I’m back! / Mockingbirds and Cousins

Hurray! The internet has arrived at Marlborough Road!

For those of you thinking “That’s not news, you blogged on Saturday”, I have to say – that wasn’t me. Well, in a way it was, but it was a phantom post – I tried to link to the video on Youtube a couple of weeks ago, and failed. Obviously it was hanging around in the ether, waiting for someone to authorise it or something, and suddenly it appeared at the weekend. Strange.

I’m afraid my return to the blogosphere will be short-lived, since I’m away on holiday on Friday, and back on 29th August – so more then. I do hope some people are still here, even with all the disruptions of late… blame the world of technology which eludes me. Thankfully one of my housemates has a very savvy boyfriend, who kindly tip-tip-tapped away at the keyboard and got everything sorted out. I am living proof that young + male doesn’t necessarily = good at internetty things. In fact, if you use the word ‘internetty’, then you probably don’t qualify. Though I once plugged an ethernet cable in upside down (no easy task), so I’m in a league of my own.

In the time I’ve been away from blogging, I’ve had quite a build-up of books to talk about, so that will probably take us up til I head off to Northern Ireland. Today I’m going to write about the last two book group books I’ve read in recent weeks, both classics of the twentieth century.

My Cousin Rachel is the third novel I’ve read by Daphne du Maurier – I wrote about The Flight of the Falcon here, having not been overwhelmed, but Rebecca is one of my favourite novels. My Cousin Rachel probably fell between the two. (There are some spoilers here, but not too many…) It tells the story of Ambrose and Philip Ashley, cousins who are more or less father and son, living in Cornish rural simplicity, away from women and contentedly reliant upon one another. Ambrose is taken off to Italy, and it is here that he meets and marries Rachel – and dies. Rachel comes to see Philip in England, and he is prepared to hate her – but their relationship becomes increasingly complicated, as does the readers’ thoughts about Rachel’s potential culpability.

The novel has a lot in common with Rebecca – and not just the setting. The same intrigue, power, and issues about what is left unspoken in relationships. Though not as successful as Rebecca – I found the first 80 pages dragged a little, in fact until Rachel arrived – My Cousin Rachel is brilliantly successful in the sense that I have never left a novel so uncertain as to a character’s guilt or lack of it – and either interpretation seems quite valid. Brilliantly done. There are such sophisticated themes of obsession and attracting obsession without being aware of it, the cyclical nature of the men’s experiences… The group discussing the novel were divided from absolute loathing to absolute loving, and thus an ‘interesting’ meeting was held!

My other book group were rather more agreed on To Kill A Mockingbird. This is one The Carbon Copy has been telling me to read for years, and I’ve continually meant to, so was glad when someone recommended it for book group and spurred me on. What a great book. I don’t think there’s any point in me giving a synopsis, since almost everyone has read this novel before me, but having seen the film I was surprised that so little of the book was concerned with the trial of Tom Robinson. To Kill A Mockingbird is much more a depiction of Southern life for the Finch family, and a portrait of a daughter’s relationship with her father – and a beautiful portrait at that. When I did the Booking Through Thursday about heroes, Colin put forward Atticus Finch, and I have to agree. The man is incredible – a very worthy father, a moralistic lawyer and a humble citizen, a combination which is tricky to write without seeming unrealistic or irritating. Atticus, though, remains wholly admirable and likeable throughout, and is one of the great male characters in literature, I’d say. I could eulogise about him, and this novel, for ages – but I won’t. I want to hear what you think.

There, written about two books without quoting from either of them. Tsk. Here’s one I like: “If I didn’t take this case (Scout) then I wouldn’t be able to hold my head up, I wouldn’t be about to tell anyone what to do, not even you and Jem.” Or this:

“I’m no idealist to believe firmly in the integrity of our courts and in the jury system – that is no ideal to me, it is a living, working reality. Gentlemen, a court is no better than each man of you sitting before me on this jury. A court is only as sound as its jury, and a jury is only as sound as the men who make it up. I am confident that you gentlemen will review without passion the evidence you have heard, come to a decision, and restore this defendant to his family. In the name of God, do your duty.”

EnhpaD

My ‘Backwards With Daphne’ project hasn’t been roaring along, has it? I told you all about my great intentions back in this post, in early April, and only now have I finished the first one – The Flight of the Falcon. It’s not Daphne du Maurier’s last novel, but it’s the last one which came in my boxset – and the plan was to start at the end and work backwards, as it were.

The Flight of the Falcon is set in Italy, a long way from Cornwall and the only du Mauriers I’d previously encountered – our hero is Armino Fabbio, a tour guide who accidentally becomes involved in the murder of an old peasant woman in Rome. He leaves his tour group, and travels back to his home town Ruffiano, which he hasn’t visited in two decades. In the same city, five hundred years previously, cruel Duke Claudio – known as The Falcon – had terrorised the people of Ruffiano with his meglomania and brutality. Has anything really changed in Ruffiano, or are events mysteriously repeating themselves?

That – like the synopsis of Rebecca, I suppose – sounds rather more melodramatic than Daphne du Maurier’s writing allows it to be. Having said that, Backwards With Daphne almost drew to a halt, as The Flight of the Falcon didn’t work for me at all. I could appreciate why she was writing it – an interesting idea, with a host of familial issues to untangle at the centre – but I didn’t much care what went on. Do students of different departments really hate each other that much? I’d be bored stiff studying a Science subject, not to mention completely incapable, but I didn’t want to burn any of the students at stake…

My other main problem, I’m afraid, was names. I can’t remember names at the best of times, and when they all end in ‘-io’, I had no chance. Daphne du Maurier couldn’t do much else, in Italy, but I spent much of my time hopelessly baffled.

I think I’m painting a worse picture than it was – The Flight of the Falcon isn’t a bad book, at all, but when you know the same pen had already produced Rebecca (oops, supposed to be reading backwards, this should be a blank canvas for me… sorry) – just goes to show the flaws in this intriguing reading project. If this were my first Daphne du Maurier novel, I probably wouldn’t bother with any others… BUT, I had the fun experience of reading the same book as a library colleague sat opposite me at teabreak, and we could chat about it.

Anyone else read it? Any thoughts? Our Vicar’s Wife? Karen, my co-Daphne reader, have you got this far yet?