Some photos from my camera…

Every now and then I fancy doing a lazy picture post, to give you an impression of what I’ve been up to away from my blog. I spent last weekend at a wedding in Exeter, but sadly didn’t take any photos… so that’s not featured. The other pictures aren’t all that recent, but they were waiting on my camera to be uploaded…

My housemate and I made a strawberry and blueberry meringue gateau.
There’s not much left now…

My bro came to visit a few weeks ago
and we took silly photos.

(See?)
Me and some friends obscuring the beautiful
ceiling of the Royal Naval Hall in London.

No collection of photos would be complete without SHERPY.

Blurbs

A quick post, as near a rant as Stuck-in-a-Book is ever likely to get.  Blurbs!  I work in publishing, and I’m now used to writing content which needs to fulfil a purpose and tone, so I get it, I see why blurbs have to exist (although I try not to read them, as they give away far too much).  Today I found the worst blurb ever.

It’s on the NYRB Classics edition of Adolfo Bioy Casares’ Asleep in the Sun (more on that soon).  Well, it gives it enormous swathes of plot – including a major reveal which happens on p.161 of 173pp.  And, worse, it gets the plot wrong.  I don’t want to spoil the book for you (unlike the writers of that blurb…) but basically it says that a big transformative event happens, and it doesn’t.  A vaguely similar, but significantly different, event happens instead.

Having finished the book, I can see why someone might have skimmed it to write the copy…

What are your thoughts on blurbs?  Do you find them useful?  I always avoid introductions before reading a book, because they invariably give away far too much, but it looks like I’ll have to add blurbs to that list – I usually decide whether or not I want to read a book (if it’s entirely unknown to me) by flicking a few pages in and sampling the text, instead of the blurb.

And can you think of any terrible culprits of dreadful blurb-ing? (And, oh, how I have come to hate the word ‘blurb’ while writing this post…)

A review round-up

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As with 2012’s Century of Books, there are some books which – for one reason or another – don’t get their own blog post, but I still need somewhere to link to in my run-through of 100 books.  So… here is that place!  Or at least the first part of it.  Let’s call them mini-reviews; that sounds better.

The Perfect Stranger (1966) by P.J. Kavanagh
A friend lent me this; it is a memoir of a young man’s life – at Oxford, at war, and in love.  I certainly liked it, and it was rather moving, but that’s about all I remember now.

The Sittaford Mystery (1931) by Agatha Christie
I think my Reader’s Block is FINALLY over, and that means my Agatha Christie binge has probably come to an end too.  Whenever I read too many in a row, the plots have to be really good to impress me, and – well – I just read too many, I guess.  So I liked The Sittaford Mystery and I think it was probably quite artful, but I didn’t appreciate it as much as I could have done.  I did very much like the feisty, no-nonsense, secretly-sensitive heroine who took on the role of quasi-detective.  I think her name was Emily?

Inclinations (1916) by Ronald Firbank
Mike Walmer kindly sent me a copy of this, but I’m afraid I didn’t have a clue what was going on while I read it.  I love some books which are mostly in dialogue (I call Dame Ivy Compton-Burnett to the stand) but this one just baffled me.  Luckily Karen/Kaggsy enjoyed it more – read her review for more elucidation.

Riding Lights (1955) by Norman MacCaig
Green Song and other poems (1944) by Edith Sitwell
Every now and then I think I should try poetry. I don’t remember anything at all about these.

A.A. Milne and I

This is a post I’ve been meaning to write for a while, because I always think it’s fascinating to find out how people’s reading personalities arrived at their present status.  That’s one of the reasons I’ve loved doing My Life in Books on Stuck-in-a-Book, because it takes a look behind the blogs and sees the histories of the readers.

Well, one of the biggest influences in my reading life is A.A. Milne, who remains one of my favourite writers – and whom I discovered when I was about 16 or 17, and was the first adult author whom I really loved, reading more than twenty of his books in a year or two.  Yes, there is an irony that he takes this role when he is best known for his children’s books but, as I will go on to describe, in many ways he was the ideal author to take me from loving reading to being a truly committed bibliophile.

On the one hand, he was ideal simply because he is good.  There’s always a danger that the books we love when developing our taste turn out to lose their shine as we explore the literary world more, and that’s been my experience with a few books – but not with AAM. Everything from his early sketches to his autobiography still makes me laugh, think, or nod – the only exceptions being those few books I didn’t love much the first time around (such as Chloe Marr) and even some of these (Two People) have improved on re-visiting, rather than the reverse.  I know I can rely on Milne – I’ve just finished a re-read of Not That It Matters (1919; reviewed a couple of years ago) and a few weeks ago read his short play The Artist: A Duologue (1923). Just as lovely and light and fun as ever.

But it is not that alone which made him such a perfect introduction to the world of book-reading, book-hunting, and book-loving.  First off, he was astonishingly varied.  In loving one author, I could explore books as varied as silly house-party cricketing golfers in The Day’s Play etc., witty plays (The Dover Road), thoughtful plays (The Great Broxopp), hilarious novels (Mr. Pim Passes By), moving novels (Two People), a great work of pacifism (Peace With Honour), short stories (The Birthday Party), essays (By Way of Introduction), poetry (Behind the Lines), and autobiography – and children’s books, of course.  His range – particularly in form, but also in tone – is practically unbeaten in the 20th century, simply because there aren’t all that many spheres left unwritten.

So, that accounts for the writing.  But I don’t think I’d have become quite the bibliophile I am today if Milne’s work were either much better known or much less known.  The fact that I stumbled upon it at all was due to my school library having Christopher Milne’s The Enchanted Places, and my aunt Jacq being a fan of his and lending me books (for which I am ever grateful).  There can’t be all that many authors for whom there exists an autobiography, a family memoir (The Enchanted Places), and a brilliant biography (Ann Thwaite’s A.A. Milne: His Life).  There’s even a critical analysis of his work – Thomas Burnett Swann’s A.A. Milne (1971), which I managed to track down and read this year, after a decade of hunting.  And I gloriously disagreed with him for much of it (he hates Milne’s hilarious early stuff, and at one point seems to be quite genuinely shocked, and not at all ironic, when he notes that young people ‘preferred the irrelevancies of a Punch essayist to the nobilities of Lord Tennyson’; elsewhere he is more willing to commend, but he still has a curious dislike for much of Milne’s work which makes writing his book a curious choice. Still, I loved finding someone else who had read everything Milne wrote.)

And that’s the other thing – and perhaps the most important element in making me the bibliophile I’ve become – is that Milne isn’t better known.  If I’d been able to buy all his books in Waterstone’s, or for £1 a pop on Amazon, then I wouldn’t have caught the book-hunting bug.  A lot of Milne’s work can be tracked down easily, but a lot of it can’t – and especially couldn’t in 2003-4. A decade earlier, it would have been impossible. A decade later, it would have been easier – but as it was, I bought some things online, and learned the joy of hunting through secondhand bookshops the rest of the time.  Little did I know what a coup it was when I found Before The Flood for 75p in one of my first secondhand bookshops!  By the time I stumbled across For The Luncheon Interval, I knew how lucky I was to find it.

And the search is not yet over, even ten years and more later.  I’ve managed to find things as obscure as his pamphlet on humanism and War Aims Unlimited, but the collection of stories, limited to 600 copies of which he signed every single one?  The chances of me finding an affordable copy are slim – but it’s that sort of thing which keeps the joyous hunt alive.  You don’t get that buying the complete works of Shakespeare in one fell swoop.

So, AAM has stood me in good stead.  I wrote this post as a repository for many A Century of Books titles, but it’s also a celebration of an author who made me a besotted reader and an equally besotted book-hunter (and, yes, book-buyer).  And now, of course, I’d love to know which author or authors takes this role for you?

Stuck-in-a-Book’s Weekend Miscellany

Well, the rains, they cometh. Hopefully that means I can curl up indoors and fight off Reader’s Block (I know I keep mentioning it, but it’s a bit of a worry with the pile of Shiny New Books to read, although mine is nothing compared to Victoria’s). But I’ve still rustled up a book, a link, and a blog post…

1.) The link – I put together another quiz for OxfordWords – this time, can you spot titles borrowed from other books? I think this is the post I’ve had most fun creating so far. Let me know how you did!

2.) The book – Can I be mammothly indiscreet for a moment? Almost every publisher has been wonderful about providing books for Shiny New Books – either to us or to a band of willing reviewers. The exception is Fourth Estate, who have ignored all of our emails – but, damn their eyes &c., they also publish some very intriguing-sounding books (and I’m sure they have v good reasons for not being able to reply!) It’s played in their favour, as we’ve ended up buying the books ourselves and sending them off to reviewers – and today I ordered a beautiful reprint of Penelope Fitzgerald’s Charlotte Mew and Her Friends. They’ve also reprinted lots of her novels in equally striking covers.

3.) The blog post – my Shiny New Books co-editor has done her own Q&A – you’re too late to ask the Q, I’m afraid, but you can read the A – part one and part two.

A Diet of Dame Agatha

For the sake of updating my Century of Books, and because I have precious little else to update Stuck-in-a-Book with at the moment, here’s a rundown of the Agatha Christies I’ve been reading of late. I imagine there will be another update to come soon, but hopefully I can extend my reading range a bit soon, as I need to read Asleep in the Sun by Adolfo Bioy Casares for book group next week!

It’s difficult to write properly about detective fiction, and it’s even more difficult to write differently about lots of detective fiction, so I’ll just give you a couple of impressions per book.

The Seven Dials Mystery (1929)
Very Wodehousian beginning, and Christie does humour well.  But I never like Agatha as much when she’s doing gangs and spy rings and all that.  (I also wonder how recently she’d read The Man Who Was Thursday.)

Elephants Can Remember (1972)
I was warned off this one after I’d started, but I actually loved large chunks of it – Ariadne Oliver (a detective novelist with a famous Finnish detective) is a wonderful opportunity for Agatha Christie to talk about her own career wittily, and (having met her for my first time in Hallowe’en Party) I loved seeing her again.  But the plot was pretty flimsy.

Curtain (1975)
Poirot’s last case, written some decades earlier, it’s amusingly anachronistic at times, but has a good plot and the ever-wonderful Captain Hastings.

Mrs McGinty’s Dead (1952)
More Poirot, more Ariadne Oliver! And a good plot, although perhaps not one of the very best. Or perhaps I’m just saying that because I guessed part of the ending, and I always prefer to be fooled.

Murder in the Mews (1937)
Four novella length stories about Poirot, one of which (the longest) was very good, ‘Dead Man’s Mirror’. The others were fine, but I got the impression that Christie hadn’t considered the ideas good enough for a full-length book.

I have four more Christies out of the library, so I’ll fill you in when I’ve rushed through those… and then hopefully I’ll have broken my Reader’s Block!  Thank goodness there is an author I can turn to during those periods, where it seems inconceivable that anybody could actually finish reading a book (so many WORDS!) as otherwise I’d be going mad.

Muddling Through

One of the types of books I most love are those incidental, silly-humour books from between the world wars. The sort that is achingly middle-class and frivolous, neither lewd nor politically astute, but something that folk in the 1930s would have laughed through and put on their coffee tables. Sometimes those books are collections of essays, but occasionally they come in the shape of Muddling Through by Theodora Benson and Betty Askwith (illustrated by Nicolas Bentley).

The subtitle is ‘Britain in a Nutshell’, and such is what it purports to be. It considers England, Wales, Ireland, and Scotland in turn, pointing out the national characteristics of each, and the distinctive traits of various regions. All is done in staccato sentences, which are supposedly comprehensive but, of course, are nothing of the kind. (‘Cambridge always wins the boat race. Cambridge has sausages.’)

Yes, the joke is rather one-note, and utterly silly, but it rather beguiled me – as a snapshot of a period, as much as anything else.

The other thing which made this a snapshot of its publication year (1936) was how generous the publisher is with space. It’s an above-average-height hardback, and a lot of the pages are almost empty.  It adds to the humour (because it becomes all the clearer that they are dismissing places and people in a handful of words) but, to those of us familiar with the ‘wartime restrictions’ notes in the wafer-thin-paper hardbacks which were soon to follow, it feels anachronistic.

So, a silly book, but just the sort of silly I love.

Stuck-in-a-Book’s Weekend Miscellany

Hope you’re enjoying a fun weekend, folks – I spent Friday evening at a murder mystery party. I’d written it, in fact, and it’s always fun to see the characters come alive before you – even if I had to give a few sotto voce instructions to make sure people said or did the right things.  Nobody guessed the murderer, but there were a few “Ohhhh!”s during the reveal, which I think is a good combination.  I spent most of the time on the method, and had more trouble with the motive… thanks to friends, colleagues, and family who were called upon to provide plausible reasons for killing. (Disturbing sentence…) Let’s move on quickly to some weekend miscellany fun…

1.) If you like literature and music, chances are you’ll like Literary Music, run by a friend of a friend. To quote their webpage, ‘Literary Music is an inspirational group of young professional Classical musicians performing programmes inspired by the lives and works of some of our best loved authors.’

2.) Speaking about friends of friends, my colleague and friend Debbie showed me a copy of her sister’s book the other day, and I thought I’d help spread the word. It’s called The Case of the Exploding Loo – so I’m thinking children or grandchildren might be the market, rather than usual SIAB readers! The author is Rachel Hamilton, and you can read more about the book on Book Walrus, the children’s book review site the sisters run.

3.) I don’t I ever mentioned going to hear Thomas Teal and Ali Smith talk about Tove Jansson at the Royal Society of Literature a week or two ago. Well, it was wonderful! You probably know how much I love Jansson, and it was a pleasure to be in a room with people who love and know her work – and, in the case of Tom Teal, someone who has also spent a few days staying with Tove and her partner on their island. He had slides to show, and stories to tell, and it was wonderful! I also loved hearing about how Teal discovered Jansson, and how Smith discovered Jansson, and how the wonderful people at Sort Of Books commissioned Teal to keep translating Jansson’s work. I could happily have listened for twice as long (despite the room being swelteringly hot!)  AND I’ve got a review copy of Jansson’s newly-translated first short story collection, The Listener, which I’ll be diving into if my Reader’s Block ever disappears. Otherwise… back to Agatha today.

ANZ Literature Month: Katherine Mansfield

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I really did mean to read some Janet Frame for Kim’s ANZ Literature Month, but for the past two or so weeks I’ve had reader’s block, and have only been able to get through Agatha Christie novels.  But I don’t want to ignore the month, particularly now that New Zealand authors have been included – which gives me a good excuse to read something by one of my favourite writers: Katherine Mansfield.

I picked a story at random, from the four 1920s hardbacks of her stories which I bought in 2004 and which I make sure are always on my shelves in Oxford. The story I chose was ‘Psychology’ (1920), which is quintessential Mansfield. That is to say, it’s about the quiet magnitude of a seemingly insignificant moment – about things unsaid and thoughts unwelcomed. She is expert at being somehow giving objective narrative and subjective emotion at the same time, and creating a many-layered scene. She is quite simply the best short story writer I’ve ever read, and astonishingly good with words. Since she’s long out of copyright, here is ‘Psychology’… (and I wholeheartedly recommend anything in her collections The Garden Party and Bliss, particularly the title stories of both. The Garden Party is even free on Kindle.)

‘Psychology’

WHEN she opened the door and saw him standing there she was more pleased than ever before, and he, too, as he followed her into the studio, seemed very very happy to have come.
“Not busy?”
“No. Just going to have tea.”
“And you are not expecting anybody?”
“Nobody at all.”
“Ah! That’s good.”
He laid aside his coat and hat gently, lingeringly, as though he had time and to spare for everything, or as though he were taking leave of them for ever, and came over to the fire and held out his hands to the quick, leaping flame.
Just for a moment both of them stood silent in that leaping light. Still, as it were, they tasted on their smiling lips the sweet shock of their greeting. Their secret selves whispered:
“Why should we speak? Isn’t this enough?”
“More than enough. I never realized until this moment . . . “
“How good it is just to be with you. . . . “
“Like this. . . . “
“It’s more than enough.”
But suddenly he turned and looked at her and she moved quickly away.
“Have a cigarette? I’ll put the kettle on. Are you longing for tea?”
“No. Not longing.”
“Well, I am.”
“Oh, you.” He thumped the Armenian cushion and flung on to the sommier. “You’re a perfect little Chinee.”
“Yes, I am,” she laughed. “I long for tea as strong men long for wine.”
She lighted the lamp under its broad orange shade, pulled the curtains, and drew up the tea table. Two birds sang in the kettle; the fire fluttered. He sat up clasping his knees. It was delightful–this business of having tea–and she always had delicious things to eat–little sharp sandwiches, short sweet almond fingers, and a dark, rich cake tasting of rum–but it was an interruption. He wanted it over, the table pushed away, their two chairs drawn up to the light, and the moment came when he took out his pipe, filled it, and said, pressing the tobacco tight into the bowl: “I have been thinking over what you said last time and it seems to me. . . . “
Yes, that was what he waited for and so did she. Yes, while she shook the teapot hot and dry over the spirit flame she saw those other two, him, leaning back, taking his ease among the cushions, and her, curled up en escargot in the blue shell arm-chair. The picture was so clear and so minute it might have been painted on the blue teapot lid. And yet she couldn’t hurry. She could almost have cried: “Give me time.” She must have time in which to grow calm. She wanted time in which to free herself from all these familiar things with which she lived so vividly. For all these gay things round her were part of her–her offspring–and they knew it and made the largest, most vehement claims. But now they must go. They must be swept away, shooed away–like children, sent up the shadowy stairs, packed into bed, and commanded to go to sleep–at once–without a murmur!
For the special thrilling quality of their friendship was in their complete surrender. Like two open cities in the midst of some vast plain their two minds lay open to each other. And it wasn’t as if he rode into hers like a conqueror, armed to the eyebrows and seeing nothing but a gay silken flutter–nor did she enter his like a queen walking soft on petals. No, they were eager, serious travellers, absorbed in understanding what was to be seen and discovering what was hidden–making the most of this extraordinary absolute chance which made it possible for him to be utterly truthful to her and for her to be utterly sincere with him.
And the best of it was they were both of them old enough to enjoy their adventure to the full without any stupid emotional complication. Passion would have ruined everything; they quite saw that. Besides, all that sort of thing was over and done with for both of them–he was thirty-one, she was thirty–they had had their experiences, and very rich and varied they had been, but now was the time for harvest–harvest. Weren’t his novels to be very big novels indeed? And her plays. Who else had her exquisite sense of real English Comedy? . . .
Carefully she cut the cake into thick little wads and he reached across for a piece.
“Do you realize how good it is,” she implored. “Eat it imaginatively. Roll your eyes if you can and taste it on the breath. It’s not a sandwich from the hatter’s bag–it’s the kind of cake that might have been mentioned in the Book of Genesis. . . . And God said: ‘Let there be cake. And there was cake. And God saw that it was good.'”
“You needn’t entreat me,” said he. “Really you needn’t. It’s a queer thing but I always do notice what I eat here and never anywhere else. I suppose it comes of living alone so long and always reading while I feed . . . my habit of looking upon food as just food . . . something that’s there, at certain times . . . to be devoured . . . to be . . . not there.” He laughed. “That shocks you. Doesn’t it?”
“To the bone,” said she.
“But–look here–” He pushed away his cup and began to speak very fast. “I simply haven’t got any external life at all. I don’t know the names of things a bit–trees and so on–and I never notice places or furniture or what people look like. One room is just like another to me–a place to sit and read or talk in–except,” and here he paused, smiled in a strange naive way, and said, “except this studio.” He looked round him and then at her; he laughed in his astonishment and pleasure. He was like a man who wakes up in a train to find that he has arrived, already, at the journey’s end.
“Here’s another queer thing. If I shut my eyes I can see this place down to every detail–every detail. . . . Now I come to think of it–I’ve never realized this consciously before. Often when I am away from here I revisit it in spirit– wander about among your red chairs, stare at the bowl of fruit on the black table–and just touch, very lightly, that marvel of a sleeping boy’s head.”
He looked at it as he spoke. It stood on the corner of the mantelpiece; the head to one side down-drooping, the lips parted, as though in his sleep the little boy listened to some sweet sound. . . .
“I love that little boy,” he murmured. And then they both were silent.
A new silence came between them. Nothing in the least like the satisfactory pause that had followed their greetings– the “Well, here we are together again, and there’s no reason why we shouldn’t go on from just where we left off last time.” That silence could be contained in the circle of warm, delightful fire and lamplight. How many times hadn’t they flung something into it just for the fun of watching the ripples break on the easy shores. But into this unfamiliar pool the head of the little boy sleeping his timeless sleep dropped–and the ripples flowed away, away–boundlessly far–into deep glittering darkness.
And then both of them broke it. She said: “I must make up the fire,” and he said: “I have been trying a new . . . ” Both of them escaped. She made up the fire and put the table back, the blue chair was wheeled forward, she curled up and he lay back among the cushions. Quickly! Quickly! They must stop it from happening again.
“Well, I read the book you left last time.”
“Oh, what do you think of it?”
They were off and all was as usual. But was it? Weren’t they just a little too quick, too prompt with their replies, too ready to take each other up? Was this really anything more than a wonderfully good imitation of other occasions? His heart beat; her cheek burned and the stupid thing was she could not discover where exactly they were or what exactly was happening. She hadn’t time to glance back. And just as she had got so far it happened again. They faltered, wavered, broke down, were silent. Again they were conscious of the boundless, questioning dark. Again, there they were–two hunters, bending over their fire, but hearing suddenly from the jungle beyond a shake of wind and a loud, questioning cry . . . .
She lifted her head. “It’s raining,” she murmured. And her voice was like his when he had said: “I love that little boy.”
Well. Why didn’t they just give way to it–yield–and see what will happen then? But no. Vague and troubled though they were, they knew enough to realize their precious friendship was in danger. She was the one who would be destroyed–not they–and they’d be no party to that.
He got up, knocked out his pipe, ran his hand through his hair, and said: “I have been wondering very much lately whether the novel of the future will be a psychological novel or not. How sure are you that psychology quapsychology has got anything to do with literature at all?”
“Do you mean you feel there’s quite a chance that the mysterious non-existent creatures–the young writers of to-day–are trying simply to jump the psycho-analyst’s claim?”
“Yes, I do. And I think it’s because this generation is just wise enough to know that it is sick and to realize that its only chance of recovery is by going into its symptoms–making an exhaustive study of them–tracking them down–trying to get at the root of the trouble.”
“But oh,” she wailed. “What a dreadfully dismal outlook.”
“Not at all,” said he. “Look here . . . ” On the talk went. And now it seemed they really had succeeded. She turned in her chair to look at him while she answered. Her smile said: “We have won.” And he smiled back, confident: “Absolutely.”
But the smile undid them. It lasted too long; it became a grin. They saw themselves as two little grinning puppets jigging away in nothingness.
“What have we been talking about?” thought he. He was so utterly bored he almost groaned.
“What a spectacle we have made of ourselves,” thought she. And she saw him laboriously–oh, laboriously–laying out the grounds and herself running after, puffing here a tree and there a flowery shrub and here a handful of glittering fish in a pool. They were silent this time from sheer dismay.
The clock struck six merry little pings and the fire made a soft flutter. What fools they were–heavy, stodgy, elderly–with positively upholstered minds.
And now the silence put a spell upon them like solemn music. It was anguish–anguish for her to bear it and he would die–he’d die if it were broken. . . . And yet he longed to break it. Not by speech. At any rate not by their ordinary maddening chatter. There was another way for them to speak to each other, and in the new way he wanted to murmur: “Do you feel this too? Do you understand it at all?” . . .
Instead, to his horror, he heard himself say: “I must be off; I’m meeting Brand at six.”
What devil made him say that instead of the other? She jumped–simply jumped out of her chair, and he heard her crying: “You must rush, then. He’s so punctual. Why didn’t you say so before?”
“You’ve hurt me; you’ve hurt me! We’ve failed!” said her secret self while she handed him his hat and stick, smiling gaily. She wouldn’t give him a moment for another word, but ran along the passage and opened the big outer door.
Could they leave each other like this? How could they? He stood on the step and she just inside holding the door. It was not raining now.
“You’ve hurt me–hurt me,” said her heart. “Why don’t you go? No, don’t go. Stay. No–go!” And she looked out upon the night.
She saw the beautiful fall of the steps, the dark garden ringed with glittering ivy, on the other side of the road the huge bare willows and above them the sky big and bright with stars. But of course he would see nothing of all this. He was superior to it all. He–with his wonderful “spiritual” vision!
She was right. He did see nothing at all. Misery! He’d missed it. It was too late to do anything now. Was it too late? Yes, it was. A cold snatch of hateful wind blew into the garden. Curse life! He heard her cry “au revoir” and the door slammed.
Running back into the studio she behaved so strangely. She ran up and down lifting her arms and crying: “Oh! Oh! How stupid! How imbecile! How stupid!” And then she flung herself down on the sommier thinking of nothing–just lying there in her rage. All was over. What was over? Oh–something was. And she’d never see him again–never. After a long long time (or perhaps ten minutes) had passed in that black gulf her bell rang a sharp quick jingle. It was he, of course. And equally, of course, she oughtn’t to have paid the slightest attention to it but just let it go on ringing and ringing. She flew to answer.
On the doorstep there stood an elderly virgin, a pathetic creature who simply idolized her (heaven knows why) and had this habit of turning up and ringing the bell and then saying, when she opened the door: “My dear, send me away!” She never did. As a rule she asked her in and let her admire everything and accepted the bunch of slightly soiled looking flowers–more than graciously. But to-day . . .
“Oh, I am so sorry,” she cried. “But I’ve got someone with me. We are working on some wood-cuts. I’m hopelessly busy all evening.”
“It doesn’t matter. It doesn’t matter at all, darling,” said the good friend. “I was just passing and I thought I’d leave you some violets.” She fumbled down among the ribs of a large old umbrella. “I put them down here. Such a good place to keep flowers out of the wind. Here they are,” she said, shaking out a little dead bunch.
For a moment she did not take the violets. But while she stood just inside, holding the door, a strange thing happened. Again she saw the beautiful fall of the steps, the dark garden ringed with glittering ivy, the willows, the big bright sky. Again she felt the silence that was like a question. But this time she did not hesitate. She moved forward. Very softly and gently, as though fearful of making a ripple in that boundless pool of quiet she put her arms round her friend.
“My dear,” murmured her happy friend, quite overcome by this gratitude. “They are really nothing. Just the simplest little thrippenny bunch.”
But as she spoke she was enfolded–more tenderly, more beautifully embraced, held by such a sweet pressure and for so long that the poor dear’s mind positively reeled and she just had the strength to quaver: “Then you really don’t mind me too much?”
“Good night, my friend,” whispered the other. “Come again soon.”
“Oh, I will. I will.”
This time she walked back to the studio slowly, and standing in the middle of the room with half-shut eyes she felt so light, so rested, as if she had woken up out of a childish sleep. Even the act of breathing was a joy. . . .
The sommier was very untidy. All the cushions “like furious mountains” as she said; she put them in order before going over to the writing-table.
“I have been thinking over our talk about the psychological novel,” she dashed off, “it really is intensely interesting.” . . . And so on and so on.
At the end she wrote: “Good night, my friend. Come again soon.”