A Century of Books

2018 is going to be the year of A Century of Books – henceforth to be known as ACOB. I don’t think I’ve mentioned it here before, only on Twitter, but hopefully it’s not too late for people to join in if they’d like to.

What is ACOB, you ask? Back in 2012, I thought it would be fun to try to read and review a book for every year of the 20th century – not in order – and various people joined in, with different targets. Some wanted one book for each decade; some wanted to do it over 2, 3, or 4 years. Essentially, you can make up your own rules. I think Claire from The Captive Reader was the only other person aiming to do 1900-1999 in one year, and… we both did! Here’s what Claire read, and here’s what I read. My post also has some stats and tips; Claire also has some helpful hints on how to get the most from ACOB.

I’m thrilled to say that Claire is doing it again this year! My century is shifting a bit – I’m going to do 1919-2018 – and I’ll keep track of the reviews on this page. If you’d like to, please do join in in whatever form you choose – I certainly found it one of the most rewarding and enjoyable (and, in the final month or so, frustrating!) reading projects I’ve ever undertaken. The best thing about it is that it is the anti-project, as you can more or less read at whim – at least for the first two-thirds of the year…

Let me know if you’re joining in, and… here we go!

1919 – The Sheik by E.M. Hull
1920 – In the Mountains by Elizabeth von Arnim
1921 – Mr Waddington of Wyck by May Sinclair
1922 – The Lark by E. Nesbit
1923 – Sphinx by David Lindsay
1924 – Bill the Conqueror by P.G. Wodehouse
1925 – The Human Machine by Arnold Bennett
1926 – The Murder of Roger Ackroyd by Agatha Christie
1927 – Leadon Hill by Richmal Crompton
1928 – As Far As Jane’s Grandmother’s by Edith Olivier
1929 – First and Last by V.L. Whitechurch
1930 – Vile Bodies by Evelyn Waugh
1931 – Buttercups and Daisies by Compton Mackenzie
1932 – Invitation to the Waltz by Rosamond Lehmann
1933 – A Thatched Roof by Beverley Nichols
1934 – Concert Pitch by Theodora Benson
1935 – Death in the Clouds by Agatha Christie
1936 – The Birds by Frank Baker
1937 – Hunt the Slipper by Violet Trefusis
1938 – Excellent Intentions by Richard Hull
1939 – The Priory by Dorothy Whipple
1940 – The Cat’s Cradle Book by Sylvia Townsend Warner
1941 – Soap Behind the Ears by Cornelia Otis Skinner
1942 – House-Bound by Winifred Peck
1943 – We Followed Our Hearts to Hollywood by Emily Kimbrough
1944 – Company in the Evening by Ursula Orange
1945 – The Demon Lover by Elizabeth Bowen
1946 – Prater Violet by Christopher Isherwood
1947 – Tell It to a Stranger by Elizabeth Berridge
1948 – The Plague and I by Betty Macdonald
1949 – By Auction by Denis Mackail
1950 – Anybody Can Do Anything by Betty Macdonald
1951 – Lise Lillywhite by Margery Sharp
1952 – The Gentlewomen by Laura Talbot
1953 – Guard Your Daughters by Diana Tutton
1954 – The Gipsy in the Parlour by Margery Sharp
1955 – Onions in the Stew by Betty Macdonald
1956 – The Fountain Overflows by Rebecca West
1957 – Tea with Walter de la Mare by Russell Brain
1958 – The Sweet and Twenties by Beverley Nichols
1959 – The Young Ones by Diana Tutton
1960 – The L-Shaped Room by Lynne Reid Banks
1961 – Albert the Dragon by Rosemary Weir
1962 – Cassandra at the Wedding by Dorothy Baker
1963 – Two By Two by David Garnett
1964 – Further Adventures of Albert the Dragon by Rosemary Weir
1965 – The Millstone by Margaret Drabble
1966 – Random Commentary by Dorothy Whipple
1967 – Stonecliff by Robert Nathan
1968 – Several Perceptions by Angela Carter
1969 – The French Lieutenant’s Woman by John Fowles
1970 – A Tale of Two Families by Dodie Smith
1971 – A Meaningful Life by L.J. Davis
1972 – The Devastating Boys by Elizabeth Taylor
1973 – The Norman Conquests by Alan Ayckbourn
1974 – Mrs Harris Goes to Moscow by Paul Gallico
1975 – Turtle Diary by Russell Hoban
1976 – Just Between Ourselves by Alan Ayckbourn
1977 – Apple of My Eye by Helene Hanff
1978 – Albert’s World Tour by Rosemary Weir
1979 – The Book of Laughter and Forgetting by Milan Kundera
1980 – Desirable Residence by Lettice Cooper
1981 – Still Missing by Beth Gutcheon
1982 – The High Path by Ted Walker
1983 – Another Time, Another Place by Jessie Kesson
1984 – According to Mark by Penelope Lively
1985 – Unexplained Laughter by Alice Thomas Ellis
1986 – The Silent Twins by Marjorie Wallace
1987 – Crossing to Safety by Wallace Stegner
1988 – Man of the Moment by Alan Ayckbourn
1989 – The Education of Harriet Hatfield by May Sarton
1990 – Touching the Rock by John M. Hull
1991 – Ride a Cockhorse by Raymond Kennedy
1992 – The Devil’s Candy by Julie Salamon
1993 – Pigs in Heaven by Barbara Kingsolver
1994 – When Heaven Is Silent by Ron Dunn
1995 – An Anthropologist on Mars by Oliver Sacks
1996 – Silence in October by Jens Christian Grøndahl
1997 – Naked by David Sedaris
1998 – Family Man by Calvin Trillin
1999 – An Equal Music by Vikram Seth
2000 – Letters From the Editor by Harold Ross
2001 – The Real Mrs Miniver by Ysenda Maxtone Graham
2002 – The Pelee Project by Jane Christmas
2003 – Kamchatka by Marcelo Figueras
2004 – A Reading Diary by Alberto Manguel
2005 – The Curtain by Milan Kundera
2006 – Mr Thundermug by Cornelius Medvei
2007 – Two Lives by Janet Malcolm
2008 – Who Was Sophie? by Celia Robertson
2009 – Remarkable Creatures by Tracy Chevalier
2010 – Ilustrado by Miguel Syjuco
2011 – The Psychopath Test by Jon Ronson
2012 – The Other Mitford: Pamela’s Story by Diana Alexander
2013 – Wave by Sonali Deraniyagala
2014 – The Reader on the 6.27 by Jean-Paul Didierlaurent
2015 – Awkward Black Girl by Issa Rae
2016 – Golden Hill by Francis Spufford
2017 – Scribbles in the Margins by Daniel Gray
2018 – Bookworm by Lucy Mangan

My Best Books of 2017

I always love sitting down at the end of the year and compiling my favourite reads of the past 12 months. Often I haven’t really noticed whether it’s been a good or bad year (reading-wise) until I do this – and I’d say 2017 has been steadily very good. Only one of the books I read is likely to find its way onto my all-time faves, but there were dozens that I’d have been very happy to see on an end of year list. And it’s been a very good year for mid-century books!

 

My usual rules for myself apply – only one book by each author can feature, and no re-reads. Each title links back to my review. Here they are, from #10 to #1…

 

Rachel and I read this for ‘Tea or Books?‘ back in February, comparing it another novel about the Thompson/Bywaters murder case (E.M. Delafield’s Messalina of the Suburbs). It’s probably the podcast ep I’m proudest of, as I think this comparison is fascinating – and FTJ’s exquisite novel won that podcast decision and tenth place on my list.

 

When I read Howards End is on the Landing, there was never any doubt that it would be my favourite book that year. I’ve eagerly awaited the sort-of-sequel ever since, and I did absolutely love it. The only reasons it isn’t higher are that I wanted more about books, and perhaps slightly fewer bizarre pronouncements from Hill. Still, nobody else could have written quite this book.

 

I’ve read any number of Taylor novels, and read this one for a conference on Undervalued British Women Writers 1930-1960. It’s more dramatic and dark than many of Taylor’s novels, but absorbingly brilliantly brilliant.

 

Look, I’m never going to get over how much I love the title of this book – which looks at the history of the ‘Shakespeare authorship question’ over the years. Shapiro saves his unanswerable reasons for being pro-Shakespeare until the final chapter; before this he is wise, amusing, and thorough.

 

This quirky, brilliant novel is a masterpiece of unusual structuring, and entirely beguiling. It was also given to me by a friend who died this year, which makes it (and her recommendation) all the more special.

 

I’ve yet to write a review of this one, but I’ve linked to the podcast episode where we compared it to Eden’s other novel, The Semi-Attached Couple. This is a very funny, very arch novel in the mould of Austen, elevating itself past imitation into something rather wonderful.

 

Also published as A Stranger With a Bag, I only reviewed this collection of short stories a week or so ago – I’m glad I waited to make my Best Books list, because these observant, calm, insightful stories are a thought-provoking delight.

 

I reviewed this over at Shiny New Books, and it’s a hilarious account of a year in the life of a Scottish bookseller. Bythell is quite cynical and snarky, but if your sense of humour overlaps with his then you’ll laugh and laugh – as well as getting a glimpse into the Promised Land.

 

This was a slow burn, and had to be read gradually, but it was one of the most rewarding reads I’ve had in a while. Timothy Casson is a writer who moves to a small village in wartime and wants boating rights on the river – of such small things are masterpieces made. Rachel and I will be discussing this one in the new year…

 

It truly has been the Year of Beverley. I’ve read quite a lot of books by him this year, but I had to pick the one which kicked off my Beverley love affair – I read Merry Hall for the 1951 Club, and never looked back. This (presumably heightened) account of buying a house and doing up the garden is hilarious, charming, and (praise be!) the beginning of a trilogy. Don’t wait as long as I did to read Beverley – if you haven’t yet, make 2018 the year you read him!

The Book of Forgotten Authors by Christopher Fowler

Mum and Dad got me The Book of Forgotten Authors (2017) by Christopher Fowler, and I went to hear him speak about it earlier in the year – the only reason I didn’t buy a copy there was because it felt inevitable that somebody would get it for me. What could be more up my street than a collection about forgotten authors? (Based on a long-running column in The Independent, no less, which I did read occasionally.)

What makes an author forgotten? The title of Christopher Fowler’s book is inevitably a challenge to the reader – have you forgotten these authors? have you? – but it is slightly awkward to start off with Margery Allingham. Ask somebody to name five Golden Age detective novelist and, if they could get to five, I’d be very surprised if Allingham didn’t appear. Apparently Fowler’s method included checking with a circle of literary friends, and considering an author for inclusion if less than half had heard of them. It’s as good a method as any, but somehow authors like Barbara Pym, Edmund Crispin, and Georgette Heyer got through the net – I’d argue that if your books are all or mostly in print, you don’t make the grade for ‘forgotten’.

But I’ve started with the exceptions – I should say that I hadn’t heard of about half of these 99 authors, and that’s a much more impressive average than most of the ‘authors you don’t know’ lists. And I’ve read books by 15 of them – so plenty more to explore.

Somewhat coincidentally (unless Fowler requested it from the Bodleian… which I doubt) several of the authors mentioned were focuses of my DPhil thesis. E.M. Delafield, John Collier, and… Frank Baker! Yes, Baker gets a chapter, and I will love anybody who writes

Of his fifteen novels, Baker’s masterpiece is the enchanting and timeless Miss Hargreaves, which really deserves classic status.

Fingers crossed this mention brings Miss Hargreaves new fans, along with Barbara Comyns who also gets a chapter (oddly as Barbara Comyns Carr – her real name, though E.M. Delafield appears under her penname rather than Elizabeth De La Pasture).

Fowler manages to pack a lot of enticing detail into very short chapters; the punch and tautness that made them columns serves them equally well in this compendium form. And having them in alphabetical order is a nice touch – had they been thematic, it might have all got a bit samey, but this makes for a nice assortment of tantalising suggestions – Pamela Branch, Dino Buzzati, Margaret Millar, and Cynthia Seton being the ones I wrote down to explore. (Anybody read them?) And, unlike Martin Edwards’ equally tantalising The Golden Age of Detective Fiction, it’s easy to find at least some works by most of these authors.

In between the chapters about specific authors are enjoyable, slightly longer essays on particular themes – rivals to Poirot, deservedly forgotten authors, authors who were rediscovered (ironically, I’d heard of none of these). His love of literature and of unearthing bygone gems is genuine and delightful.

The problem with knowing quite a lot about some of these authors is that I could see quite a few errors. Some are typographical (Julian Maclaren-Ross becomes Juliane Maclaren-Ross) but others show a dubiously casual research. He writes about E.M. Delafield’s five Provincial Lady novels (presumably being fooled by the American republishing of Straw Without Bricks as The Provincial Lady in Russia, which it emphatically isn’t); he says the film adaptation of Miss Hargreaves was cancelled because WW2 started, which would be tricky given that the novel wasn’t published until 1940. These small things did make me wonder how much Fowler had got wrong about the authors I didn’t know anything about…

But, let’s face it, I’m not going to remember all the details, so it doesn’t necessarily matter if they aren’t all completely accurate – what it has done is given me a list of authors to look out for, and a smile on my face that some of my much-loved authors have had another moment in the sun. If you love new recommendations, and reminders of more obscure favourites, then use your Christmas book vouchers to settle down with this one in the post-Christmas indulgent phase.

My Life With Bob by Pamela Paul

The first book I grabbed from my Christmas haul was, as I predicted in a previous post, My Life With Bob by Pamela Paul (2017), which my parents got me and which was one of the really difficult-to-resist books under Project 24. It was every bit as good as I’d hoped, though not quite in the same way, and I wanted to make sure I reviewed it before New Year in case it ends up on my Best Books of 2017 list. I haven’t decided the list yet…

The ‘Bob’ of Paul’s title is a book of books – that is, the list of books Paul reads, which she starts as an earnest teenager in high school. It has been filled in over 28 years, taking her up to her current life – as the editor of the New York Times Book Review, living with her husband and children in New York. And it is the thread which is drawn through this book – which is somewhere between an autobiography and a book about reading. (It’s also a lovely book – not just this fun cover, but it has deckled edges. Mmmmmm.)

I have kept a list of the books I’ve read since 2002, when I was 16. I write it in the back of each diary, and then (once the year is over) I also write them alphabetically by author in a set of notebooks designed for the purpose. Suffice to say, I’m not baffled by Paul’s desire to keep a list of her books, but apparently some people have been:

Though I’d never shown him to anyone, I’d told a few people about Bob in the past. This turned out to be a dicey proposition. Not everyone loved my Book of Books. “Tallying up books like the ticking off of accomplishments,” one boyfriend said accusingly, as if I’d admitted to quantifying parental love or indexing my inner beauty. “Hurry up, go note it in Bob,” he’d gibe every time I close a book, as if the act of recording invalidated the entire experience. Were the books truly being read for their own sake or in pursuit of some goal that sullied the entire enterprise?

“What does this tell you if you don’t remember anything about the books themselves?” another beau asked, suggesting an expanded Bob with a page for my impressions of each book in its stead. This Bigger Bob lasted for two books, the relationship not much longer. “You’re not seriously going to allow books on tape, are you?” wondered a third, scornfully. Competition, jealousy, misunderstandings, risk. Perhaps it wasn’t worth the bother.

How many of you keep lists of the books you read? I rather suspect it’s nearly all of you – because the sort of person who writes or reads a book blog isn’t likely to let that sort of information just disappear. Honestly, I’m more shocked that people recklessly finish a book and don’t make a note of it anywhere. Crazy.

I’ve read quite a lot of books about reading – it’s probably my favourite genre – but I’ve read one or two recently that only tread the surface; that either are a bit facile about how books can affect a person, or that act as though reading were their discovery entirely. Paul writes perfectly about reading. She understands that books are not an adjunct to a life, or solely an entertainment activity. The identity of ‘reader’ is all-consuming; books surround and define us, accompany and sate us, reward and disappoint us. The reading life lives parallel with our ‘real’ life, but the two overlap and inform one another – indeed, they become inseparable. And from an early age, picking books from her local library, Paul sees this.

We see Paul as a young reader, trying the classics for the first time; we see her as the child of divorce, taking advantage of her father’s willingness to buy her books (as her mother was one of those just-borrow-from-the-library types). We see her learning to understand her own literary taste – I will say that I never quite understood what Paul’s taste is, other than encompassing dark, difficult books. Perhaps she is too eclectic to have a single taste. Along the way, Bob is there to record what she reads – which, in turn, reflects her moods and activities.

Where Paul writes about reading she is, as you may have gathered, extremely relatable. In a world before Harry Potter, there was no widespread fad for pre-teen reading, and she was in the all-American world where outdoor sports and camping were considered normal fare, not reading. I loved discovering everything about her love affairs with books, even if we don’t learn all that many of the books she has delighted in over the years – each chapter is named after one, which features, and there is certainly a liberal sprinkling of titles, but it’s a small percentage of the total. What I’m saying is that I wanted a list of all of them, OK? At least as a sort of internet appendix, please-and-thank-you.

All of this was fun and fascinating, as I’d expected. What I expected less was Paul’s active life. Unlike some readers (ahem, me) who haven’t lived particularly adventurous lives, Paul read a book which persuaded her to walk an exciting path – in her case, buying a one-way ticket to Thailand. She lived in Thailand, she travelled around China. She went to France a dozen or so times. Bob went with her, and the chapters about these experiences merge the life of the reader with the life of the adventurer – and intriguing and well-told mix. It is unlike any travel account I’ve ever read, because the locus remains always literature.

And that’s before we get to the chapters about her less-than-a-year-long marriage.

Paul writes extremely well about any experience she turns to, whether that be her relationship with her father, working in a bookshop, travelling across Asia, or realising she wanted a divorce. The idea of tying it together with Bob works brilliantly, and reminded me a lot of another book I loved: Sheila Kaye-Smith’s All the Books of My Life. What a wonderful book that was (note to self: re-read). The only parts I found hard to swallow concerned Paul’s disdain for roles in marketing – where she worked on her way to being an editor – but, sadly, I have found quite a few editors who love down on marketers.

Any author who loves reading as much as I do is going to beguile and enchant me, particularly if they can write about it as brilliantly as Paul does. Throwing in her intense and interesting life just enhances this all further. It’s a great read, and I recommend it to anybody who loves books about books. And, let’s face it, that’s all of us, isn’t it?

Christmas Books 2017

It was a lovely year for bookish presents – here’s the little pile I got from various people under the tree this year…

Nemo’s Almanac – this was from my friends Paul and Kirsty and, coincidentally, I bought them the same thing! It’s a collection of quotations (mostly poetry) where you have to identify the author.

Bloomsbury by Matthew Ingleby – Matt was at Magdalen with me, and my friend Lorna (who also knows him, rather better than me) sent me a signed copy of this one. Always eager to add to my Bloomsbury shelf!

The Cat’s Cradle Book by Sylvia Townsend Warner – I usually take part in the LibraryThing Virago Modern Classics Secret Santa, and it always ends up in truly brilliant purchases. My nonplussed family watch while I squeal over things – like this beautiful edition of one of the few STW books I don’t have!

Catherine Carter by Pamela Hansford Johnson – and this equally beautiful edition – signed by PHJ no less! I should say that my Santa was unveiled as the wonderful Jane at Beyond Eden Rock.

Deeper Than Indigo by Jenny Balfour Paul – I don’t know anything about this one, but Jane thought it would be up my street.

The Professor’s House by Willa Cather – the final Secret Santa book is one I read ten years or ago, but have never owned – and it’s a nice VMC with a Vanessa Bell cover.

The Lonely City by Olivia Laing – the final three books are from my family, who wisely turned to my Amazon wishlist. This was from my parents, and you might remember this one from a Weekend Miscellany.

My Life With Bob by Pamela Paul – another one from Mum and Dad; another one I’ve previously highlighted in a Weekend Miscellany. And the first one from this pile that I’m going to start, I think!

How Not To Be a Boy by Robert Webb – from Col, and all about damaging gender stereotypes (as well as about Webb’s life). Well done him for writing it!

Can’t wait to dive in to this delightful treasure trove! I hope you all got good books under the Christmas tree.

Crazy Pavements by Beverley Nichols

My friends Kirsty and Paul bought me a pile of books for my birthday which were PERFECTLY chosen, which says what good friends they are (and how loudly I talk about the things I like) – one of which was Beverley Nichols’ novel Crazy Pavements (1927). This has undoubtedly been the Year of Beverley for me, but I had yet to read any of his novels – indeed, I don’t think I own any, though I did almost accidentally spend about £60 on one earlier in the year, under the impression that it was £2.

This was Nichols’ fourth novel, written before any of the gardening books, and it is quintessentially 1920s in many ways. Brian – an unusual name for a hero, but we’ll let it slide – is a handsome young gossip columnist, writing anonymously about the day-to-day doings of the rich and famous, but living in not-so-well-to-do situations himself. How does he know so much about the habits and sins of the titled people of London? The long and short of it: he makes it up.

This section of the novel was Nichols at his most irrepressible; his most effervescent. I loved it, and laughed a lot. It’s everything I want from the slightly (but only slightly) cynical voyeur of the Bright Young Things. Or at least the titled classes, for it is the sort of gossip column more interested in Lord and Lady Such-and-Such than in film stars. And his editor is a glorious creation: she is constantly trying to misinterpret his innocent words (or, indeed, innocent silences) as the most outrageous innuendos, so that she can look shocked and chew her pen and say ‘oh, you are wicked‘, to his horror and embarrassment.

I enjoyed the whole novel, but it was certainly the first few chapters that I truly loved. But such things cannot be stretched to 80,000 words – I do beg your pardon, Michael Arlen – and so we must move to the next scene. Most people do not question Brian’s fabrications, either because they are on long sea voyages (he notes these, as being the best subjects to choose) or because the lies are more flattering than the truth. But Julia is different. She demands a retraction and an apology.

When an awkward Brian turns up at her house, he – would you believe it – falls instantly in love with Julia. In turn, she is surprised that he is so handsome and gauche. The former attracts; the latter is an amusing challenge. She thrusts him into her echelons of 1920s chatter and glamour.

He was already beginning to understand the technique of these people’s conversation. The chief knack seemed to be in a stupendous exaggeration of everyday statements. If, for instance, the waiter forgot to give one a wooden ‘spinner’, with which to take the fizz out of one’s champagne, the right phrase was, ‘this is more than I can bear’, or ‘this is agony‘. ‘Divine’, ‘amazing’, ‘shattering’, ‘monstrous’, were all employed for the most ordinary feelings and facts. He found himself wondering what language they would have to speak if anything really awful did happen. They would either have to relapse into Russian, or else express themselves in dumb-show.

Nichols keeps his wit about him, if you’ll pardon the pun, but the mantle of a Serious Novel About Love gets a bit in the way at times. The story takes us on a fish-out-of-water journey, in which Julia and Brian learn that their different backgrounds are more of an impediment than they realised – as is Julia’s insouciant refusal to commit to a single person. As usual, the romantic elements of the plot didn’t hugely interest me, and I got the feeling that they didn’t enormously interest Nichols either (he seems much more authentic when describing the fall out between Brian and his kind housemate Walter) – but there is enough of humour to more than make up for it.

As a grand love story against the odds, this is a bit novel-by-rote. But as a comic novel showcasing Nichols’ witty and very 1920s view of the world, it’s a total delight. The Year of Beverley closes out successfully.

 

Coral Glynn by Peter Cameron

When I was staying in Toronto, Darlene (of Cosy Books) very kindly gave me a couple of books – one of which was Coral Glynn by Peter Cameron (2012). The book rang a bell from her blog and from Thomas/Hogglestock’s, and it sounded like it should be up my street – though there was always the danger that (being a modern novel written by an American about 1950s England) it might wander into the sort of England only seen on BBC America. That is, would it be too Downton for its own good?

Well, luckily, I really enjoyed it. That is more to do with Cameron’s writing and subtle, gradual depiction of character than about his version of 1950s England – which is, indeed, rather like a picture postcard (though there is the threat of new semi-detached houses encroaching in the environs of the colossal house that the hero, naturally, lives in).

But I am getting ahead of myself. Here are the opening paragraphs of the novel:

That spring – the spring of 1950 – had been particularly wet.

An area at the bottom of the garden at Hart House flooded, creating a shallow pool through which the crocuses gamely raised their little flounced heads, like cold shivering children in a swimming class. The blond gravel on the garden paths had turned green, each pebble wrapped in a moist transparent blanket of slime, and one could not sit on either of the two cement beaches that flanked the river gate without first unhinging the snails and slugs adhered to them.

The excessive moistness of the garden was of no concern to anyone at Hart House except for the new nurse, who had arrived on Thursday, and had attempted, on the two afternoons that were somewhat mild, to sit outside for a moment, away from the sickness and strain in the house. But she found the garden inhospitable, and so had resolved to stay indoors.

The new nurse (as you might have started to suspect) is Coral Glynn – she is there to care for the old lady of the household, who has a terminal illness. She is greeted by the taciturn son and heir, (Major) Clement Hart, and the ill-tempered, suspicious housekeeper. In rather an unexpected manner, Coral becomes key to the household – though local tragedy causes disruption here. And with those coy words I shall say no more about the plot.

Despite being light and endearing, there is a sensitive portrait of loneliness and uncertainty at the centre of the novel. Coral is brave and headstrong in some ways, but is orphaned and alone, and unaccustomed to friendship. Besides the Major are his married friends Dolly and Robin – Dolly is a vivacious type who immediately becomes bosom buddies with Coral (or tries to) while Robin is affable but has his own burdens to bear. We soon learn, in a touching aside-scene, that Robin and Clement had once been in love. It adds further dimension to the novel, but it does throw the novel a bit, since scenes between Robin and Clement are the only ones which aren’t focused through Coral’s perspective, so far as I can recall.

The plot rolls on, and Cameron combines the nuance of the characters’ relationships (and, particularly, Coral’s attempts to understand the world she finds herself in – and develop a personality that she feels comfortable with) with an intriguing story. The latter rather collapses, and I wasn’t convinced by the ending, but the journey was rather wonderful – it feels nostalgic without being too fey, and Cameron is a really good storyteller. It’s rare that I prefer a book set in the 1950s to one written in the 1950s – the same goes for any decade, not just the ’50s – but I did rather love reading this one. I’d be interested to see how Cameron writes when he’s not looking across an ocean and into the past, but if his understanding of character is maintained, then I’d like to read him writing about 21st-century America. If he has done?

Swans on an Autumn River by Sylvia Townsend Warner

One of the reasons I never make ‘end of year’ lists of best books until the last possible moment (more or less – I don’t spend New Year’s Eve parties typing away) is because sometimes I read something brilliant in the last few days of the year. And picking up Swans on an Autumn River (1966) by Sylvia Townsend Warner, I’m glad I’ve waited. (It was published as A Stranger with a Bag in the UK, but I’ve gone with the title of the edition I have.)

This is my second collection of short stories by Warner, and it’s just as brilliant as the first one I read (The Museum of Cheats). The more I read by her, the more I think – with the possible exception of the brilliant Lolly Willowes – that short stories were truly her metier, rather than novels. She somehow puts humanity powerfully into these curious, wise, and very adeptly controlled short pieces.

Warner is exceptionally good at first lines. They aren’t the pithy, quotable sort that are laboriously placed as some sort of diving board, after which the tone of the story becomes much more natural – we all know that variety, and they are indeed fun to quote, but don’t always sit well with the rest of the narrative. Warner captures your attention, but there is no jolt as we move from the first sentence to the second. Here are a few of them:

We had divorced in amity; when we met again after the statutory six months we found each other such good company that we agreed to go on meeting from time to time. (‘A Jump Ahead’)

From that morning when he woke to the sound of the first autumnal gale lashing like a caged tiger against the house fronts and knew with physical infallibility that after all he was going to recover, Guy Stoat burned with impatience to get out of the County Hospital and go home. (‘The View of Rome’)

As he quitted the Aer Lingus plane from Liverpool and set foot for the first time in his life on Irish soil, he was already a disappointed man. (‘Swans on an Autumn River’)

My favourite story of the collection is the first one, ‘A Stranger with a Bag’. In it, a travelling salesman notices a rickety old house out of his train window for the first time, and – on an uncharacteristic impulse – decides to go and see it. Warner weaves together his imaginative journey with the one he actually takes, putting both into simple sentences, so the reader is (for a while) unsure whether things like ‘he walked towards the house’ are actually happening or not. The scene he finds is unexpected, to him and to the reader, and the title shows Warner’s tilts of perspective – as he realises that, to the household, he is just a stranger with a bag.

I like it so much because it mixes elements of fairy tale with the unshakably mundane. Warner is very good at scene-setting and buildings – she shows us the house from a distance and then close-up, knowing that a house is very different from these perspectives, and somehow conveying it in her writing.

Other topics she looks at are the visit of a young relative to his grandmother and great-aunt, and the clash of his recollections of them with the real experience; a new wife and an old wife collaborating unexpectedly; a disturbing picnic. Many more. In perhaps her most famous short story, ‘A Love Match’, a brother and sister quietly become a couple.

A few of the stories feel a little too dramatic at their climax – the title story, ‘Swans on an Autumn River’, perhaps falls into that category – but, at her finest, she is brilliant at undercutting a reader’s expectations and, in doing so, showing a truer, brighter light on human nature. And that doesn’t mean that she always sees the worst – she sees past either cynicism or pollyannaism into the heart of what makes people who they are.

Project 24: the books (and a few stats)

I bought my final book of 2017 a couple of weeks ago and, barring an accidental purchase in the next fortnight, I have successfully only bought 24 books for myself in 2017! It’s been difficult to restrain myself, and I’ve definitely missed going and browsing and picking up handfuls, but it’s also been nice to know that I’ve read more from my tbr pile than I’ve added to it. In 2018, I’m not doing any fixed restrictions for the books I buy, but I’m going to Try To Be Sensible. Not least because my little flat doesn’t really have room for any more books.

Anyway, here are the 24 books that made the grade this year, and why I chose them. They’re in approximate order – i.e. when I remembered to write the in the list in my diary.

1. Dearest Andrew by Vita Sackville-West
I did really enjoy this collection of letters but, tbh, the reason I bought them was that I’d gone several weeks of the new year without buying any books and I cracked.

2. Norman Douglas by H. Tomlinson
I collect Dolphin books when I come across them, as they’re beautiful little editions – and mostly authors writing about other authors, which is a genre I v much appreciate.

3. The Runaway by Claire Wong
Claire is a friend of mine – we used to go to the same church in Oxford – so I was definitely going to be buying her (very good) novel when it came out, Project 24 or no Project 24.

4. The Pleasures of Reading: a Booklovers’ Alphabet by Catherine Ross
Yes, I was doing some vanity searching for this blog, and discovered that I’d been quoted in this book – so naturally wanted a copy.

5. A Winter Away by Elizabeth Fair
Rachel and I were discussing this in an episode of our podcast, and the local library didn’t have it. (I think I might be buying quite a few Dean Street Press editions when Project 24 restrictions are lifted…)

6. Sunlight in the Garden by Beverley Nichols
I’d joyously rushed through the first two books in this trilogy, and couldn’t wait to get to the third. Je ne regrette rien.

7. The Pelicans by E.M. Delafield
One of my finds of the year – can’t believe this obscure EMD title was on the shelf in a bookshop I went into. Sure, it wasn’t her best novel, but the excitement of finding it was precious!

8. Country Notes by Vita Sackville-West
On the same trip, I went a bit mad and got this one too. Book fever.

9. All the Dogs of My Life by Elizabeth von Arnim
This is the obligatory oops-I-actually-already-owned-it purchase of the year. At least the new edition was much nicer.

10. Catchwords and Claptrap by Rose Macaulay
A beautiful Hogarth Press edition of a little Macaulay work – snapped up in an antiques shop in Ludlow.

11. The ABC of Authorship by Ursula Bloom
A fun, quirky find from the 1930s, advising how to make money from writing. Memorable for suggesting rhyming couplets of household tips would ‘always have a market’.

12. Jacob’s Room is Full of Books by Susan Hill
I was never going to leave the sequel to Howards End is on the Landing until 2018, was I?

13. Insomniac City by Bill Hayes
A new book by the late Oliver Sacks’ partner – a beautiful ode to New York and to Sacks.

14. Letters From Klara by Tove Jansson
A newly-translated collection of Jansson stories is always an event on my calendar. These didn’t quite live up to my hopes, but still very grateful to have them available in English.

15. ABC of Cats by Beverley Nichols
My Nichols obsession continues apace – as does, apparently, my penchant for books with ‘ABC’ in the title.

16. Stephen Leacock by Margaret McMillan
I bought this as a souvenir of visiting Leacock’s house – still can’t believe I actually got to see it.

17. My Remarkable Uncle by Stephen Leacock
And one of my Canadian purchases had to be a Leacock, of course.

18. Swamp Angel by Ethel Wilson
19. The Equations of Love by Ethel Wilson
A beautiful brace of novels by this Canadian author, whom I know through her Persephone book.

20. A Journey Round My Skull by Frigyes Karinthy
A beautiful NYRB Classics edition of a book that Sacks writes a lot about – also bought in Canada.

21. Letters of Margaret Laurence and Adele Wiseman
My final Canadian purchase on this list – though actually the first book I bought while in Canada.

22. David of Kings by E.F. Benson
I had to add this nice edition of a Benson novel I’d not heard of before to my teetering Benson stacks.

23. Aspects of E.M. Forster by Rose Macaulay
And another Hogarth Press Rose Macaulay book!

24. E.M. Delafield by Maurice McCullen
I didn’t know this study of EMD existed until it was mentioned to me a couple of weeks ago – so I went online and found a copy. It’s part of an American series on English authors – from which, amusingly, I bought a study of A.A. Milne that last time I did Project 24, I think.

So, there you go. Shall we have a few stats? Well, why not.

8 fiction / 16 non-fiction – a bit surprisingly, I buy more non-fiction when up against it. Perhaps I’m more willing to buy fiction speculatively, whereas when I need to know that I’ll enjoy the books, I tread the safer ground of books-about-things-I-like?

8 by men / 16 by women – hands up who’s surprised?

5 by Canadians / 3 by Americans / 1 by a Hungarian / 1 by a Finn / 14 by Brits – again, not the biggest surprise; probably more or less reflects by usual ratios, albeit with Canadians a little more represented than usual.

4 were published in 2017 – including the translated book. Not many, but still more than I was expecting.

4 authors appeared twice – Rose Macaulay, Beverley Nichols, Ethel Wilson, Vita Sackville-West.

10 read / 14 unread – quite a few only arrived on my shelves in the final three months of the year, but I do have a few I should get to sooner rather than later.

StuckinaBook’s Weekend Miscellany

I’ve finished work for Christmas (sorry to people who haven’t!) and I’m looking forward to a couple of weeks of reading and relaxing – or trying to, and then ending up going to a zillion carol concerts and the like. But Christmas is my favourite time of year – because I get to spend it with family, and realising afresh the enormity of what God did for the world, and food. Those three things aren’t necessarily in the correct order there, but they are all wonderful. As are the usual trio of book, blog post, and link in my Weekend Miscellany!

1.) The link – I’m so proud of my brother Colin, who is now a crossword setter for The Times! And not just any crossword but The Listener crossword, the sort that is so fiendish that I don’t even understand the rules usually. His crossword is called ‘Jury’, and his pseudonym is ‘Twin’ – if you subscribe to The Times, you can see it here; if not, rush out to a newsagent and buy a copy.

2.) The blog post – Ali is planning a Muriel Spark year-long readalong in 2018. As with the Woolfalong, you can join in whenever you like. I’ve read lots (maybe most?) of Spark’s prolific output, but there are still a fair few on my shelves waiting for me.

3.) The book – I know nothing at all about Miss Jane by Brad Watson. But look at that coverrrr.