Project 24: the final books

And I have finished Project 24! One of these actually came in the post a couple of weeks ago, but the other three were bought on a jaunt around Oxford at the weekend. Because I had got so close to the end of December with a few books in hand, I allowed myself the delight of spontaneous buying.

On the Calculation of Volume 1 by Solvej Balle

This series has been all over the bookish internet for a while, but somehow I only recently learned that it was a timeloop concept. I LOVE a timeloop. I decided to take a plunge on the first one, and I’ll doubtless scoop up the others that are available if it proves to be a hit.

Christmas: Tradition, Truth and Total Baubles by Nick Page

Nick is a good friend of mine, and yet somehow I’ve only read a couple of his prodigious output of books – so I thought I’d rectify by getting his Christmassy one to read over Christmas. Here’s the description: “Combining in-depth historical research, cheerfully irreverent humour and cutting-edge guesswork, Nick Page explores what this festival really means, and how we can get back to something real and true beneath all that wrapping.”

Peter by E.F. Benson

Hurlingham Books and I have a sporadic 84-Charing-Cross-Road-style relationship, modernised for the 21st century, where they WhatsApp me when they have any E.F. Benson or Beverley Nichols books in stock – and I couldn’t resist getting this E.F. Benson which is signed by him!

Aphra Behn by Vita Sackville-West

I actually left this slim volume behind in a charity shop in Oxford – and only when I got home did I google and see that it’s actually pretty hard to get hold of. Since I love Vita Sackville-West and remember enjoying Aphra Behn back in the day, I was relieved that the good people of Oxford had left it on the charity shop shelf for the couple of weeks that intervened before I could go back and claim it.

There we go! Project 24 has, as usual, made me think more deeply about the books I buy and why – and the things I’ve ended up purchasing have surprised me. 2026 will see me return to unbridled book buying, but at least I can say that I definitely read more books from my shelves in 2025 than I added to them.

Project 24: Book #20

Surplus: A Novel - Stevenson, Sylvia: 9780930044787 - AbeBooks

Despite having been ahead of myself all year, my birthday helped me get my new-to-the-shelves fix for a while and now I’m… behind? I have four books left to buy this year, and four or so weeks to buy them in. (Is it time to confess that I didn’t count books bought with my birthday book tokens? Cos they were just gifts from friends who needed a little help picking out the book…)

Anyway, book 20 of 24 is Surplus by Sylvia Stevenson, which I saw mentioned on Neglected Books. It’s published in 1924 (though my copy is a 1980s reprint) and is a book about a spinster – but also a very early example of a lesbian novel, I believe. Those things combined made it sound very intriguing, and I’ll admit that I’ll be reading it with one eye on whether it would make a good candidate for the British Library Women Writers series. That series has slowed down a bit, to give a chance for the 25 or so books to pick up steam, but there will be more titles coming next year.

Despite seeming to be quite a significant book in 20th-century literary history, Surplus wasn’t super easy to come by – my copy was shipped from the US – and doesn’t appear to have been massively covered online. So, watch this space and wish me luck!

Project 24: Book 19 (and a special A.A. Milne day out)

He bought another book! I go to London quite a lot, and I’m very familiar with the secondhand bookshops in the centre of the city. So, gradually, I’m trying to venture out to the ones I’m less likely to stumble across – though, sadly, there are far fewer than there were even a decade ago.

One of the bookshops on my list was World’s End Bookshop in Chelsea (or Chelsea adjacent?), which isn’t exactly off the beaten path, but is off the paths that I tend to beat. Well, imagine my surprise when I happened to walk past it yesterday! I was in the area because I was going to Finborough Theatre to see The Truth About Blayds by A.A. Milne.

(I will get onto the Project 24 purchase, but let’s take an A.A. Milne interval.)

I think it was my friend Jane who alerted me to Finborough Theatre’s production, and I am so grateful she did. It’s a tiny theatre, seating maybe 40-50, and you have to walk through a restaurant to get to it. How they landed on The Truth About Blayds, I don’t know – but I knew I had to go.

As you may know, A.A. Milne was a successful playwright before he wrote Winnie the Pooh, and there is a volume called Three Plays that has arguably his best work – The Dover RoadThe Great Broxopp, and The Truth About Blayds. I have loved them for more than 20 years, but I never thought I would get to see them on stage. The tiny Jermyn Theatre put on The Dover Road a few years ago and that was absolutely wonderful – and now I can say the same about The Truth About Blayds.

It’s a play about a revered poet on his 90th birthday. His family are gathered to celebrate him with a special address from a representative of the younger generation of writers (who I think is meant to be in his 40s, but was played by someone in his early 60s). Blayds’ grandchildren are tired of growing up in his shadow, his daughter (also meant to be 47 but…) has long-sufferingly devoted her life to serving his whims, and his other daughter and son-in-law have done the same with less regret and more sycophancy.

At the beginning of the second act, we learn that all is not as it seems…

It is a very funny play, and surprisingly fresh and timely in its examination of authenticity – and how much being authentic might suffer when profit is to be made. The acting was wonderful, with the whole cast on exceptional form. Sometimes bringing across 1920s comedy can feel a bit stilted or stylised, but they did it in a way that felt funny and genuine – and the pathos and moral elements of the play were done beautifully too. Rupert Wickham was the standout for me, as the ‘younger writer’, though I will also rush to see Catherine Cusack (the put-upon daughter) anywhere again. The two, with a secret history between them, share tender, moving, believable scenes – which, again, feel slightly different from how they’re written when the actors are a decade or more older than the roles suggest. William Gaunt, as Blayds the poet, was beautifully characterful. Helpfully, for such a small theatre, no changes of scenery were needed.

As I sat there, I kept feeling wonder that I was getting to see this play I love so much. I never thought it would happen, and I’m so grateful it did. And you can do the same until 4 October, although apparently a lot of performances are sold out. (I did enjoy the woman forcing her way into a front row that clearly didn’t have room, because she couldn’t see the back row – though I can’t mock, as I struggled to find the way to get to the back rows, and the punter I asked wisely ignored me.)

Oh, one lovely coincidence – as I walked to the theatre, I went down a back street and – completely unknowlingly – stumbled across the house where A.A. Milne lived! So many of his early Punch columns are about living there, and it was special to be able to picture the house now.

ANYWAY onto the book! It wasn’t by A.A. Milne, though wouldn’t that have been pleasing. Rather, it was The Flying Fox by Mary McMinnies – with rather a striking dustjacket. I absolutely loved her novel The Visitors, so was delighted to come across her only other novel.

I’m still a little ahead of target (Book 19 should come midway through October), but my birthday is in November and, of course, Christmas is not far ahead – so those are good times to wave lists of book-wants in front of friends and family.

All in all, a really wonderful London day – and I haven’t even talked about the delicious pizza I got at Mucci’s and the ice cream I got a Venchi. Hope you’re having a good weekend, and sorry for slightly intermittent blogging of late!

Project 24: Books 17 and 18

Well, we have got ahead of ourselves. But ‘we’ I mean ‘I’. Because the calendar is saying it’s late August, and my Project 24 tally says that September has already ended – I’m up to book 18 in my Project 24 restrictions. But hopefully you’ll see why I couldn’t resist these two beauties.

Last weekend, I went to Stratford-upon-Avon with my brother and some friends to do a treasure hunt. I knew there might also be treasure in Chaucer Head Bookshop, which I hadn’t been to for the best part of a decade and was delighted to discover still existed. They’ve got a nice range of very reasonably priced books – and I came away with these two.

Theresa’s Choice by Rachel Cecil (daughter of David Cecil) seems to be about some sort of love triangle – but, let’s be honest with ourselves, I bought it because I loved the cover. And I’m always willing and ready to try a mid-century woman writer that I don’t know anything about.

Nina by Susan Ertz is the black blob underneath the colourful dustjacket – less captivating on the eye, but more exciting to me since it is SIGNED by her! I’ve only read a couple of Ertz novels, and they’ve been very different from each other, but I’m interested to read more by her – and I think there might be something special among her output. Fingers crossed it’s this one!

Project 24: Book 16

The Pink House by Nelia Gardner White cover

I’m always excited when a new reprint publishing house pops up – and there are so many out there now, whether imprints from big publishing houses or tiny indies. Obviously I think the British Library Women Writers list is the best one out there, but there are plenty of others doing wonderful things – and I love it when they are specialising in something specific. So when I heard about Quite Literally Books, I was very intrigued.

You can see plenty of intel on their website. I chortled at their header ‘Reader, we reprinted them’. Yes, we’re among friends here. And they say ‘We are a heritage press devoted to discovering and reissuing ought-to-be-in-print books by American women authors—and occasionally others—who’ve been shelved for far too long.’ You can tell it’s American because their email address begins ‘writeus’. Then again, Jane Austen used that sort of phrasing too.

I’ve listened to the two co-founders on a couple of podcasts, and they seem to have delightful curiosity about the literary past, a taste for books that are both enjoyable and have something to say about a moment in time – and (this will help) clearly have enough funding from somewhere to make Quite Literally Books a very chic concern.

Their first three titles are The Home-Maker by Dorothy Canfield Fisher, Plum Bun by Jessie Redmon Fauset and The Pink House by Nelia Gardner White. Perhaps they will always publish books exclusively by women with doubled-up surnames. Anyway, of course I already have the Persephone edition of The Home-Maker, so I had to choose between the other two titles for my exploration into Quite Literally Books. My weakness for books about houses made The Pink House the obvious choice. It was actually only after I ordered it that I joined the dots and realised it was a book (under an earlier edition) that Gina had raved about.

One problem: their books aren’t (yet) available in the UK. And shipping from the US is extremely expensive. And that’s where my friend Jo stepped in! She was visiting a mutual friend in Seattle, and so I got the book shipped to my friend’s Seattle house, and Jo brought it back in her suitcase. Thank you, Jo! (I wonder if this qualifies for the ‘has anybody asked you pack anything?’ question that airports always pose.)

I haven’t started it yet, but I love the quality of the physical book, the beautiful cover design, and the very promising blurb. Watch this space! I’m so interested to see what they bring out next – and, for once, I’m writing about something that American readers will find much easier to locate.

Project 24: Book 15

I have a handful of ‘want’ alerts set up at abebooks – books that aren’t currently available anywhere, at least not affordably, so that I get an email when they turn up. It’s how I got my hands on Cynthia Asquith’s novels, it’s how I’ve added some rarer A.A. Milne and E.M. Delafield titles to my shelves, and numerous other books have wended their way to me via those exciting ‘We’ve found the book you wanted’ emails to my inbox.

I don’t remember why or when I added Iris Barry’s Here Is Thy Victory to that list, but I daresay I must have been sold by the description of the novel somewhere: it is about a plague of involuntary immortality. That’s so up my street – something fantastic, but in the real world, and able to comment on human behaviour and anxieties – and I patiently waited until it could be mine.

Even better, as you’ll see if you swipe in this Instagram link – it came signed by the author!

 

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Project 24 update (books 6-14)

I haven’t updated you on my Project 24 buying for a good while – and please know that that is absolutely not because I’ve been behaving on that front. In fact, I’m getting ahead of where I should be.

Let’s go in the order I bought them, which is unhelpfully not the order that they’re pictured above.

An Avenue of Stone by Pamela Hansford Johnson
I was in a bookshop in Stirling, Scotland, a month or two ago, and didn’t want to leave it empty-handed. There were quite a few rare-ish books that I loved, but already owned. It felt like the kind of shop where I should be able to find something special – and in the end I plumped for An Avenue of Stone by Pamela Hansford Johnson, having recently loved her novel Catherine Carter. I was a little hesitant, because it is apparently the middle of a trilogy, but I figured I could start accumulating…

Adventures of an Ordinary Mind by Lesley Conger
Lesley Conger wasn’t a name I knew, but when Brad/Neglected Books posted on BlueSky, I immediately ordered a copy across the Atlantic. I love books about reading, and apparently this is one the earliest examples that Brad has come across. It’s not your stereotypical ‘busy wife and mother’ reading – she seems to lean towards the Greek classics – but I’m looking forward to delving in.

Agatha Christie’s Marple by Mark Aldridge
Agatha Christie’s Poirot by Mark Aldridge

I forgot to include these in the picture, but I found a couple of interesting looking books that trace Agatha Christie’s most famous detectives through their careers – including the genesis and reception of each book.

Crooked Cross by Sally Carson
Persephone have been trumpeting this reprint as a bestseller even before it was published – and, since it is a portrait of a selfish tyrant becoming a global leader, it is sadly all too relevant to today. I had a trip to Bath a couple of weeks ago and made sure to pick up a copy (as well as pressing Guard Your Daughters on a friend).

The Provincial Lady Goes Further by E.M. Delafield
The Provincial Lady in Wartime by E.M. Delafield

Women Are Like That by E.M. Delafield
The Babe, B.A. by E.F. Benson
On the way back from a church weekend away, I decided to stop at Canons Ashby National Trust. I just fancied a nice day out in the sunshine, and somewhere to finish that day’s book for A Book A Day In May. Well, what a nice surprise to discover they were doing a book fair in the old priory. And, oh gosh, I had the experience we all dream of in that situation.

I don’t have high hopes for this sort of thing, which is often piles of crime thrillers and paperbacks that were popular in 2005. But (as always) I headed for the ‘old and interesting’ table. And I couldn’t believe it when I spied Women Are Like That – one of the very few E.M. Delafield books I didn’t previously own, and which is only available very expensively online. And then I found an E.F. Benson stash too!

There were a few rare E.M. Delafields and E.F. Bensons that I already owned, so was happy to leave them there for another person like me to be overjoyed by. But I couldn’t leave behind these two lovely editions of Provincial Lady books – the one series that I allow myself to duplicate at whim. They are the most striking in the photo, and I am very glad to spend some of my Project 24 allowance on them. But it’s Women Are Like That which really excited me – to the point where I genuinely wondered if I were dreaming. I’ve had that found-a-book-I-really-want dream too many times!

So, yes, I officially can’t buy a book until August to keep on track, but (a) I’ve really happy with my choices so far, and (b) I actually ordered a book online this morning…

Project 24: Book #5

It is very surprising to me how many of my Project 24 books so far have been IN PRINT. It’s quite unusual for me at the best of times, but particularly when I’m narrowing my gaze to limited buying. Truth be told, Perfection by Vincenzo Latronico wasn’t on my radar at all – but I need to read it for the next episode of ‘Tea or Books?’

Perfection (Paperback)

I’ve read lots of Fitzcarraldo’s non-fiction, but this will be my first delve into their fiction. And look how zeitgeisty, it’s just been nominated for the International Booker, or something like that.

Not where I thought Project 24 would take me – but pleased that I’m still very much on track with my rations.

Project 24: Book Four

I’m on track with Project 24 – buying just 24 books in 2025 – with my restrained rate of two-per-month. It was while reading Pipers and a Dancer by Stella Benson that I decided I should probably make sure I had all her novels – and Goodbye, Stranger is thus added to my shelves. It hasn’t been reprinted by Mike Walmer yet, though I’m sure it’s only a matter of time.

Now, maybe I should actually read one or two of the books I’ve bought so far this year.

Project 24: Book Three

We’re halfway through February, and that means I’m due another book under Project 24, right?

I was in London for a couple of days, and remembered about a lovely little bookshop called Walden Books, in Camden. I’ve only been there once before, in 2017, when I was also doing Project 24. Top of my agenda for 2026 is making sure I go there when I’m not restricted in my book-buying, as there seems to be a really good range of affordably priced books.

But I did not come away empty-handed, of course.

Jane Seth-Smith wasn’t a name I recognised, but I love the set up of multiple generations living together – and the copy was signed by Jane Seth-Smith, which is a fun bonus.

And then I discovered that Scott had reviewed this one a couple of years ago! It has tempered my expectations – it seems to be a fun novel, rather than a brilliant one – but perhaps exactly right for a certain mood.