2023: Some Reading Stats

Reading people’s favourite books of the year, and their reading stats, is always my favourite period of the book blogging calendar. Here are mine – and here’s the link to the 2022 stats, which I’ll be comparing to quite a lot.

Number of books read
I read 180 books, which is actually 21 fewer than 2022 (though still a big number). I think the drop is because of the issues with my eyes I had earlier in the year, which have returned – albeit thankfully much more mildly – for the final four months of the year, since I had Covid. I’m still able to read but not quite as easily as I’d hope.

Number of audiobooks
Audiobooks don’t need 100%-working eyes, of course! And I managed to listen to 67 last year – meaning I read 113 print books. (In 2022 it was 64, so about the same.)

Male/female writers
I read 124 books by women and 56 by men – making my reading 69% female. In 2022 it was 71%, in 2021 it was 70%. I never set out with goals, but somehow it always ends up around there.

Fiction/non-fiction
I read 135 works of fiction and 45 works of non-fiction – meaning my non-fiction reading accounted for just over a quarter of the total. And yet produced my top three favourite books of the year! The big change in 2023 from the previous few years was that I read 30 non-fiction books by women and 15 by men – this has usually ended up being the category where men outpaced women.

Books in translation
A slight drop on 2022 (13) and 2021 (11) at ten books. They were translated from Polish x2, Japanese x2, Dutch, French, Italian, Hebrew, Russian and Marathi.

Re-reads
I re-read 14 books in 2023 – and that includes three Mary Lawson novels and five books by Alice Oseman. As usual, re-reading was mostly for podcast or book club. But I did re-read Miss Hargreaves (on audiobook) for the first time in years, and that was a delight.

New-to-me authors
This was a category I could tell was quite low throughout the year. It hasn’t been the easiest year, and I definitely wanted the dependability of authors I trusted (though, interestingly, not enough to re-read!) So 69 of my 180 books were by new-to-me authors. In the past it’s been nearer 50%.

Most disappointing book
It’s always the ones you think you’ll love, isn’t it? I was disappointed to find South Riding by Winifred Holtby so formless and tedious, after years of anticipating enjoying it. And while I didn’t dislike it so much, I wanted The Fire-Dwellers by Margaret Laurence to be much better than it was, after loving A Jest of God so much.

Animals in book titles
Mostly birds and cats this year. The Bird in the Tree by Elizabeth Goudge, Bird in the House by Margaret Laurence, Seven Cats I Have Loved by Anat Levit, If Cats Disappeared From the World by Genki Kawamura, The Cat Who Saved Books by Sosuke Notsukawa, The ABC of Cats by Beverley Nichols, Cat in the Window by Derek Tangye, Love Among the Chickens by P.G. Wodehouse, Broken Horses by Brandi Carlile, Ride the Pink Horse by Dorothy B. Hughes, Crow Lake by Mary Lawson, Cuckoo in June by Jane Oliver and Ann Stafford,  Sheep’s Clothing by Celia Dale and, if it counts, The Last Black Unicorn by Tiffany Haddish.

Names in book titles
Ever since doing Project Names, I’ve kept an eye on this. In the past couple of years it’s been 18 and 35. In 2023, it was 16. That’s an awful lot of books without names in the title, isn’t it?

Favourite title
I loved Divorce? Of Course by Mary Essex, which was also a fun, if entirely predictable, novel.

Most shocking title
Of course, Jeanette McCurdy’s title I’m Glad My Mom Died is meant to be shocking – and it is quite the attention-grabber. Especially since it’s non-fiction.

Title that fooled a friend
My friend Naomi was keen to read The English Understand Wool by Helen DeWitt when she saw me reading it, until she realised it was not actually about wool.

Books by people I know
Four in 2023! My friends Tom Carlisle and Noreen Masud – and both my parents! Five if you count Sarra Manning (which I do, really) as she is an online friend I’ve not actually met.

Persephones
I’m always keen to read more of my Persephone backlog. In 2023, I read… none. Oh dear!

Strange things that happened in books this year

A virgin gives birth, a portrait narrates a novel, a house conceals an evil void, a solider travels through time, coffee-drinkers travel through time, time speeds up while listening to records, a census-taker disappears, League of Nations members disappear, members of a family are steadily bumped off, a made-up octogenarian comes to life, cats guard a magical library, someone considering suicide is transported to a magical library, someone considering suicide messages all the contacts in their phone, a phone call tells you it’s your day to die, form-fillers predict the future, cats disappear from the world, and a man meets his ideal woman on a dream bus made of bamboo and rice paper.

A Century of Books: 1925-2024

I’ve set myself a 2024 reading challenge! Long-time StuckinaBook readers will remember a few previous times I’ve done ‘A Century of Books’ – reading a book published every year for a century. I started doing 1900-1999, and a few times I’ve just done whatever the previous hundred years is. This year, I’ll be doing 1925-2024.

It’s a fun challenge because you don’t have to think about it much for the first half or so of the year – it just fills up by itself. And then the final months are an intense scramble to find books that fit the remaining spaces…

Of course, anybody is welcome to join in – or to make your own century, or do it over two years etc.

I’ll be filling up the gaps here with links to all my reviews. Wish me luck!

1925: The Chip and the Block by E.M. Delafield
1926: Lolly Willowes by Sylvia Townsend Warner
1927: The Bridge of San Luis Rey by Thornton Wilder
1928: The Vicar’s Daughter by E.H. Young
1929: Passing by Nella Larsen
1930: Diary of a Provincial Lady by E.M. Delafield
1931: The Grasshoppers Come by David Garnett
1932: Gottfried Künstler by Vita Sackville-West
1933: More Women Than Man by Ivy Compton-Burnett
1934: The Spring Begins by Katherine Dunning
1935: A Clergyman’s Daughter by George Orwell
1936: The Spring House by Cynthia Asquith
1937: I Would Be Private by Rose Macaulay
1938: Much Dithering by Dorothy Lambert
1939: The Disappearing Duchess by Maud Cairnes
1940: Sapphira and the Slave Girl by Willa Cather
1941: Death and Mary Dazill by Mary Fitt
1942: Our Hearts Were Young and Gay by Cornelia Otis Skinner and Emily Kimbrough
1943: A Garland of Straw by Sylvia Townsend Warner
1944: The Razor’s Edge by W. Somerset Maugham
1945: Lady Living Alone by Norah Lofts
1946: Back by Henry Green
1947: Choose by M. de Momet
1948: Other Voices, Other Rooms by Truman Capote
1949: Ashcombe by Cecil Beaton
1950: I Will Hold My House by Marjorie Stewart
1951: The Man on the Pier by Julia Strachey
1952: Excellent Women by Barbara Pym
1953: Landscape in Sunlight by Elizabeth Fair
1954: Moominsummer Madness by Tove Jansson
1955: The Oracles by Margaret Kennedy
1956: Why I’m Not A Millionaire by Nancy Spain
1957: The Baron in the Trees by Italo Calvino
1958: The Visitors by Mary McMinnies
1959: The Little Disturbances of Man by Grace Paley
1960: Twice Lost by Phyllis Paul
1961: The Winter of Our Discontent by John Steinbeck
1962: Sunday by Kay Dick
1963: The Clocks by Agatha Christie
1964: Life With Picasso by Francoise Gilet
1965: Frederica by Georgette Heyer
1966: Everything’s Too Something! by Virginia Graham
1967: A Meeting By The River by Christopher Isherwood
1968: The Bloater by Rosemary Tonks
1969: Laughable Loves by Milan Kundera
1970: Trespasses by Paul Bailey
1971: At The Pines by Mollie Panter-Downes
1972: The Art of I. Compton-Burnett ed. Charles Burkhart
1973: The Cheval Glass by Ursula Bloom
1974: Enormous Changes at the Last Minute by Grace Paley
1975: A Woman’s Place: 1910-1975 by Ruth Adam
1976: Woman on the Edge of Time by Marge Piercy
1977: My Darling Villain by Lynne Reid Banks
1978: What’s For Dinner? by James Schuyler
1979: Treasures of Time by Penelope Lively
1980: Basic Black With Pearls by Helen Weinzweig
1981: From Bauhaus to Our House by Tom Wolfe
1982: The Tao of Pooh by Benjamin Hoff
1983: How To Suppress Women’s Writing by Joanna Russ
1984: The Children’s Bach by Helen Garner
1985: Tentacles of Unreason by Joan Givner
1986: Casualties by Lynne Reid Banks
1987: Strangers by Taichi Yamada
1988: Sweet Desserts by Lucy Ellmann
1989: The Bridesmaid by Ruth Rendell
1990: The Inn at the Edge of the World by Alice Thomas Ellis
1991: The Following Story by Cees Nooteboom
1992: Keepers of the Flame by Ian Hamilton
1993: The Stone Diaries by Carol Shields
1994: Barrel Fever by David Sedaris
1995: Notes From A Small Island by Bill Bryson
1996: True Stories by Helen Garner
1997: A Song For Summer by Eva Ibbotson
1998: Tipping the Velvet by Sarah Waters
1999: Interpreter of Maladies by Jhumpa Lahiri
2000: Aiding and Abetting by Muriel Spark
2001: Uncle Tungsten by Oliver Sacks
2002: Antwerp by Roberto Bolaño
2003: The Housekeeper and the Professor by Yoko Ogawa
2004: Joe Cinque’s Consolation by Helen Garner
2005: Rereadings by Anne Fadiman
2006: The Thirteenth Tale by Diane Setterfield
2007: 24 for 3 by Jennie Walker
2008: All Men Are Liars by Alberto Manguel
2009: 50 Great Myths of Popular Psychology by Scott Lilienfeld et al
2010: By Nightfall by Michael Cunningham
2011: Consolations of the Forest by Sylvain Tesson
2012: A Thousand Mornings by Mary Oliver
2013: Struggle Central by Thomas Zuniga
2014: Dept. of Speculation by Jenny Offill
2015: The World Between Two Covers by Ann Morgan
2016: This Must Be The Place by Maggie O’Farrell
2017: Bellevue Square by Michael Redhill
2018: Dear Mrs Bird by AJ Pearce
2019: Trick Mirror by Jia Tolentino
2020: The Dictionary of Lost Words by Pip Williams
2021: The Audacity by Katherine Ryan
2022: Lessons in Chemistry by Bonnie Garmus
2023: Day by Michael Cunningham
2024: A Body Made of Glass by Caroline Crampton

My top films of 2023

For the first time, in 2023, I kept a list of the films I watched. I discovered that most of what I want from movies is to be silly and fun and usually short – I watched maybe three disposable films for every one film I thought might be really good. And you know what, I’m ok with that. I also thought I’d watch maybe 20-25 films in a year – and somehow I watched 117. Most weren’t from 2023, of course.

But among the silliness were some films I thought were brilliant, so I thought I’d put together my top ten. I know a lot less about movies than I do about books, so I don’t feel on the steadiest ground – but, as with my books list, it’s more about how much I enjoyed them than how objectively good I thought they were. So all manner of awards winners and contenders didn’t make the list.

Anyway, enough caveats – here’s the list:

10. Already Tomorrow in Hong Kong (2015)

Heavily influenced by Richard Linklater’s superlative Before series, the natural chemistry between real-life couple Bryan Greenberg and Jamie Chung make this funny, moving and compelling. I wish it were longer, and I almost never say that about films (or books).

9. Round and Round (2023)

Ok, I watched this Hallmark Hanukkah timeloop movie as a joke – but it turned it out to be one of the best romcoms I’ve seen in years. Bryan Greenberg makes his second and final appearance on the list, and is paired with Leighton Meester. The writing is so tight, the leads have great chemistry, and it deserves a much wider audience than it’s likely to get.

8. Aftersun (2022)

A gently profound film about a young father taking his 11-year-old daughter on holiday. Director Charlotte Wells and stars Paul Mescal and Frankie Corio have been deservedly feted.

7. Rye Lane (2023)

Like Already Tomorrow in Hong Kong, a lot of this film is about two strangers meeting and walking and talking – but with the added bonus of being slightly wacky (fish-eye lens comes out to play) and very, very British. But I think my favourite thing about it was how the central couple’s ex-partners were both fully developed, very funny characters rather than one-note targets.

6. Befikre (2016)

I loved this energetic Hindi romcom set in Paris. We go back & forth between Shyra and Dharam getting together – and splitting up a year later, and what comes next. Ranveer Singh and Vaani Kapoor are so watchable, and the songs are a clever blend of Indian & French styles. I’ve been listening to Je T’aime and Ude Dil Befikre a lot ever since – rather than a trailer, here’s Je T’aime (also the most inventive musical section of the movie).

5. Of An Age (2022)

It’s another strangers-getting-to-know-each-other movie, this time an Australian film about a young man getting to know his friend’s brother on a car journey – and what happens afterwards. Beautifully written and directed by Goran Stolevski, and with a particularly soulful and restrained performance from Thom Green.

4. Freshman Year (2020)

Amazingly, this lovely, naturalistic film about an emotional first year at uni was made for only $15,000. Cooper Raiff wrote, directed, produced, and starred – usually an ominous sign, but he is obviously one to watch. (Released as Sh!thouse in US.)

3. Ustad Hotel (2012)

I watched a lot of films with the wonderful Dulquer Salmaan in them this year – Malayalam movie Ustad Hotel was one of his early films and often mentioned as among his best, and I can see why. Faizal leaves home after a dispute and works as a chef with his grandad (Thilakan, extraordinary in one of his final roles). The movie has a beautiful tone and message, and shows what a star Salmaan would become.

2. Grey Gardens (1975)

I’ve long meant to watch this documentary about an eccentric elderly mother and daughter living in chaotic poverty in a mansion. Completely without guile or artifice, this is an extraordinary portrait of resentment, dependency, regret, and love. I don’t know if you’d be able to find people this unguarded and genuine on camera anymore – or at least not people like Big Edie and Little Edie.

1. O Kadhal Kanmani (2015)

The first film I watched in 2023 was also my favourite – a Tamil film in which Dulquer Salmaan and Nithya Menen are a couple who decide to ‘live-in’ rather than marry (a common story in contemporary Indian cinema). As they try to be modern, they also grow to know and care for an elderly, old-fashioned couple nearby dealing with the woman’s dementia. It’s a beautiful, sweet, charming film – the sort of thoughtful, open-hearted romcom that has been disappearing from Western cinema in recent years but still very much made in India, thankfully.