except,” and here he paused, smiled in a strange naive way, and said, “except this studio.” He looked round him and then at her; he laughed in his astonishment and pleasure. He was like a man who wakes up in a train to find that he has arrived, already, at the journey’s end.
“Here’s another queer thing. If I shut my eyes I can see this place down to every detail–every detail. . . . Now I come to think of it–I’ve never realized this consciously before. Often when I am away from here I revisit it in spirit– wander about among your red chairs, stare at the bowl of fruit on the black table–and just touch, very lightly, that marvel of a sleeping boy’s head.”
He looked at it as he spoke. It stood on the corner of the mantelpiece; the head to one side down-drooping, the lips parted, as though in his sleep the little boy listened to some sweet sound. . . .
“I love that little boy,” he murmured. And then they both were silent.
A new silence came between them. Nothing in the least like the satisfactory pause that had followed their greetings– the “Well, here we are together again, and there’s no reason why we shouldn’t go on from just where we left off last time.” That silence could be contained in the circle of warm, delightful fire and lamplight. How many times hadn’t they flung something into it just for the fun of watching the ripples break on the easy shores. But into this unfamiliar pool the head of the little boy sleeping his timeless sleep dropped–and the ripples flowed away, away–boundlessly far–into deep glittering darkness.
And then both of them broke it. She said: “I must make up the fire,” and he said: “I have been trying a new . . . ” Both of them escaped. She made up the fire and put the table back, the blue chair was wheeled forward, she curled up and he lay back among the cushions. Quickly! Quickly! They must stop it from happening again.
“Well, I read the book you left last time.”
“Oh, what do you think of it?”
They were off and all was as usual. But was it? Weren’t they just a little too quick, too prompt with their replies, too ready to take each other up? Was this really anything more than a wonderfully good imitation of other occasions? His heart beat; her cheek burned and the stupid thing was she could not discover where exactly they were or what exactly was happening. She hadn’t time to glance back. And just as she had got so far it happened again. They faltered, wavered, broke down, were silent. Again they were conscious of the boundless, questioning dark. Again, there they were–two hunters, bending over their fire, but hearing suddenly from the jungle beyond a shake of wind and a loud, questioning cry . . . .
She lifted her head. “It’s raining,” she murmured. And her voice was like his when he had said: “I love that little boy.”
Well. Why didn’t they just give way to it–yield–and see what will happen then? But no. Vague and troubled though they were, they knew enough to realize their precious friendship was in danger. She was the one who would be destroyed–not they–and they’d be no party to that.
He got up, knocked out his pipe, ran his hand through his hair, and said: “I have been wondering very much lately whether the novel of the future will be a psychological novel or not. How sure are you that psychology quapsychology has got anything to do with literature at all?”
“Do you mean you feel there’s quite a chance that the mysterious non-existent creatures–the young writers of to-day–are trying simply to jump the psycho-analyst’s claim?”
“Yes, I do. And I think it’s because this generation is just wise enough to know that it is sick and to realize that its only chance of recovery is by going into its symptoms–making an exhaustive study of them–tracking them down–trying to get at the root of the trouble.”
“But oh,” she wailed. “What a dreadfully dismal outlook.”
“Not at all,” said he. “Look here . . . ” On the talk went. And now it seemed they really had succeeded. She turned in her chair to look at him while she answered. Her smile said: “We have won.” And he smiled back, confident: “Absolutely.”
But the smile undid them. It lasted too long; it became a grin. They saw themselves as two little grinning puppets jigging away in nothingness.
“What have we been talking about?” thought he. He was so utterly bored he almost groaned.
“What a spectacle we have made of ourselves,” thought she. And she saw him laboriously–oh, laboriously–laying out the grounds and herself running after, puffing here a tree and there a flowery shrub and here a handful of glittering fish in a pool. They were silent this time from sheer dismay.
The clock struck six merry little pings and the fire made a soft flutter. What fools they were–heavy, stodgy, elderly–with positively upholstered minds.
And now the silence put a spell upon them like solemn music. It was anguish–anguish for her to bear it and he would die–he’d die if it were broken. . . . And yet he longed to break it. Not by speech. At any rate not by their ordinary maddening chatter. There was another way for them to speak to each other, and in the new way he wanted to murmur: “Do you feel this too? Do you understand it at all?” . . .
Instead, to his horror, he heard himself say: “I must be off; I’m meeting Brand at six.”
What devil made him say that instead of the other? She jumped–simply jumped out of her chair, and he heard her crying: “You must rush, then. He’s so punctual. Why didn’t you say so before?”
“You’ve hurt me; you’ve hurt me! We’ve failed!” said her secret self while she handed him his hat and stick, smiling gaily. She wouldn’t give him a moment for another word, but ran along the passage and opened the big outer door.
Could they leave each other like this? How could they? He stood on the step and she just inside holding the door. It was not raining now.
“You’ve hurt me–hurt me,” said her heart. “Why don’t you go? No, don’t go. Stay. No–go!” And she looked out upon the night.
She saw the beautiful fall of the steps, the dark garden ringed with glittering ivy, on the other side of the road the huge bare willows and above them the sky big and bright with stars. But of course he would see nothing of all this. He was superior to it all. He–with his wonderful “spiritual” vision!
She was right. He did see nothing at all. Misery! He’d missed it. It was too late to do anything now. Was it too late? Yes, it was. A cold snatch of hateful wind blew into the garden. Curse life! He heard her cry “au revoir” and the door slammed.
Running back into the studio she behaved so strangely. She ran up and down lifting her arms and crying: “Oh! Oh! How stupid! How imbecile! How stupid!” And then she flung herself down on the sommier thinking of nothing–just lying there in her rage. All was over. What was over? Oh–something was. And she’d never see him again–never. After a long long time (or perhaps ten minutes) had passed in that black gulf her bell rang a sharp quick jingle. It was he, of course. And equally, of course, she oughtn’t to have paid the slightest attention to it but just let it go on ringing and ringing. She flew to answer.
On the doorstep there stood an elderly virgin, a pathetic creature who simply idolized her (heaven knows why) and had this habit of turning up and ringing the bell and then saying, when she opened the door: “My dear, send me away!” She never did. As a rule she asked her in and let her admire everything and accepted the bunch of slightly soiled looking flowers–more than graciously. But to-day . . .
“Oh, I am so sorry,” she cried. “But I’ve got someone with me. We are working on some wood-cuts. I’m hopelessly busy all evening.”
“It doesn’t matter. It doesn’t matter at all, darling,” said the good friend. “I was just passing and I thought I’d leave you some violets.” She fumbled down among the ribs of a large old umbrella. “I put them down here. Such a good place to keep flowers out of the wind. Here they are,” she said, shaking out a little dead bunch.
For a moment she did not take the violets. But while she stood just inside, holding the door, a strange thing happened. Again she saw the beautiful fall of the steps, the dark garden ringed with glittering ivy, the willows, the big bright sky. Again she felt the silence that was like a question. But this time she did not hesitate. She moved forward. Very softly and gently, as though fearful of making a ripple in that boundless pool of quiet she put her arms round her friend.
“My dear,” murmured her happy friend, quite overcome by this gratitude. “They are really nothing. Just the simplest little thrippenny bunch.”
But as she spoke she was enfolded–more tenderly, more beautifully embraced, held by such a sweet pressure and for so long that the poor dear’s mind positively reeled and she just had the strength to quaver: “Then you really don’t mind me too much?”
“Good night, my friend,” whispered the other. “Come again soon.”
“Oh, I will. I will.”
This time she walked back to the studio slowly, and standing in the middle of the room with half-shut eyes she felt so light, so rested, as if she had woken up out of a childish sleep. Even the act of breathing was a joy. . . .
The sommier was very untidy. All the cushions “like furious mountains” as she said; she put them in order before going over to the writing-table.
“I have been thinking over our talk about the psychological novel,” she dashed off, “it really is intensely interesting.” . . . And so on and so on.
At the end she wrote: “Good night, my friend. Come again soon.”

Stuck-in-a-Book Answers…

Well, that went even better than I’d hoped! Thanks so much for your questions, there was a wonderful mix, including some which had me lying awake at night trying to work out my answers.  Anyway, here are all my answers – I have grouped the questions vaguely into, erm, groups…  I’ve given the name of the person who asked, using the username which appears in the comment box.

Do link in the comments if you are doing your own Q&A!

Reading and Books
Heavenali asks… If you had a literary time machine which literary world would you transport yourself to?
If I could just be a fly on the wall, and wouldn’t have to interact, it would be the Bloomsbury Group as they gathered at Charleston – so I could see how great, bohemian writers and artists interacted on a minute-by-minute basis.  Surely life couldn’t all be grand realisations about art and culture?


Thomas asks… Which novel that is least like your life/personal frame of reference/state of grace did you like the most?
I don’t seem to read any books that are particularly like my life – and I tend to feel most at home in those that are about women in a different period and different class from me… so I’ll go with the bit about a character who would appal me in real life, and pick Ned Beauman’s Boxer, Beetle.

Claire asks… If you were to start your own publishing house, what would its focus be?
I’d love to have a slightly quirkier version of Persephone Books.  Nicola Beauman and I have chatted about this – that my taste wanders off into the surreal more than hers does (and that’s the basis of my DPhil).  So, I’d love to see books like Miss Hargreaves, Lady Into Fox, Lolly Willowes, and their ilk under the same imprint.

Claire asks… What are five out-of-print books you think are most deserving of a reprint?
Fun! The best question to be asked.  Well, it’s criminal that Ivy Compton-Burnett isn’t in print, and my favourite of hers (so far) is More Women Than Men.  A.A. Milne’s Mr. Pim Passes By (the novel rather than the play) is hilarious and should be made easily available, as should his brilliant autobiography It’s Too Late Now – and I know you agree, Claire!  E.M. Delafield’s collection of sketches As Others Hear Us is delicious – and now she’s out of copyright, someone should get onto it.  Barbara Comyns’ The Skin Chairs will finish off my list – so there are the first five books for my publishing house(!)

Tina asks… How many books have you got in total and of these how many are not read?
According to LibraryThing I have 2341 books, and have tagged 908 of them as read… which leaves 1433 unread, but that does include a fair few reference books etc.  But still… I’m unlikely to run out of things to read any time soon.  Might have to do Project 24 again next year…

Tina asks… How many are in your house and how many with your parents?
Now I’ll have to guess.  Probably about 500 in Oxford and the rest in Somerset?

Thomas asks… Would you, do you, let your brother recommend books for you to read?
Theoretically yes, but I can’t remember the last time it happened… Col, what should I read?
Thomas asks… What was the last novel your mother recommend to you? Did you read it?
Argh, can’t remember!  So probably not.  I’m not very good at reading books I’m recommended, although I do often buy them… Mum! What should I read?
Thomas asks… Which family member’s reading tastes are most in line with yours?
Easy! Mum aka Our Vicar’s Wife’s.  Dad doesn’t really read fiction, and although Col and I share a love for Jane Austen & Agatha Christie, his favourite book is The Lord of the Rings.  Enough said.  But he did read and love Pride and Prejudice before I did.  Mum and I love many of the same books – but differ widely on Ivy Compton-Burnett!

Thomas asks… Would you ever go for a whole month where you only read books that were published this century?
Yeah, I reckon I’d give it a go.  I’d find that easier than any century earlier than the 20th.

Authors
Kaggsy’s Bookish Ramblings asks… Which author, dead or alive, would you most like to meet.have met?
I think it’s going to be Jane Austen.  I don’t know how long we’d be able to chat for, because our lives are so different, but simply for the honour, it would be she.

Annabel asks… Which authors, dead or alive, would you invite to a dinner party?
I puzzled over this one for a while.  Because it’s not the same answer as Kaggsy’s question – I wouldn’t want anybody I’d be too in awe of, and there are plenty of writers I love who would dislike me for my class, faith, or age.  So I settled on Monica Dickens, Herbert Jenkins, and Denis Mackail – all of whom seem like they’d be good fun.  Although I have picked three authors I don’t know much about.

Annabel asks… Assuming you lived somewhere with other houses close by, which authors do you think would make good neighbours?
Interesting… I’m not sure what I look for in neighbours.  Quiet people, who’d be dependable in an emergency, perhaps, and wouldn’t be too noisy.  Richmal Crompton strikes me as someone of that sort.

Thomas asks… Which Trollope do you prefer? Anthony or Joanna?
Well, I’ve not read anything by Joanna Trollope, and I love the one book I’ve read by Anthony Trollope (The Warden), so… there’s your answer!

Mike Walmer asks… I remember you blogging at some point that you’ve got all of Barbara Comyns’ books. Since Birds in Tiny Cages is one of the rarest books in the universe, I’d like to know where you found your copy.
What I should have said is that I’ve got or have read all of her novels. This one, as you say, is basically impossible to buy – but I did manage to track down a copy via Interlibrary Loan.  It’s not very good…

Thomas asks… List one living author that everyone in book blogging circles loves that you have no desire to read.
Philip Pullman.

Vintage Reading asks… Which is your favourite Austen novel?
Always a tussle between Pride and Prejudice and Sense and Sensibility – I think the former wins, although I find the latter more amusing. Persuasion is at the bottom of the pile, but I’ve only read it once, when I was 17, so should revisit.

Thomas asks… If you had to limit yourself to only reading one novelist for the rest of your life, who would it be?
E.M. Delafield, because she does humour and melancholy both so wonderfully, which would give me some variety. Plus I’d happily read Diary of a Provincial Lady over and over forever.


Thomas asks… Have you read May Sarton yet? Why not?
But I have, sir, and years ago!  I’ve read As We Are Now and thought it was quite good – but I’m afraid that’s all the impression it made on me.

Dark Puss asks… Why haven’t you read anything by Colette yet?
Haha! The same reason I haven’t read books by any number of authors whom I’m sure I’d find interesting… time, the number of books around, and being in the right mood.  But I do have quite a few of her books, so I certainly will… one day…

Tina asks… Can you review Elizabeth Cambridge’s Susan and Joanna?
I still haven’t read it, Tina!  One day, one day…

Epsie asks… I would be really grateful if you could answer that eternally puzzling question – Shakespeare: was he a woman?
You pose an excellent question, madam!  For everyone else… this was our standard undergraduate essay question suggestion, when we couldn’t think of anything else to write.  It works for any author… in this case, I’m going to say… probs.

Life and Work
Diana asks… How do you do it all? (And she elaborates beautifully!)
You suspect right that I don’t sleep enough – my mother jumped in and said that I sleep a lot, but that’s because when she sees me in Somerset I’m usually in a state of collapse! But, honestly, I always feel like I don’t do very much in my days, so it must be an illusion…

Claire asks… What do you hope your life looks like 5 years from now?
I’m the worst person at life-planning – I just amble along and see what happens.  My one big plan – hopefully before five years is up – is to live in the countryside again.

Susan T. Case asks… Are you a lark or an owl?
Sort of both, in that I feel quite alert in mornings and evenings, but afternoons are anathema to me… England needs to bring in the siesta tradition. I’m always semi-comatose in the afternoon – and during my first year at university my tutorials were always at 2pm, which must have given my tutor a terrible impression of me.

Susan T. Case asks… Are you a fussy or messy housekeeper?
Nearer messy than fussy… I like to think I’m not a total slob, but my room is often a bit, erm, disordered.

Thomas asks… If you had to get a DPhil in some other subject, what would it be?
I’d be utterly hopeless at any other subject, but I do have an amateur interest in psychology/neuroscience.

Harriet asks… If you had the chance to write one book, guaranteed publication, what would it be?
It would definitely be a novel of some variety, and I have a vague idea of writing a novelisation of (part of) A.A. Milne’s life. If I could do that well, I’d choose that, as I owe AAM so much in my reading life.

Donna asks… Do you use a fountain pen or a biro? Are you a Parker, caran d’ache, or Mont Blanc sort of guy?
I used to use a fountain pen (Parker!) all the time, but seem to retreat to biros more often now.  But you have encouraged me to go back to my fountain pen – my writing is much more legible when I’m using it, and it makes me feel more like Virginia Woolf, which is all I want in life.

Susan T. Case asks… Favourite dinner? Which real and fictional people would you invite?
My favourite food is the ‘umble cheese sandwich (cheddar cheese; the best crusty white loaf money can buy) but that’s not really dinner food, is it?  I love roast potatoes but vegetarians don’t have the best range of things to accompany them.  The real people I’d most like to invite are my brother and parents – I’m always at my happiest when they’re with me.  And fictional people?  I’d love to have dinner with John Ames from Marilynne Robinson’s Gilead, as he is about the wisest character I’ve read, or perhaps Betty Macdonald’s persona in The Egg and I, as that would be a laugh – so long as we didn’t have to cook it at her ranch.  For humour, it would be almost any collection of characters from PG Wodehouse… so long as I could duck under the table when things inevitably went wrong.


Thomas asks… Which TV show are you most embarrassed to admit that you watch?
I make a point of being gently self-mocking – getting in there before anyone else does – so I’m more likely to make a joke of one of these than be embarrassed by it.  At the same time, I felt a bit ashamed by being beguiled by Gogglebox. Look it up…

Susan T. Case asks… Favourite guilty pleasure TV viewing and snack?
This is subtly different… my favourite is probably the soap opera Neighbours, which I love and ridicule in equal measures, but wholeheartedly love.  It’s no coincidence that I my two best friends both watched Neighbours through university – I think we bonded through our lunch and Neighbours meet-ups.  As for snack – I am currently a bit obsessed with popcorn, which is dangerous.

Claire asks… Sweater vests or cardigans? Do you see your preference changing as you age?
Oh, definitely cardies! I don’t see myself changing, as the spectre of Chandler and his sweater vests (or pullovers, as we call them!) would prevent me.

Geography
Thomas asks… What job would be so fabulous that it could induce you to live in a big city (e.g., London)? And don’t just say there isn’t one, which would come closest?

I don’t have a dream job, which would make both this question and life planning much easier… but I think the nearest I’d get would be if I could run that publishing house Claire mentions!
Thomas asks… If you had to live in another country for the rest of your days, which would it be?
Canada. I’ve never been there, but it fulfils my criteria of (a) not too hot, (b) speaks English (I’m hopeless at learning languages).  And for some reason the country has always appealed.
Thomas asks… Which has been your favourite European country to visit?
Outside of UK/Ireland, I’ve only properly been to four, and one of those was when I was a toddler. So, my options are France, Spain, and Switzerland.  And I’m going to pick Switzerland – extremely expensive, but very beautiful and not hot. (My week in Spain basically melted me.)
Thomas asks… Which European country would you most like to visit?
I’d love to go to Scandinavia, but not fussy about which one out of Sweden, Norway, and Finland.
Mrs Ford asks… Do you prefer towns or villages in a) real life and b) fiction?
Easy! Villages for both – in real life, they’re prettier and people are friendlier to each other. In fiction they have low-level intrigue, humour, and gossip which I love to read about.
Blogging
I was expecting more blogging questions, but there was only one!
Pearlie Everlasting asks… How do you see your future blogging self? Is there anything that would make you give it up?
I’ve pretty much settled into a rhythm, style, and voice that I feel comfortable with, so I think I’ll continue much as I am now, with occasional new projects to keep the momentum going (for me) and interest (for readers).  That’s why/how I developed things like My Life in Books, A Century of Books, and so forth.  And I think I’d give it up for one of three reasons – if everybody stopped reading it (I don’t have the strength of mind that those bloggers have who do it chiefly for themselves!), if I got a great deal of abusive commenters (can’t see that happening – I’ve only had one or two over 7 years), or if I stopped enjoying it at all, and a break didn’t revitalise me.
And finally…
Team Colin asks… Who’s better looking, you or your brother?
You, Colin, you.

SIAB Q&A

I don’t know if this will work – that is up to you guys! – but I thought it might be fun to hold a Q&A. I was inspired by the fab 100th episode of The Readers – it’s no secret that I long to appear on the show, only now they don’t have guest presenters – but I thought I can still borrow good ideas from them, one of which is a bookish Q&A. (Do go and listen to their 100th ep, of course.)

So… any questions you have for me about books, reading suggestions, reading habits, my life, my blogging, Shiny New Books, my DPhil, Sherpa… please pop ’em in the comments or ask on twitter @stuck_inabook.  And then, at some point next week, I’ll answer them!

I’d love to see this sort of thing on other people’s blogs too – it’s a great way to interact a bit more.  So, fingers crossed that it works!  I’ve got a busy Bank Holiday Weekend, so I’ll see you on Tuesday…