Tea or Books? #77: Fantasy vs Fantastic Fiction and Wine of Honour vs Beneath the Visiting Moon

World War Two fiction and the difference between fantasy and fantastic fiction – welcome to episode 77!

In the first half of this episode, I dive back into the topic of my DPhil and we talk about fantastic and fantasy fiction. In the second half we compare two of the new Furrowed Middlebrow reprints from Dean Street Press – Beneath the Visiting Moon by Romilly Cavan and Wine of Honour by Barbara Beauchamp.

You can find the podcast at Apple podcasts – please rate and review, it really helps us – or download the episode from your podcast app of choice. You can support the podcast at Patreon – and please get in touch if you need any reading advice at teaorbooks@gmail.com!

The books and authors we mention in this episode are:

Notes Made While Falling by Jenn Ashworth
A Kind of Intimacy by Jenn Ashworth
The Testaments by Margaret Atwood
The Handmaid’s Tale by Margaret Atwood
To The Lighthouse by Virginia Woolf
The Life and Crimes of Agatha Christie by Charles Osborne
Eric Rabkin
The Alchemist by Paulo Coelho
Miss Hargreaves by Frank Baker
The Love Child by Edith Olivier
Game of Thrones series by George R.R. Martin
Harry Potter series by J.K. Rowling
The Hobbit by J.R.R. Tolkien
Lord of the Rings by J.R.R. Tolkien
The Wheel of Time series by Robert Jordan
Lady Into Fox by David Garnett
Daniel Defoe
The Sheik by E.M. Hull
Miss Carter and the Ifrit by Susan Alice Kerby
Lolly Willowes by Sylvia Townsend Warner
The Girl With Glass Feet by Ali Shaw
The Snow Child by Eowyn Ivey
To The Bright Edge of the World by Eowyn Ivey
Someone at a Distance by Dorothy Whipple
They Knew Mr Knight by Dorothy Whipple
Greenbanks by Dorothy Whipple
The House in the Country by Jocelyn Playfair
Hostages to Fortune by Elizabeth Cambridge
Miss Pettigrew Lives for a Day by Winifred Watson
Still Missing by Beth Gutcheon
The Victorian Chaise-Longue by Marghanita Laski
Look Back With Love by Dodie Smith
Blue Remembered Hills by Rosemary Sutcliff
I Was A Stranger by John Hackett
84 Charing Cross Road by Helene Hanff
Corduroy by Adrian Bell
Guard Your Daughters by Diana Tutton
I Capture the Castle by Dodie Smith
One Fine Day by Mollie Panter-Downes
The Village by Marghanita Laski
Elizabeth von Arnim
Antony and Cleopatra by William Shakespeare
Sanditon by Jane Austen
The Watsons by Jane Austen
Lady Susan by Jane Austen

Patch Does The Honours

Time for the draw for the Hesperus competition, and the offer of any book from the backlist, so kindly offered by Ellie and the other lovely people at Hesperus. 35 names to put in a (metaphorical) hat – and who better to help out than experienced name-drawer, Patch. He’s dressed up warm at the moment, in a jumper made by Our Vicar’s Wife many a moon ago.


Lots of people to choose from…


But he’s settled on one in the end.



Well done Angela!

You went for Aphra Behn when you entered the draw (good choice!) but feel free to change your mind if you like, that is the reader’s prerogative. Let me know, and email me your address, and I’ll pass it along to Ellie at Hesperus. Hope everyone had fun!

Honour and Obey


Wonders will never cease; I am Booking Through Thursday on a THURSDAY. True, there are only 35 minutes left on Thursday, this side of the Pond anyway, but the principle stands. A round of applause, if you will.

One book at a time? Or more than one? If more, are they different types/genres? Or similar? (We’re talking recreational reading, here—books for work or school don’t really count since they’re not optional.)
A fine question. One of the things I like best about finishing my degree (and it is certainly a mixed blessing) is that I can read more than book at once, purely because I don’t have deadlines for reading, and it doesn’t matter whether it takes me a day or a month to read a book. I like to have a few reads at the same time, but generally not more than one novel. So perhaps a novel, a factual book, a selection of letters, the diaries collection I have The Assassin’s Cloak… but if I were reading two novels at the same time, it would be too confusing.

How about you? Less easily confused than me?

The Winter of Our Discontent by John Steinbeck

I don’t usually stand behind the idea that the books we read in school are ruined for us – but I have to admit that I have no long-lasting love for Of Mice and Men. It was rewarding to analyse for my GCSE English, but I filed it away in ‘worthy’ rather than ‘enjoyable’. It’s only recently that I’ve come to enjoy Steinbeck for his portrayal of small-town America. Last year I read Cannery Row, and now I’ve read The Winter of Our Discontent (1961).

I suggested the book for my book group because I thought it would make sense to read it during winter… well, it turns out the title (while obviously a quotation from Richard III) is only working on one level. The novel starts on a ‘fair gold morning of April’, and Ethan and Mary Hawley are waking up together.

Ethan work in a grocer’s – though he used to own the shop. His family used to own a number of shops, in fact, and were well-respected people of note in their small community. Steinbeck doesn’t go into too much detail about the financial gambles that Ethan made, but they went horribly wrong. His business prospects were destroyed, and he has ended up at the bottom of the ladder again. He still has his loyal wife and his young, eager children – he is the sort of man who cannot be openly affectionate with any of them, but shows his love through parries and quips. Steinbeck is very good at the sort of light-hearted banter that men like Ethan exchange with their friends and dole out to their family (and very good also, later in the novel, at the confusion that children feel when this sort of father suddenly becomes serious).

The Hawleys seem to have a broadly happy marriage, and the badinage between them is elegantly done too. But Ethan clearly hasn’t come to terms with his fall from grace – and even patient Mary isn’t beyond outbursts of frustration:

“You said it! You started it. I’m not going to let you hide in your words. Do I love money? No, I don’t love money. But I don’t love worry either. I’d like to be able to hold up my head in this town. I don’t like the children to be hang-dog because they can’t dress as good – as well – as some others. I’d love to hold up my head.”

“And money would prop up your head?”

“It would wipe the sneers off the face of your hold la-de-las.”

“No one sneers at Hawley.”

“That’s what you think! You just don’t see it.”

“Maybe because I don’t look for it.”

“Are you throwing your holy Hawleys up at me?”

“No, my darling. It’s not much of a weapon any more.”

“Well, I’m glad you found it out. In this town or any other town a Hawley grocery clerk is still a grocery clerk.”

“Do you blame me for my failure?”

“No. Of course I don’t. But I do blame you for sitting wallowing in it. You could climb out of it if you didn’t have your old-fashioned fancy-pants ideas. Everybody’s laughing at you. A grand gentleman without money is a bum.” The word exploded in her head, and she was silent and ashamed.

I think the Hawleys’ state is an interesting contrast between mid-century America and mid-century Britain. I’m not a social historian, so have just picked this up from literature – but, in the UK, a ‘grand gentleman without money’ is still a grand gentleman. America doesn’t seem to have impoverished gentry in the same way – class in this community, at least, is determined by money and success. Now Ethan has lost it, he has lost his status.

Mary is a complex, sympathetic character – but Steinbeck is less generous to other women, particularly Margie. She seems a jack of many trades – telling fortunes being among the least disreputable. Ethan dislikes but largely tolerates her, and other men sleep with her when they’re out of other options. All of that is fine – Margie is a ‘type’ in a lot of mid-century novels of small-town America – but it is awkward and unpleasant to read narrative lines like ‘It was a durable face that had taken it and could it, even violence, even punching’. Steinbeck seems incapable of describing her without lingering on her breasts, and she is probably the least successful of his characters. Someone should have taken him aside and told him to grow up a bit.

I can’t believe it’s a coincidence that Margie and Mary have similar names. Together, one with supposed prophecy and one with hope, they think that Ethan has business success around the corner. Can he become content with his station in life, or will he try to change things? In the first half of the novel he is an exemplary portrait of a moral man. It wouldn’t be Steinbeck if things stayed that simple. And it wouldn’t be Steinbeck if he didn’t make some cynical comments about the state of the nation:

Now a slow, deliberate encirclement was moving on New Baytown, and it was set in motion by honourable men. If it succeeded, they would be thought not crooked but clever. And if a factor they had overlooked moved in, would that be immoral or dishonourable? I think that would depend on whether or not it was successful. To most of the world success is never bad.

What I most liked about Cannery Row was its depiction of small-town life that relied on many portraits of different men, women and children. The Winter of Our Discontent is much more about a single central character – the secondary characters are almost all very well-drawn and compelling to spend time with, but this is Ethan Hawley’s novel. Indeed, the narrative has some chapters in first-person and some in third-person, moving back and forth. I think I prefer Steinbeck when he turns his attention to a wider cast, but The Winter of Our Discontent is excellent. I haven’t detailed much of the plot, partly because its simplicity means that even a handful of hints will give too much of the game away – it is very predictable, I suspect deliberately so, but also very affecting because Ethan is known so intimately to us and we want to retain our respect for him.

This was Steinbeck’s final novel, and his talent was clearly undiminished. I haven’t attempted the novels on which his reputation is often considered to rest most firmly – East of Eden and The Grapes of Wrath – but perhaps now I should.

Tea or Books? #124: Our Favourite Reads of 2023

Our favourite books from 2023 – or reads, because of course we mostly read ‘backlisted’ titles. Always a fun one to record – this time with the added bonus that we were each going to choose one from the other’s list to read for the next episode.

Some of our Patreon patrons also appear in this episode. You can join them, and get early access to episodes and other perks, at our Patreon. Do feel free to get in touch at teaorbooks[at]gmail.com.

The books and authors we mention in this episode are:

Taken at the Flood by Agatha Christie
The World Between Two Covers by Ann Morgan
Ilustrado by Miguel Syjuco
A Flat Place by Noreen Masud
Noble Ambitions by Adrian Tinniswood
The Long Weekend by Adrian Tinniswood
A Bird in the House by Margaret Laurence
A Jest of God by Margaret Laurence
The Fire-Dwellers by Margaret Laurence
The Diviners by Margaret Laurence
The Other Side of the Bridge by Mary Lawson
Temples of Delight by Barbara Trapido
Brother of the More Famous Jack by Barbara Trapido
Noah’s Ark by Barbara Trapido
Barbara Comyns
Sex and Stravinsky by Barbara Trapido
The Travelling Hornplayer by Barbara Trapido
The Lost Honour of Katharina Blum by Heinrich Böll
In Cold Blood by Truman Capote
Billiards at Half-Past Nine by Heinrich Böll
Never Said A Word by Heinrich Böll
The Bird in the Tree by Elizabeth Goudge
Dr Serocold by Helen Ashton
Bricks and Mortar by Helen Ashton
Yeoman’s Hospital by Helen Ashton
Half-Crown House by Helen Ashton
The Self-Portrait of a Literary Biographer by Joan Givner
Katherine Anne Porter
This Little Art by Kate Briggs
City of Girls by Elizabeth Gilbert
Eat, Pray, Love by Elizabeth Gilbert
The Signature of All Things by Elizabeth Gilbert
Day by Michael Cunningham
Edith Holler by Edward Carey
The Hours by Michael Cunningham
The Buddha in the Attic by Julie Otsuka
Lucy by Jamaica Kincaid
Road Ends by Mary Lawson
For Every Favour by Ruby Ferguson
Lady Rose and Mrs Memmary by Ruby Ferguson
The Remains of the Day by Kazuo Ishiguro
Jill’s Gymkhana by Ruby Ferguson
In the Dream House by Carmen Maria Machado
Sheep’s Clothing by Celia Dale
Harriet Said… by Beryl Bainbridge
A Helping Hand by Celia Dale
The House By The Sea by May Sarton
Journal of a Solitude by May Sarton
The Education of Harriett Hatfield by May Sarton
Landscape in Sunlight by Elizabeth Fair
A Winter Away by Elizabeth Fair
Barbara Pym
Jane Austen
Bramton Wick by Elizabeth Fair
The Native Heath by Elizabeth Fair
No Leading Lady by R.C. Sherriff
Journey’s End by R.C. Sherriff
Old Filth by Jane Gardam
The Man in the Wooden Hat by Jane Gardam
Any Human Heart by William Boyd
Last Friends by Jane Gardam
Dorothy Whippl

Thunderclap: A Memoir of Art and Life and Sudden Death by Laura Cumming
To Serve Them All My Days by R.F. Delderfield
The Pillars of the House by Charlotte M. Yonge
The Q by Beth Brower
Magnificent Rebels by Andrea Wulf
The Blue Flower by Penelope Fitzgerald
The Perfect Golden Circle by Benjamin Myers
Possession by A.S. Byatt
The Matisse Stories by A.S. Byatt
All the Dogs of My Life by Elizabeth von Armin
Mrs. Appleyard’s Year by Louise Andrews Kent
Pleasures and Palaces by Juliet Wilbor Tompkins
Albert’s Christmas by Alison Jezard
The Stillmeadow Road by Gladys Taber
Buttered Toast by Marjorie Stewart
A Suitable Boy by Vikram Seth
An Unequal Music by Vikram Seth

Nocturne by Helen Humphreys

Nocturne: on The Life And Death Of My Brother : Humphreys, Helen:  Amazon.co.uk: Books

One of the authors I’d been advised to look out for in Canada was Helen Humphreys. I did find a few of her novels, but they were almost all set in England, and I’d much rather read a Canadian writer writing about Canada. So I decided to buy some of her non-fiction instead – Nocturne (2013) from ABC Book Store in Toronto, which looked a little unpromising from the outside but had an amazing stock inside. The book itself is beautiful – a lovely covered, and deckled edges. It is just under 200 pages, and something rather special.

The subtitle tells you what the book is going to be about – ‘on the life and death of my brother’. I’m not going to write a very long review, but I do want to communicated what a wonderfully written book Nocturne is – both as a tribute to a brother and best friend, and as an examination of love and loss that perfectly combines the poetic and the grounded.

Fairly late in the book, Humphreys shares the short obituary she wrote for her brother, Martin – saying she never chose words more carefully. And it is evident from the writing in Nocturne that choosing words carefully is at the core of her being. I’m quoting the obituary first because it really tells you who Martin was, and what happened to him:

Brilliant, talented, passionate and compassionate, kind, handsome, disciplined, elusive, and stubborn, Martin loved music, art, new places and experiences, his friends, the West Coast, connecting with life in all its forms, having a beer, and watching the Maple Leafs (even this season). He hated cruelty, intolerance, stupidity, and Toronto winters.

He died too soon, from pancreatic cancer, and is deeply missed by his parents, Frances and Anthony; his sisters, Helen and Cathy; his many friends in Vancouver, Toronto, England, and Paris. We are lost without his beautiful spirit.

Through Nocturne, Humphreys moves between present and various pasts. She tells us about Martin’s life and his illness – the talent he had for music from an early age, and his triumphs and limits as a composer. His friendships, and his movements around the world, and his flawed relationships. And then his diagnosis and the cruelties of cancer. And, winding through it all, the grief and shock of losing your brother and closest ally. I think what I found most moving in Nocturne is the portrait of how you can know someone deeply and still not know everything about them. How you can live in different parts of the world and be deeply close, and be in the same room and not know how to communicate. But what comes across most is the great depths of love Humphreys has for her brother. Not enough fiction and non-fiction talks about this bond between siblings, and Humphreys honours it so beautifully.

And, my goodness, this woman can write. I’m keener than ever to read her fiction, particularly the one or two that are set in Canada. I noted this down on p.8, but there are so many examples of the same exceptional, reflective writing:

I come to the cemetery in a kind of ad hoc fashion. Sometimes I pick up a coffee and drink it out there, standing with my back to your gravestone. I like how the sun warms the stone and how the stone keeps the heat a little way into the evening, keeps it longer than the air. It’s strange, but when you died and the heat started leaking from your body, it left you at exactly the pace that a stone cools after being in the sun all day. It makes me think that we are made of the natural world after all, attached to it more securely than I had realized.

I am often drawn to books about grief – perhaps because they are the purest way of describing love. Nocturne is up there among the best I’ve read.

Mystery at Geneva by Rose Macaulay #ABookADayInMay No.5

Today’s book is a curio by a relatively well-known writer. Lots of us love Rose Macaulay’s novels, whether that be her famous Towers of Trebizond or the delightfully funny, wry books she wrote in the 1920s – Crewe TrainDangerous Ages, Keeping Up AppearancesPotterism and so forth. Not so much talked about is Mystery at Geneva (1922)

It starts with an author note that we certainly shouldn’t take at all seriously:

Note: As I have observed among readers and critics, a tendency to discern satire when none is intended, I should like to say that this book is simply a straightforward mystery story, devoid of irony, moral or meaning. It has for its setting an imaginary session of the League of Nations’ Assembly, but it is in no sense a study of, still less a skit on actual conditions at Geneva of which indeed I know little. The only connection I have ever had with the League being membership of its Union.

Let’s be clear – this is not at all true. Macaulay is at her most satirical in this novel – a satire of detective novels, to an extent, but particularly a satire of the League of Nations. The hero is Henry Beechtree, a journalist for The British Bolshevist – and he has been sent to Geneva to cover a meeting of the League (which, at the time Macaulay’s novel was published, was still very much in its infancy.)

Along the way, Macaulay has a great time poking fun at newspaper men and the rivalries between them, as well as the mutual hysteria of journalists who cling to the far-left or far-right of the political spectrum. Macaulay is always wonderful when she is at her driest, and if the characters are very exaggerated then that doesn’t stop the prose being very funny.

Similarly broadly drawn are the delegates from different nations. Macaulay mostly manages to avoid anything that would feel uncomfortably racist today – the divisions are drawn chiefly along political lines (Irish Republicans vs Loyalists, for instance) and the good-humoured rivalry of adjoining European countries.

All is going more or less dully, and Henry is sending back sarcastic reports to the Bolshevist, when the mystery kicks in. The President of the assembly goes missing.

And then, over the next few days, more and more of the delegates disappear. We often see their final moments before disappearance – coaxed away by appealing to their particular weakness, whether that be wanting to help the poor, or getting involved in a political discussion, or finding a rare copy of their own book for sale. Rumours start to circulate that the whole thing is being done to undermine the League itself.

For what would be the use of getting rid of one man only, however prominent? The Assembly, after the first shock, would proceed with its doings. But what if man after man were to disappear? What if the whole fabric of Assembly Council and Committees should be disintegrated, till no one could have thoughts for anything but the mysterious disappearances and how to solve the riddle, and how, still more, to preserve each one himself from a like fate? Could any work be continued in such circumstances, in such an atmosphere? No. The Assembly would become merely a collection of bewildered and nervous individuals turning themselves into amateur detectives and, incidentally, the laughing-stock of the world. 

It should be noted that nobody is trying very hard to preserve themselves, as they do continually wander off into places where they are likely to be abducted. And there are so many characters, many of whom disappear before we know very much about them, that it is certainly more comic than tragic when they vanish.

Henry muses about the motives and perpetrators, but there isn’t really a sense that the reader is being given clues to disentangle. There is a solution, but ultimately it doesn’t really matter. This is first and foremost a satire on political and national grounds. The teasing of detective fiction is less successful because detective fiction was routinely so outlandish in the period that it’s almost impossible to satirise the lengths to which a plot can go. Of course, with most of the satire resting at a point in time in 1922, it is hardly a novel for all the ages. Some elements are recognisable, but others feel very much of a moment.

Something that does feel quite perennial is Macaulay’s (/Henry’s) comment on the way that magazines and newspapers write about women. It’s a theme she returns to often in her fiction and non-fiction, often in near-identical phrasing – but I love it every time, particularly the frustration that seethes beneath the surface humour:

All sorts of articles and letters appear in the papers about women. Profound questions are raised concerning them. Should they smoke? Should they work? Vote? Take Orders? Marry? Exist? Are not their skirts too short, or their sleeves? Have they a sense of humour, of honour, of direction? Are spinsters superfluous? But how seldom similar inquiries are propounded about men. How few persons discuss superfluous bachelors, or whether the male arm or leg is an immodest sight, or whether men should vote. For men are not news.

Mystery at Geneva is an odd, slightly silly and ultimately rather enjoyable book. I should think it would entertain anybody with an interest in 20th-century political history, particularly the way the League of Nations was considered by the everyman/woman. It’s not up there with Macaulay’s most accomplished and satisfying novels, but it does feel intended to be a jeu d’esprit rather than a substantial work. On its own terms, it’s a lot of fun.

M is for Milne

 

This is part of an ongoing series where I write about a different author for each letter of the alphabet. You can see them all here.

I can’t believe I haven’t done anything in my ‘A is for’ series since JANUARY? I knew I was putting it off for a bit because it meant moving some books around (my Milne shelf is on the back of a mantlepiece, with plenty of other books in front of them). But I finally did it, and here we are. When I started this little blogging project, I always knew who would be in the alphabet for M – and any long-term readers of StuckinaBook wouldn’t be in any doubt either.

How many books do I have by A.A. Milne?

When I did Stephen Leacock for L, I thought I was hitting a peak with 27 books. Well, I have 50 books by A.A. Milne. That’s more or less everything he ever published, and I’d reached about 46 of those a long, long time ago. Over the intervening years I’ve managed to get hold of some very obscure pamphlets (e.g. War Aims Unlimited) and plays (e.g. Other People’s Lives), and the books that remain missing are either prohibitively expensive or might never have been published. There are a couple of plays mentioned on his Wikipedia page that I’ve never seen, so would have to rely on stray acting editions turning up. I don’t care at all about having first editions or pristine editions – I just want to get my hands on everything Milne ever wrote!

How many of these have I read?

Hold onto your hats, because I’ve read it ALL. Most of my Milne collecting came around 2002-2005, when I only had a few hundred books and (gasp) often read the ones I bought. Because Milne was, and is, my favourite writer, newly acquired books by him always went straight to the top of the pile. I’ve done quite a lot of re-reading too, though there are still some books I’ve only read once, nearly two decades ago.

How did I start reading A.A. Milne?

He was really my gateway into a world of interwar literature. It all started when I watched a documentary about Winnie the Pooh in about 2002, and I decided I wanted to read more about it. That led me to Christopher Milne’s first autobiography, The Enchanted Places, which in turn led me to Ann Thwaite’s biography of Milne. And after that I scoured secondhand bookshops, began using ebay and other embryonic online places for buying books. It was surprisingly easy and cheap to get most of Milne’s books (and difficult and expensive to get the remaining handful).

General impressions…

Well, I love him, of course! On this shelf are plays, novels, sketches, essays, poetry, pamphlets, autobiography, and of course children’s books. He turned his hand to almost everything. And he was brilliant at it all, with an insouciant, witty, capable tone that pervades everything. It is a joy to fall in love with an author whose style is so identifiable and yet can be turned to such a wide variety of works. Every now and then something by him is rediscovered – his detective novel, The Red House Mystery, seems to be rediscovered every few years, and it was great to see Mr Pim Passes By and Four Days’ Wonder come back into print a little while ago, though I’m not sure if they’re still available. For my money, my favourite AAM books are his autobiography It’s Too Late Now, the touchingly comic novel Mr Pim Passes By (and the play it was adapted from), his pacifist work Peace With Honour, and any of the early sketch collections about the ‘rabbits’. He is a joy. Incidentally, one of the best blogging experiences I’ve had was watching Claire at the Captive Reader fall in love with AAM too.

You can read more about what reading Milne has meant to me in a post I wrote eight years ago.

Novella a Day in May: Days 18 and 19

Day 18: The Nymph and the Nobleman (1932) by Margery Sharp

When I was in Hay-on-Wye last year, I stumbled across The Nymph and the Nobleman, one of Margery Sharp’s first books. And – gasp – signed by Margery Sharp! And all for £5. Of course, I snapped it up straight away.

It’s a very slight work, only 75 pages – and quite a few of those are full-page illustrations by Anna Zinkeisen. The story is of a bashful member of the English aristocracy, Sir George Blount, who falls in love at first sight with a beautiful dancer he encounters in Paris. He speaks little French and she speaks little English – but she is ready enough to assent to an assignation that will take place over several days. It’s quite a coup to rush off to England with a gentleman, and she will have stories to tell when she returns to her fellow dancers. What she doesn’t realise is that Sir George is extremely honourable, and he has asked her to be his wife…

She was not used to it. She was used to the scramble of dressing, the bustle of rehearsal, the crowning excitement of the evening’s performance. She was used to fifteen companions of her own age, each with a lover or two, and a maitre-de-ballet who never stopped swearing. It saddened her, on rising, to find that no one had got up earlier and borrowed her stockings. Even a shoe out of place would be something to look for, but the new maid shut them all into a wooden press: her character had been approved by the dowager, and she never saw anything on the floor without immediately picking it up.

As you can see, if you know and love Sharp like I do, the slightly dry writing is certainly recognisable. This is a fable, of sorts, and the tone softens what might otherwise be a slightly saccharine story. But Sharp can’t put a foot wrong. This is a minor work, but an enjoyable one to spend an hour so with.

Day 19: The House (1938) by William McElwee

I love any story where a house is prominent, and the cover of this is a pretty accurate representation of the sort of house at the centre of the book.

The first impression made by the house on a sensitive visitor was one of happiness. It had charm and, in certain aspects, even beauty. But the charm and the beauty were of the kind which grows with more intimate knowledge. They did not assault the senses with an insistent demand for admiration, but waited quietly to be discovered. Everything about it was essentially unpretentious. Nobody had lavished on external appearances that constant attention which can make a house as tiresome and boring to live with as a society beauty. The gardens were care for, but not too well; they suggested the haphazard efforts of generations rather than the carefully laid design of one landscape gardener. Certain flowers grew in particular beds not because they could be the most effective where they were, but because they always had been planted there; and most of the trees stood where they did because, at some time or other, they had contrived to grow unnoticed to such a size that it had seemed a shame to cut them down.

That’s the opening paragraph, and exactly the sort of opening I want from a novel(la). Domestic, the slightest amount of whimsy, and plenty of down-to-earthness alongside. There are a few more pages setting up this lovely home. And into this scene comes the unnamed protagonist – a tramp, looking for any opportunity for food or some paid work. He is nearing 50, and came from a middle-class background but has steadily had bad luck for so long that he has hit rock bottom. But is firmly moral, and is determined never to end up at a police station, or do anything that could warrant police attention.

But he does end up going through a window into the house – because, gloriously, a cat turns up and expects to be let in and fed. I’m biased, but I always want plots to be propelled by a cat. He/she was great, and I’m sad that we didn’t see that much of him/her.

Having once got in, the man goes through a series of decisions that end up with him staying in the house and eating food from the larder. As he spends more time there, he learns about the family from their portraits and belongings. He becomes to want to know more and more about them.

I thought this was all brilliant. The second half of the novella worked a little less well for me – when he becomes obsessed with the son of the family, a man who looks (from pictures) to be in his early 20s, and a poet. McElwee creates many sonnets for this young man, and the tramp learns about his emotional trajectory through them. The poetry is mercifully good, and I certainly didn’t mind reading this, but I’m not sure it’s the direction I’d have taken the story – it felt less compelling then just seeing the tramp gradually change as he lived in the house. As it is, I was really impressed by how vital McElwee could make a book which, for almost all of it’s 191 pages, the tramp is the only human in the story.

Four more #1954Club books I read

Let’s rattle through some other books I read for the 1954 Club which possibly don’t warrant full reviews… they range from ok to bad, so come on a journey with me.

Doctor’s Children by Josephine Elder

Let’s start with the good-in-parts. This novel was reprinted by Greyladies, who bring back forgotten women writers in very limited print runs, so they sadly become forgotten again almost instantly. It’s both by and about a female doctor – not a new concept in the 1950s, but still not a commonplace, and Barbara (the heroine) faces quite a lot of disparagement and underestimation.

At the outset of the novel, Barbara’s artist husband has deserted her and their four children (aged between 19 and five). She needs income, she needs occupation, and she is trying not to think too much about her disastrous marriage. She manages to get a job as a GP in a job interview that is probably shamefully accurate about recruitment in the 1950s – i.e. she mentions that her uncle is renowned doctor Alderman Fisher, and that is all the panel need to hear to give her a job.

It is very interesting to see life as female doctor at the dawn of the NHS, and the subplot about her husband painting a picture that starts London gossiping is quite fun. Some of Elder’s observations on being a working single mother, and learning to deal with her children growing up and opposing her worldview, are engaging and show how little may have changed in 70 years.

The downsides… it is quite often an unsubtle polemic about aspects of the NHS, particularly about private GP practices being nationalised. A lot of the talk, inexpertly put into dialogue between various figures who exist only to discuss the topic, is focused on what this will be like for the doctors. There isn’t much about the patients’ point of view, or the inhumanity of refusing healthcare to those who can’t pay.

And – well, sadly Elder isn’t a very good writer. It’s not appalling, but it’s quite clunky and unconvincing at times. I never felt like I was reading the words of a gifted novelist, or even an averagely talented one – more that I was reading a doctor playing at being a writer.

 

Dishonoured Bones by John Trench

1954 is an interesting year for Golden Age crime, because the era was on its wane. Three decades had passed since the peak of detective fiction, and yet authors like John Trench seem to have stayed firmly in the mould that had been around for a long time.

This is the middle of three novels featuring archaeologist Martin Cotterill, though I’m not sure I’d have known he was the lead if it weren’t for that. When an old man is found dead at an excavation site, he is quickly identified as Lord Garnish – who, of course, is widely disliked. Murder victims in the early pages of these novels always are.

It’s not long before there’s another victim, and there are all manner of entanglements between local families that give us clues and red herrings along the way. I’ve said that this is in the mould of Golden Age crime, but in truth it oscillates between that and an adventure novel. There is an improbable scene of falling from a cliff and almost drowning, some rather silly chasing around subterranean darkness, and that sort of thing.

The eventual solution is ok, and could equally well have been almost anything else. Trench is good at drawing the more ridiculous characters, and there is one gossipy and flamboyant side character that I enjoyed and who got most of the best lines – but ultimately it was all rather flimsy. But good fun, as long as you know what you’re going in for.

 

The Cretan Counterfeit by Katharine Farrer

Somehow another one about archaeology! And, like Dishonoured Bones, it’s apparently the middle of three novels featuring the same detective – actually a legitimate policeman – Richard Ringwood, whose wife Claire pops up a bit and presumably plays a bigger role in other Farrer novels? Anyway, one morning they are reading the paper and see a very snarky obituary about an archaeologist, Alban Worrall, who has died. It is anonymous, but seems to be from a disgruntled colleague. The next day, a defence is written in the letter column by Janet, an unmarried woman who clearly admired him unrequitedly. And then she is attacked with a knife and left for dead.

There are some things to enjoy in this novel. The writing is fair, and I enjoyed the dynamic of Richard and Claire (albeit briefly). But overall it was difficult to care what happened, not to mention heavy doses of racism, antisemitism, and sexism. And Farrer either knows a lot about Cretan archaeological finds or went and did some research, and isn’t afraid to dump it on the page. I think any detective novel should rely on knowledge that any reader could be expected to have – it’s so much more irritating when all sorts of other knowledge is needed, or introduced in an expositionary way. There were a few Poirot-esque red herrings in the final gather-round-so-I-can-tell-you-who-did-it, though the answer is pretty offensive. One to miss. But not as bad as the last of these four…

 

Beside the Pearly Water by Stella Gibbons

We all know that, at her best, Stella Gibbons is wonderful. There’s a reason that nobody has reprinted Beside the Pearly Water, which is Gibbons at her absolute worst. It’s actually only the first 83 pages of this book, the rest filled with short stories of varying merit.

Throughout her writing, Gibbons is brilliant at oddballs and unlikely housing situations. She is very bad at romances, and also indefatigable at including them. In Beside the Pearly Water, the famous and beautiful Julia Lanier pays a visit to a remote part of the Scottish Highlands. She went there many years earlier, and there is a young woman (a girl, on Julia’s previous visit) who has held a grudge ever since. She devises a romance between Julia and a local man with a secret…

Somehow the two fall in love instantly, and we are meant to believe that they plan to spend the rest of their lives together on the basis of a half hour conversation. The final denouement is absurd and bad – and though tied to a 1950s concern, that I won’t spoil, is so histrionic that it a schoolgirl would be embarrassed to plot it. Gibbons really dropped the ball on this one.

The stories are a mixture of strong and weak. I think the best was ‘Listen to the magnolias’, about a nervous older lady waiting the arrival of various American soldiers who are being stationed in her house. (I am a bit confused if the fact they all turn out to be African-American is meant to be a twist or not… hopefully this story isn’t racist.) It’s thoughtfully and movingly described, and I felt like I was in her house as she waited.

The oddest opening to a story is ‘Madonna of the Crossings’, with “In the early summer of that year, the figures for road accidents soared, as usual, and as usual very many of those hurt or killed were young children.” There’s an attempt at a story in historical dialect that I skipped. And others are fine… but the aftertaste of Beside the Pearly Water lingered.