Light – Stuck in a Book

Where do we like to read? And books inspired by Virginia Woolf. It’s a very ‘us’ episode.

In the first half of this episode, we’re adopting a question suggested by Teddy – reading at home vs reading elsewhere – and discuss our favourite places to read (alongside some wonderful suggestions from some Patreon patrons. Check out our Patreon page!) In the second half, we look at two books inspired by Virginia Woolf – one is Mrs Woolf and the Servants by Alison Light (non-fiction), and the other is The Hours by Michael Cunningham. It was a really fun discussion!

We also talk more about tea than usual, just to even things out.

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The books and authors we mention in this episode are:

The Wayward Bus by John Steinbeck
Of Mice and Men by John Steinbeck
East of Eden by John Steinbeck
The Pearl by John Steinbeck
The Winter of Our Discontent by John Steinbeck
Stoner by John Williams
The Mandelbaum Gate by Muriel Spark
The Carlyles at Home by Thea Holme
At Bertram’s Hotel by Agatha Christie
The Millstone by Margaret Drabble
Rebecca by Daphne du Maurier
Autobiography of Malcolm X by Malcolm X
The Crimson Petal and the White by Michel Faber
The Eye of the World by Robert Jordan
Diary of a Provincial Lady by E.M. Delafield
A Home at the End of the World by Michael Cunningham
By Nightfall by Michael Cunningham
Land’s End by Michael Cunningham
Forever England by Alison Light
Common People by Alison Light
Cluny Brown by Margery Sharp
The Gipsy in the Parlour by Margery Sharp

Though I always find some sort of interest in my studies, occasionally a lit crit book comes along which is such a pleasure to read that I almost feel guilty alloting work time to it. Step forward Alison Light, and Forever England: Femininity, Literature and Conservatism Between the Wars. If the name rings a bell, then perhaps you’ve read her more recent book, Mrs. Woolf and the Servants (which has made it from my must-read-very-soon shelf to my bedside table, about as far as a book can get before it’s actually in my hands).

Forever England was published in 1991 and is essentially the outcome of Light’s dissertation – not as wide-ranging as Nicola Humble’s The Feminine Middlebrow Novel 1920s-1950s (see my post here), Light’s book is instead specifically about four authors, each with a chapter devoted to them. And they are all authors who’ve cropped up on Stuck-in-a-Book in the past – Ivy Compton-Burnett; Agatha Christie; Jan Struther (well, Mrs. Miniver really); Daphne du Maurier. Light treats them as serious authors, not amusing side-notes in a literary history, and that is what is so refreshing about Forever England. Not that she claims more for them than is there, but rather she values the role of these writers for what they are. Christie was professedly lowbrow; ICB has a complex way of presenting dialogue; Jan Struther wasn’t a proto-feminist; D du M had an odd relationship with her family in her writing – all of this is true and acknowledged, but each writer is also re-evaluated and investigated with honest interest.

Not sure how available this book is; I have a feeling it might be quite tricky to track down, but perhaps libraries will have copies, or can get them. Unlike most literary criticsm, I would recommend this as a cover-to-cover read, utterly accessible without being insulting to the intellect. While the scope of Humble’s book makes that remain the first port of call for me, Light’s contribution to the specifics of these four writers is fascinating and genuinely enjoyable to read.